Doug Stockdale's Singular Images

June 2, 2017

Life Guard Station #13 – featured in YourDailyPhotograph today

Filed under: Middle Ground, Projects/Series — Tags: , , — Doug Stockdale @ 4:41 pm

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Life Guard Station #13, May 2017 copyright Douglas Stockdale

I am very honored to be featured in YourDailyPhotograph today with a special limited time offer (today!) for the photographic print of Life Guard Station #13, May 2017.

Archival pigment print: 15″ x 15″ on 17″ x 22″ Hahnemuhle matte.

This is part of a series of coastal photographs that I am making along the Southern California shore line. This location was in Dana Point on Doheny Beach.

Cheers!

May 18, 2017

Life Guard Station #14 – San Clemente

Filed under: Photography, Projects/Series — Tags: , , — Doug Stockdale @ 8:00 am

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Life Guard Station #14, San Clemente, CA, May 2017, copyright Douglas Stockdale

The same day this month that I captured the gradations beach photo on San Clemente beach that I discussed here, I also photographed the adjacent Life Guard Station #14. In fact I believe that the earlier beach photograph was captured in front of this Guard station.

These are relatively two different photographic image treatments, although both share a similar frontal and formal framing. As the occasion was at dusk, the Life Guard Station was closed down for the evening, thus has a somber, if not lonely, air about it and the beach was without the throngs of beach-goers. But being a man-built structure this does hint at the surrounding beach-oriented culture.

I think the shallow dept of field places more emphasis on this structure rather than the breaking surf in the background. There is still enough environmental context provided while yet still being ambiguous (and hopefully a little mystery) to allow a viewer an opportunity to create their own stories and recall similar memories.

Btw, the subtle differences between the two modified images has me thinking about how I document events and the subsequent treatments applied to the images. Perhaps because I am doing some mentoring for other photographers now and I need to consider my own advice regarding how one creates their own “Brand”. So I suspect I will be writing more about that in the months to come.

Cheers!

May 17, 2017

Experiment-play – LA landscape

Filed under: Middle Ground, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 8:00 am

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Los Angeles, I-5 Freeway, March 2017 copyright Douglas Stockdale

While driving up the I-5 Freeway into Los Angeles earlier this year, I was again finding myself in the bump-to-bumper traffic grind common for this part of Southern California. So similar to my bumper-to-bumper photographs in my recent drives to San Diego, I used the opportunity that when I came to a complete stop to take a photo of the adjacent landscape. So the resulting urban landscape photographs are a combination of serendipity and chance, something that the Surrealist would appreciate.

The resulting photographs from this day-shoot lay dormant, but I kept coming back to this photographic set as there was something there that retained my interest. Over this last weekend I found myself working on one of the photographs and the results are posted above. This photograph is in line with my idea of experiment-play in which I give myself a lot of freedom to visually experiment.

There is a bit of artistic manipulation of the image, but not too far visually off what might be possible with a long lens from a distance further back while using a wide open (shallow depth of field) aperture. So it’s kinda of “realistic” and might pass as a “straight” photograph. Nevertheless I posted this on Instagram and was somewhat impressed by the big response as measured by the amount of likes.

For me, I have moved beyond a straight document of the landscape to something more personal, perhaps a little more ambiguous, a touch of mystery and that has some metaphoric potential. As Sara Terry said about my Memory Pods project, I have made this subject my own. It has my imprint on it. (Okay, what does that mean? Good question as I am not sure yet, but this idea has my wheels turning)

So this has me thinking some more about my other freeway photographs that I have taken over the years in which I might want to reconsider what a straight or documentary style image should look like. Or perhaps better yet, what is my take on LA and how should I interpret this urban landscape?

Cheers!

 

 

March 2, 2017

Fortress America – a political folly

Filed under: Middle Ground, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 6:49 pm

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Middle Ground, San Diego, 2016 copyright Douglas Stockdale

I have enjoyed a short breather from my Middle Ground project, an investigation of “Fortress America”, a sarcastic visual parody of the current political desire to build a HUGE wall to protect America from the desperadoes of the South. I touched on this project briefly during my interview with Aline Smithson for Lenscratch, but none of photographs from this project were included (I think that this is my bad, as I meant to, but not sure that I actually provided one)

So a quick recap: I now think that I have all of the photographs to finish this project (which means I will not be acquiring the 50mm Distagon for a film version of this project), now heavily into editing and I think that time is of the essence to get this project completed. I do not think it will stop the political folly, but this might help with the discussion as to why this wall is such a stupid, impracticable and expensive idea (I don’t think that this concept worked for China or most recently in Berlin). Yes, a billion dollar wall that can be overcome by a used $25.00 ladder. sigh.

One idea for an artist book (and hopefully a trade edition) is to design, print and bind the interior pages as an accordion (Leporello or Concertinas). The results will create a continuous line of the barriers (photographs), thus another layer of visual parody about The wall.

Okay, back to work!

Cheers

 

January 7, 2017

New Adventure for 2017: Video

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Untitled (Middle Ground) copyright 2016 Douglas Stockdale

Something that has not really captured my attention for some time is working with video. I am of that generation in which movies were made with super-8mm film, a real bear to edit (actually had to physically splice the film together) and trying to add sound was an actual nightmare. To do movies right also meant investing in 16mm equipment, so still photograph made life so much easier. Even when I purchased the Canon 5DMk3, which has professional HD video capabilities, I did not even read the manual on how to use this feature until very recently (yes, like over this last New Years holiday while I was sicker than a dog).

So what prompted this wild & crazy idea? While photographing the Middle Ground project, I came up with the idea of doing a video of the same freeway urban landscape that I was looking at as I did the slow pokey drive in the bumper to bumper traffic.  What might that urban landscape look like as a video, as I had no idea. The idea is that the video would complement an exhibition of the still photographs to provide another visual alternative to this same project. This is in addition to photographing this landscape project with my Hasselblad (still have not purchased the 50mm CF Distagon yet), which I wrote about here.

I knew that my daughter’s brother-in-law Cameron has a sound studio in Santa Ana, but I had not realized the amount of video that he has also worked with until we started talking about it over the holidays. The reason I even brought it up with him is that Kevin, a good friend of mine, has been playing piano for many, many years and while listening to his CD it occurred to me think that this might provide a nice background sound track to my video, which it turns out, Kevin was game for. So I was primarily asking Cameron about his ability to add this sound track to my video. No problem! I then received a interesting mini-lesson in video and what I could do with my 5DMk3, which then prompted me to want to actually read the manual ;- )

2016 was my year to try Instagram and 2017 may be my year to try video. Who knew?

Cheers!

December 29, 2016

Hasselblad 50mm Distagon lens in my future for 2017?

Filed under: Middle Ground, Projects/Series — Tags: , , , , , , — Doug Stockdale @ 6:09 am

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untitled (Middle Ground), copyright 2016 Douglas Stockdale

While working on my current project, Middle Ground, I have thinking that I might want to consider using my Hasselblad and start shooting this with color film in 2017. The biggest issue is that I do not have an equivalent Hasselblad lens for the digital gear I am currently using. I have decided to work with a wide field of view for this project, selecting a 28mm focal length and field of view using my Canon 5DMk3 and the 24-105mm lens (a little scotch tape does a pretty good job of locking down the lens at the focal length that I want). Yes I could also purchase a 28mm prime lens for the Canon, but I am also a bit cheap and this works pretty well.

The closest thing for the Hasselblad is the 50mm f/4 Distagon lens and using a 1.6 factor, this lens can provide about a 31mm equivalent field of view to my 5DMk3/24-105mm. So I taped the 24-105mm lens at what is about 31mm tested it on a drive to San Diego. Part of the drive I also locked (taped) the the lens at 35mm to compare (the 60mm Distagon is about 38mm field of view equivalent). The 31mm was not too bad, but the 35mm started to tighten the pictorial framing of what I want to capture a little too much, thus confirming that an investment in a Hasselblad 50mm Distagon should work. It would be nice to borrow a 50mm Distagon to try out, but my buddies near-by do not have this lens to lend. darn.

Since I will be acquiring a used lens, which of the four different 50mm Distagon models to look for? I think that the CF will do the trick for me, a bit newer and better (lens coating) than the original C model and as I am not focusing close-up the later FLE (Floating lens element) model is probably not necessary (and save me some extra bucks as well).

So the lens hunt is now on!

Cheers

December 24, 2016

Merry Christmas & Happy Holidays!

Filed under: Photography, Picture Postcards — Tags: , , — Doug Stockdale @ 6:37 pm

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Christmas Wreath 2016 copyright Douglas Stockdale

First, wishing all of you and your families a wonderful and joy filled Christmas and Holiday Season.

Yes, time to create another Christmas card and this year, since I did not create a wonderful Christmas (card) image in Santa Fe last month (& not for a lack of trying), I had to do something a little different. First, I was inspired by the fresh greenery of the wreath on the front door and pre-visualized a little post-processing Snapseed magic. The results have been called a little bit too much of a “Hallmark” photo in deference to the giant card company’s photographic style, but it does work for me. For this year anyway.

Also wishing you a very creative photographic New Year!

Cheers

 

December 13, 2016

Santa Fe (Brian Finke creative exercise)

Filed under: Photography — Tags: , , , , — Doug Stockdale @ 1:03 am

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Santa Fe, Berger Street, 2016 copyright Douglas Stockdale

I was intrigued with one photograph I made of the gate into the courtyard at our rental house in Santa Fe. It reminded me of what a portal might appear like, which in this case could be a potential portal into the past. To enhance that potential visual metaphor, I tweaked the image with some of the Snapseed effects.

I think that this photograph relates to one of creative photographic idea generators found in The Photographer’s Playbook as explained by Brian Finke; Trust the Gut (pg 108). The need to make photographs should come from one’s self, to channel your feelings into your work, whatever that might be, try to feel it fully and to trust that it will show up in your photographs.

Finke’s exercise maybe as close as anyone’s in The Photographer’s Playbook that approaches my idea of Experiment-fun as to playing with a camera just to see what might happen. Then trust your gut that the resulting photographs are channeling your feelings.

Cheers!

December 12, 2016

Living Santa Fe (variation on Todd Hido creativity lesson)

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Living Santa Fe portfolio 2016 copyright Douglas Stockdale

As I wrote earlier about our recent Thanksgiving in Santa Fe, we had rented a house for this long weekend that exhibited all of the Santa Fe charm you could wish for. I found myself photographing this home’s interior and exterior landscape and on return, created this mini-portfolio.

This is also a variation of one of creative photographic idea generators found in The Photographer’s Playbook as explained by Todd Hido, sub-titled Exposure Yourself (pg 149). Essentially exposure yourself to a different environment by going for at least two nights to someplace you normally don’t go. Leave yourself open to spontaneity; no plans to meet anyone or anything set in stone, perhaps with the exception of when and how you are going to return home. And need to take lots and lots of pictures of whatever grabs your interest. In this case while we walking Santa Fe, I also focused on the home we were staying at (very different from Southern California) as representative of how one might live in Santa Fe.

Having read many times how other photographers strongly suggest photographing things at home and that you really don’t have to go far to find a subject, I think that this creativity exercise might help one re-see their own environment. By exposing yourself to a different place, this might refresh your vision for a place where you might have taken too much for granted. For the cheap version of this creativity exercise; ask a neighbor who lives down the street that you do not know very well if you could document their house over the next couple of weeks.

Cheers

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December 8, 2016

Walking Santa Fe (& a creative lesson from Todd Hido)

Filed under: Photography, Projects/Series — Tags: , , , , — Doug Stockdale @ 4:13 am

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2016 copyright Douglas Stockdale

One of the nice aspects of Santa Fe, New Mexico is the relatively small and centralized layout of this early Western town.It is quaint, very picturesque, great food and now has a zillion art galleries, including a couple of photographic galleries; photo-eye and Verve (which regretfully in closing in February 2017) and the photo-eye book store. Also ideal for staying in a place in or adjacent to town (we did a rental house over this past Thanksgiving weekend) and then walking everywhere you want or need; day or night.

This little trip also falls into one of creative photographic idea generators found in The Photographer’s Playbook as explained by Todd Hido, sub-titled Exposure Yourself (pg 149). Essentially exposure yourself to a different environment by going for at least two nights to someplace you normally don’t go (this is our first visit to Sante Fe). Leave yourself open to spontaneity; no plans to meet anyone or anything set in stone (okay, I knew that at some point I was going to the photo-eye bookstore), perhaps with the exception of when and how you are going to return home. And need to take lots and lots of pictures of whatever grabs your interest. This method of Expose Yourself has worked for many photographers over the years to either change things up or reconfirm what they enjoy working on (yes,  various aspects of the urban & built landscape continue to interest me).

This creative process is also integral with my experiment-fun methodology; all the photographs in the mini-portfolio are hand-held using my Samsung camera phone, then processed with Snapseed for immediate uploading on Instagram (@douglasstockdale). The mini-portfolio below has now been additionally tweaked with Photoshop now that I am back to my home-studio. Although I know I need to make multiple exposures for my night images to try & ensure I did not have a shaky image, the night photographs did not necessarily turn out as well as expected. Still, in keeping with my game plan, I had a lot of fun.

By the way, no accident that I included the Clafoutis Bakery in this mini-portfolio; an excellent french breakfast & pastries, which is a nice change from the spicy New Mexican foods of Santa Fe.

Cheers!

Btw, this is a re-post of a previous post because I really goofed it up the first time (that’s another story). Sorry about that!

The Walking Santa Fe mini-portfolio

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