Doug Stockdale's Singular Images

October 2, 2017

L.A. Street photography last weekend

Filed under: Photography, Workshops — Tags: , , — Doug Stockdale @ 11:14 pm

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Los Angeles street graffiti 2017 copyright Douglas Stockdale 

While in Los Angeles this weekend to lead my Intro to Photo Book Design workshop at LACP, I thought it pure serendipity that some street graffiti of a shadowy book reader would be right in my pathway. Especially after I had posting a couple of photographs on Instagram of some book readers I had come across while roaming one of the SoCal ocean beaches. I took this street-art as a really good omen.

Below are some urban landscape photographs made this same day. While I am not sure that I am a street photographer, it sure is starting to appear from my photographs that I may indeed have that inclination. So while thinking about this, I am also starting to think that my photo book Ciociaria may have a healthy part of street photography as one of it’s main ingredients, up to now I have calling a photo-documentary. Also guessing there is a lot of overlap between photo-documentary that comes about due to street photography. hmmmmm.

Cheers!

Doug

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August 29, 2017

Ciociaria in FineBooks & Collections magazine

Filed under: Ciociaria, Projects/Series — Tags: , — Doug Stockdale @ 9:34 pm

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Copyright 2017 by Journalistic, Inc., Chapel Hill, NC

Through serendipity I recently came to know of and receive a review copy of FineBooks & Collections, a quarterly published by Journalistic, Inc. out of their Chapel Hill, NC offices. As you might imagine the magazine reports on all things related to “Fine” Books, Manuscripts, and other published empheria that might end up in a collection.

The events that led to my obtaining a review copy of FineBooks was a survey article being prepared about photobooks, titled Photography in Motion, Collecting Photobooks is a way of Collecting Change by Andrea Volpe. One of the subjects that Volpe discussed was Yale’s Beinecke Rare Book & Manuscript Library acquisition/donation of the Indie Photobook Library develop by Larissa Leclair (we reported on this earlier). To illustrate the indie type of phtotobooks in Leclair’s collection, FineBooks wanted to use the cover of my photobook Ciociaria, published by Edizioni Punctum that was included in the Yale acquisition.

This is not a book review, but it places my photobook alongside some wonderful photographic company; Alvin Langdon Coburn, Lewis Hine, Danny Lyons, Richard Avedon and Gary Winogrand. Nevertheless, it is very nice to become a poster child for Indie photobooks!

Other articles in this magazine of note for photographers and book makers: Not the End for Endpapers, a short interview of Daile Kaplan who is the head of photography at the Swann Auction Galleries and her Pop Photographica collection, a review of a Henry Thoreau exhibition that includes an interesting daguerreotype of him and her In View column (The Sum of its Parts) by Volpe.

Cheers!

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June 2, 2017

Life Guard Station #13 – featured in YourDailyPhotograph today

Filed under: Art Market, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 4:41 pm

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Life Guard Station #13, May 2017 copyright Douglas Stockdale

I am very honored to be featured in YourDailyPhotograph today with a special limited time offer (today!) for the photographic print of Life Guard Station #13, May 2017.

Archival pigment print: 15″ x 15″ on 17″ x 22″ Hahnemuhle matte.

This is part of a series of coastal photographs that I am making along the Southern California shore line. This location was in Dana Point on Doheny Beach.

Cheers!

May 18, 2017

Life Guard Station #14 – San Clemente

Filed under: Photography, Projects/Series — Tags: , , — Doug Stockdale @ 8:00 am

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Life Guard Station #14, San Clemente, CA, May 2017, copyright Douglas Stockdale

The same day this month that I captured the gradations beach photo on San Clemente beach that I discussed here, I also photographed the adjacent Life Guard Station #14. In fact I believe that the earlier beach photograph was captured in front of this Guard station.

These are relatively two different photographic image treatments, although both share a similar frontal and formal framing. As the occasion was at dusk, the Life Guard Station was closed down for the evening, thus has a somber, if not lonely, air about it and the beach was without the throngs of beach-goers. But being a man-built structure this does hint at the surrounding beach-oriented culture.

I think the shallow dept of field places more emphasis on this structure rather than the breaking surf in the background. There is still enough environmental context provided while yet still being ambiguous (and hopefully a little mystery) to allow a viewer an opportunity to create their own stories and recall similar memories.

Btw, the subtle differences between the two modified images has me thinking about how I document events and the subsequent treatments applied to the images. Perhaps because I am doing some mentoring for other photographers now and I need to consider my own advice regarding how one creates their own “Brand”. So I suspect I will be writing more about that in the months to come.

Cheers!

May 17, 2017

Experiment-play – LA landscape

Filed under: Middle Ground, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 8:00 am

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Los Angeles, I-5 Freeway, March 2017 copyright Douglas Stockdale

While driving up the I-5 Freeway into Los Angeles earlier this year, I was again finding myself in the bump-to-bumper traffic grind common for this part of Southern California. So similar to my bumper-to-bumper photographs in my recent drives to San Diego, I used the opportunity that when I came to a complete stop to take a photo of the adjacent landscape. So the resulting urban landscape photographs are a combination of serendipity and chance, something that the Surrealist would appreciate.

The resulting photographs from this day-shoot lay dormant, but I kept coming back to this photographic set as there was something there that retained my interest. Over this last weekend I found myself working on one of the photographs and the results are posted above. This photograph is in line with my idea of experiment-play in which I give myself a lot of freedom to visually experiment.

There is a bit of artistic manipulation of the image, but not too far visually off what might be possible with a long lens from a distance further back while using a wide open (shallow depth of field) aperture. So it’s kinda of “realistic” and might pass as a “straight” photograph. Nevertheless I posted this on Instagram and was somewhat impressed by the big response as measured by the amount of likes.

For me, I have moved beyond a straight document of the landscape to something more personal, perhaps a little more ambiguous, a touch of mystery and that has some metaphoric potential. As Sara Terry said about my Memory Pods project, I have made this subject my own. It has my imprint on it. (Okay, what does that mean? Good question as I am not sure yet, but this idea has my wheels turning)

So this has me thinking some more about my other freeway photographs that I have taken over the years in which I might want to reconsider what a straight or documentary style image should look like. Or perhaps better yet, what is my take on LA and how should I interpret this urban landscape?

Cheers!

 

 

March 2, 2017

Fortress America – a political folly

Filed under: Middle Ground, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 6:49 pm

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Middle Ground, San Diego, 2016 copyright Douglas Stockdale

I have enjoyed a short breather from my Middle Ground project, an investigation of “Fortress America”, a sarcastic visual parody of the current political desire to build a HUGE wall to protect America from the desperadoes of the South. I touched on this project briefly during my interview with Aline Smithson for Lenscratch, but none of photographs from this project were included (I think that this is my bad, as I meant to, but not sure that I actually provided one)

So a quick recap: I now think that I have all of the photographs to finish this project (which means I will not be acquiring the 50mm Distagon for a film version of this project), now heavily into editing and I think that time is of the essence to get this project completed. I do not think it will stop the political folly, but this might help with the discussion as to why this wall is such a stupid, impracticable and expensive idea (I don’t think that this concept worked for China or most recently in Berlin). Yes, a billion dollar wall that can be overcome by a used $25.00 ladder. sigh.

One idea for an artist book (and hopefully a trade edition) is to design, print and bind the interior pages as an accordion (Leporello or Concertinas). The results will create a continuous line of the barriers (photographs), thus another layer of visual parody about The wall.

Okay, back to work!

Cheers

 

January 7, 2017

New Adventure for 2017: Video

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Untitled (Middle Ground) copyright 2016 Douglas Stockdale

Something that has not really captured my attention for some time is working with video. I am of that generation in which movies were made with super-8mm film, a real bear to edit (actually had to physically splice the film together) and trying to add sound was an actual nightmare. To do movies right also meant investing in 16mm equipment, so still photograph made life so much easier. Even when I purchased the Canon 5DMk3, which has professional HD video capabilities, I did not even read the manual on how to use this feature until very recently (yes, like over this last New Years holiday while I was sicker than a dog).

So what prompted this wild & crazy idea? While photographing the Middle Ground project, I came up with the idea of doing a video of the same freeway urban landscape that I was looking at as I did the slow pokey drive in the bumper to bumper traffic.  What might that urban landscape look like as a video, as I had no idea. The idea is that the video would complement an exhibition of the still photographs to provide another visual alternative to this same project. This is in addition to photographing this landscape project with my Hasselblad (still have not purchased the 50mm CF Distagon yet), which I wrote about here.

I knew that my daughter’s brother-in-law Cameron has a sound studio in Santa Ana, but I had not realized the amount of video that he has also worked with until we started talking about it over the holidays. The reason I even brought it up with him is that Kevin, a good friend of mine, has been playing piano for many, many years and while listening to his CD it occurred to me think that this might provide a nice background sound track to my video, which it turns out, Kevin was game for. So I was primarily asking Cameron about his ability to add this sound track to my video. No problem! I then received a interesting mini-lesson in video and what I could do with my 5DMk3, which then prompted me to want to actually read the manual ;- )

2016 was my year to try Instagram and 2017 may be my year to try video. Who knew?

Cheers!

December 29, 2016

Hasselblad 50mm Distagon lens in my future for 2017?

Filed under: Middle Ground, Projects/Series — Tags: , , , , , , — Doug Stockdale @ 6:09 am

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untitled (Middle Ground), copyright 2016 Douglas Stockdale

While working on my current project, Middle Ground, I have thinking that I might want to consider using my Hasselblad and start shooting this with color film in 2017. The biggest issue is that I do not have an equivalent Hasselblad lens for the digital gear I am currently using. I have decided to work with a wide field of view for this project, selecting a 28mm focal length and field of view using my Canon 5DMk3 and the 24-105mm lens (a little scotch tape does a pretty good job of locking down the lens at the focal length that I want). Yes I could also purchase a 28mm prime lens for the Canon, but I am also a bit cheap and this works pretty well.

The closest thing for the Hasselblad is the 50mm f/4 Distagon lens and using a 1.6 factor, this lens can provide about a 31mm equivalent field of view to my 5DMk3/24-105mm. So I taped the 24-105mm lens at what is about 31mm tested it on a drive to San Diego. Part of the drive I also locked (taped) the the lens at 35mm to compare (the 60mm Distagon is about 38mm field of view equivalent). The 31mm was not too bad, but the 35mm started to tighten the pictorial framing of what I want to capture a little too much, thus confirming that an investment in a Hasselblad 50mm Distagon should work. It would be nice to borrow a 50mm Distagon to try out, but my buddies near-by do not have this lens to lend. darn.

Since I will be acquiring a used lens, which of the four different 50mm Distagon models to look for? I think that the CF will do the trick for me, a bit newer and better (lens coating) than the original C model and as I am not focusing close-up the later FLE (Floating lens element) model is probably not necessary (and save me some extra bucks as well).

So the lens hunt is now on!

Cheers

December 24, 2016

Merry Christmas & Happy Holidays!

Filed under: Photography, Picture Postcards — Tags: , , — Doug Stockdale @ 6:37 pm

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Christmas Wreath 2016 copyright Douglas Stockdale

First, wishing all of you and your families a wonderful and joy filled Christmas and Holiday Season.

Yes, time to create another Christmas card and this year, since I did not create a wonderful Christmas (card) image in Santa Fe last month (& not for a lack of trying), I had to do something a little different. First, I was inspired by the fresh greenery of the wreath on the front door and pre-visualized a little post-processing Snapseed magic. The results have been called a little bit too much of a “Hallmark” photo in deference to the giant card company’s photographic style, but it does work for me. For this year anyway.

Also wishing you a very creative photographic New Year!

Cheers

 

December 13, 2016

Santa Fe (Brian Finke creative exercise)

Filed under: Photography — Tags: , , , , — Doug Stockdale @ 1:03 am

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Santa Fe, Berger Street, 2016 copyright Douglas Stockdale

I was intrigued with one photograph I made of the gate into the courtyard at our rental house in Santa Fe. It reminded me of what a portal might appear like, which in this case could be a potential portal into the past. To enhance that potential visual metaphor, I tweaked the image with some of the Snapseed effects.

I think that this photograph relates to one of creative photographic idea generators found in The Photographer’s Playbook as explained by Brian Finke; Trust the Gut (pg 108). The need to make photographs should come from one’s self, to channel your feelings into your work, whatever that might be, try to feel it fully and to trust that it will show up in your photographs.

Finke’s exercise maybe as close as anyone’s in The Photographer’s Playbook that approaches my idea of Experiment-fun as to playing with a camera just to see what might happen. Then trust your gut that the resulting photographs are channeling your feelings.

Cheers!

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