Doug Stockdale's Singular Images

June 15, 2018

Portfolio Review for LACP’s EXPOSURES 2018

Filed under: Art Market, Photography, Projects/Series, Workshops — Tags: , , , , — Doug Stockdale @ 3:58 am

2017 LACP Portfolio Review photo

Douglas Stockdale, portfolio reviewer, EXPOSURES 2017, Los Angeles Center of Photography (LACP)

I am very honored to again to join the LACP portfolio reviewer team during EXPOSURES 2018 this July. I will be on-site providing portfolio reviews for both Saturday and Sunday this year. Similar to last year, my emphasis will be on photographic projects, editing and sequencing photographs and of course, assisting those who have a strong interest in publishing their work.

Registration is now open for the portfolio reviewers and the workshops.

EXPOSURES 2018 event: Friday – Sunday, July 20 – 22, 2018 at the Holtel MdR in Marina del Rey, CA (near the LAX airport in Los Angeles)

The Portfolio Review team includes (I did not include those who are already sold out): Chad Attie, Gallery Director, Eastern Star Gallery, Los Angeles, CA; Sherrie Berger, Photo Consultant, Los Angeles, CA; Jonathan Blaustein, Contributor, NYTimes Lensblog and A Photo Editor; Kyle Bradley, CEO/Founder, Nava Print Studio, Chicago, IL; Susan Burnstine, Contributor, B+W Magazine (UK); Marisa Caicholo, Founder/Curator of Building Bridges Art Exchange, Los Angeles, CA; Catherine Couturier, Owner/Director, Catherine Couturier Gallery, Houston, TX; Chris Davies, Founder/Director, Fabrik Projects Gallery and Photo Independent, Los Angeles, CA; Michael Dawson, Owner, Michael Dawson Gallery, Los Angeles, CA, Crista Dix, Founder/Director, Wallspace Creative, Santa Barbara, CA; Christy Havranek, Photo Director, Huffington Post;
Virginia Heckert, Curator, Department of Photographs, J. Paul Getty Museum, Los Angeles, CA – (Almost SOLD OUT); Anne Kelly, Gallery Director, photo-eye Gallery, Santa Fe, NM; Randi Kreeft, Gallery Director, the Loft at Liz’s Art Gallery, Los Angeles, CA; Dhyandra Lawson, Curatorial Asst., Department of Photography, LA County Museum of Art, Los Angeles, CA; Douglas Marshall, Independent Curator/Appraiser; Kristina Newhouse, Curator, University Art Museum, Long Beach, CA; Cindy Rowe, Art Producer, Saatchi & Saatchi, Torrance, CA; Aimee Santos, Editorial Picture Editor, Shutterstock; Cheyanne Sauter, Executive Director, Art Share LA, Los Angeles, CA; Hannah Sloan, Founder/Director Sloan Projects; Sybylla Smith, International Curator, Educator and Consultant; Aline Smithson, Founder/Editor, Lenscratch – (Almost SOLD OUT); Mackenzie Stevens, Curatorial Assistant, Hammer Museum of Art, Los Angeles, CA – (Almost SOLD OUT); Yessica Torres, Curator, Dab Art, Ventura, CA & of course, me: Douglas Stockdale, Founder/Editor, The Photo Book Journal.

Also some cool workshops, including:

Friday, July 20

10:00 am – 4:00 pm – Workshop – Now What? Re-energizing Your Photography Career with Aline Smithson
10:00 am – 1:00 pm – Seminar – Steps to Success for Photographers with Sherrie Berger
02:00 pm – 5:00 pm – Seminar – The Business of Gallery Representation with Crista Dix

Saturday, July 21

09:30 am – 5:00 pm – Workshop – Concept Aware: Enhance Your Creative Practice with Sybylla Smith
10:00 am – 1:00 pm – Seminar – Fine Art Digital Printmaking: Why and How with Cheryl Kelleher Walsh & Eric Joseph
02:00 pm – 5:00 pm – Seminar – Untangling The Web of Social Media with Paul-Michael Carr

Sunday, July 22

09:30 am – 5:00 pm – Workshop – Pushing Your Work Forward with Jonathan Blaustein
09:30 am – 1:30 pm – Workshop – Street Shooting on Venice Beach with Julia Dean 
01:00 pm – 4:00 pm – Workshop – A to Z Grantwriting with Linda Vallejo

So let me know if you have any questions, otherwise, see you there!

Cheers,

Doug

 

June 12, 2018

Feedback – Artist talk at Fabrik Projects

Filed under: Art, Books, Middle Ground, Photography, Projects/Series — Tags: , , , , — Doug Stockdale @ 6:10 pm

06-02-18_7693_Artist_talk_Fabrik_Projects_by_Kasey_Taylor

Douglas Stockdale, Artist talk, Fabrik Projects, photos by Kasey Taylor

Having an opportunity to having an open discussion with those interested in your work is a great chance to create a dialog as well as get some really honest feedback from your work. Really honest. Yes, there was what one person called afterwards a little bit of a “heated discussion” between a couple of individuals who had different takes on this project.

For my part, talking about myself and my project is not the easiest thing to do, makes me a bit nervous, so I did not think that I provided the most eloquent presentation, but almost everyone else thought that my talk and subsequent discussion was very informative. Perhaps this event for me was similar to participating in a portfolio review, except it was live, on-stage and with a whole lot of people involved, all providing input at the same time while I did not have a chance to write notes. A bit intense.

So some take aways:

First and foremost, when asked what others thought that this project was about before I told them about my concept, they almost all agreed; an urban landscape that was mysterious and since they could not figure out the place, ambiguous, and in the consistent way it was presented, very intriguing. They were all really curious and wanted to know more. Which was totally in line with my initial framing and idea for this project. So that was pretty cool!!

Regretfully what no one was talking about was if this body of work could be considered a political parody of the Trumpian Mexico border wall. Or if it could be a metaphor for injustice or political/social/cultural issues rising out of blocking and stopping segregation or other types of impediments. I think that this point underlies one of the issues of conceptual art, sometimes it works, sometimes it does not. Especially if the concept is abstract enough and the underlying idea is not presented in a way to visually connect the message with the images, which I understood was one of the concerns with my project; it does not shout-out a strong political protest narrative.

Nevertheless, having my underlying concept did help me in how I created this body of work and I believe helped to inform me on the artist book design and layout. I also appreciate that this concept helped me create an intriguing and mysterious body of work.

So some other things that came to light; here in California the concrete structures that are the base of these barriers are called K-rails, while apparently everyone else in America call these structures Jersey Walls or Jersey Barriers. Interesting.

Many of the beautiful blooming plants that I photographed, such as the one on the cover of my artist book, are Oleander, which is actually a very poisonous plant. The physical barrier is actual multi-faceted and more complex than I had realized, thus creating another dimension to my project that I was unaware of. Perhaps another reason for this project appearing mysterious and having another darker dimension and undercurrent as to what appears as beautiful.

All in all, it was a really wonderful opportunity for some interesting feedback on my project, which I appreciated very much. Oh, and if you are now more interested in my artist book, editions are available from Fabrik Projects, Arcana book store (Culver City) or from me.

Cheers!

06-02-18_7695_Artist_talk_Fabrik_Projects_by_Kasey_Taylor

May 31, 2018

Featured artist on Artsy

Filed under: Art Market, Middle Ground, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 3:15 am

Marker 168

Marker #169, Middle Ground, 2016 copyright Douglas Stockdale

I just found out that I am one of the two “artist of the week” featured on Artsy, one of the web based portals that are used by galleries to promote their represented artist. As a friend of mine stated, Artsy is a different platform on the web, and they act as an aggregator of art from hundreds of galleries.

Artsy claims that they have over 50,000 artist on their searchable data base, and have sub-categories of Emerging Art, Contemporary Chinese Art,  Contemporary Photography, Abstract Sculpture, Post-War European Art (not exactly sure which war), Contemporary Furniture, Post-War American Art, Contemporary Conceptualism, & East Village Art. As you might guess, Artsy is not restricted to just photography. Which is interesting as Fabrik Projects, which now represents me, is a gallery that does not exhibit just photography, but painters and other art media. For me I think that Fabrik Projects is a good fit, as much of my recent photographic based artworks do not seem mesh well with the straight photography-only galleries.

The other aspect of Artsy is that an individual artist/photographer can not gain access to their site and services unless they are represented by a gallery. So it is the gallery owner who makes a decision to have their gallery become an Artsy member, and then their represented artist become part of the Artsy searchable network. So this is another immediate upside to my representation by Fabrik Projects that I had not anticipated. Nice.

What I did not have a say about and now wonder why of the many images that I now have on Artsy as to why they chose the above image as a representational photograph/image. hmmmm.

I had been thinking that I was going to write about the new Artsy representation by Fabrik Projects after my current exhibition closed, but being featured this week sort of changed my priories in discussing this aspect of being a represented artist.

Cheers!!

 

May 29, 2018

Artist talk June 2nd at Fabrik Projects

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Middle Ground exhibition, photograph by Don Webb II

One of the requests that apparently reoccurred during my opening reception is for an artist talk about this exhibition and artist project. The artist talk is now scheduled to coincide with the exhibition closing reception at 4pm on Saturday, June 2nd (2018) at the Fabrik Projects gallery.

To talk about myself and my art projects is not always the easiest thing for me to do. To write about it as I have on this blog is okay, perhaps something I am more comfortable with in that I have an opportunity to develop what I write and the edit before I commit to publishing it. Even then when I have some second thoughts, I can come back and edit what I wrote. I am also very comfortable teaching a workshop about a subject that I am very familiar with, such as my book development class with LACP. Talking about myself and my art projects, perhaps not so much.

What does help if I start taking some notes to outline what I want to convey, then leaving plenty of time for questions and answers. I am going to try to cover the basics about this artist project: what, where, when, how and maybe the most critical; why. I also suspect that this will be a walking talk, not a formal group sit-down, which will help me a little bit more in that it’s a bit easier for me if I can walk and talk about the exhibition.

The photograph above is the exhibition space that I had envisioned for this project in how the photographs (barriers) would ring around the room and thus surround the viewer. One of the many exhibition trade-offs; larger prints but then less images in this space. It will be interesting to get some more feedback during my talk as I already plan to defer to some open ended questions for the group.

Location: Fabrik Projects; 2636 S. La Cienega Blvd, Los Angeles (near Culver City)

Artist talk & reception: Saturday, June 2nd,  4 -7pm

Cheers & hope to see you there!

 

May 26, 2018

America Memorial Day

Filed under: Art Market, Middle Ground, Photography, Projects/Series — Tags: , , , , — Doug Stockdale @ 6:25 pm

America

America, (Middle Ground/En Medio Tierra), 2016 copyright Douglas Stockdale

Here in the United States we are celebrating Memorial Day over this long three day weekend, a wonderful event for many reasons. As a kid it meant that we were going to be out of school shortly and the summer vacation was about to go into full swing. Also meant that the winter weather was gone, flowers were blooming, and it was going to get hot along with the evening swarm of mosquito, the nastiest of little flying biting insects.

As a child I had learned that this weekend was also about honoring those who served in the military, but as my dad and all of his brothers had survived WWII, understanding the underlying sacrifice was really lost on me then. Later when the Vietnam war was upon me and high school friends had gone to serve and then some did not come back, I really came to understood the full impact of what military service was about.

I have also come to celebrate this weekend in a much broader sense; a weekend to remember all of those who served as well as those others who have now passed through this life and a growing appreciation of all those still living among us.

Thus I felt very honored when my gallery used the above photograph, America, from my Middle Ground/En Medio Tierra project, as a memorial day weekend celebration announcement. In the context of Memorial Day I think that this photograph is a contemporary urban man-built landscape that metaphorically reflects on the current issues facing America. As our national anthem states That our Flag was still there, this photography visually signifies to me that we will get through this current political mess as individuals attempt to create barriers, impediments and divisions. That there is still hope for our country.

Cheers,

Doug

Photographic prints; 40 x 50″ (42 x 52″), 30 x 40″ (32 x 42″) , 22 x 28″ (24 x 30″), 16 x 20″ (17x 22″) available from Fabrik Projects, Los Angeles.

 

May 23, 2018

LACP exhibition opening Friday, May 25, 2018

Filed under: Art, Books, Middle Ground, Photobook, Photography, Projects/Series — Tags: , , , , — Doug Stockdale @ 6:59 pm

America

America, Middle Ground/En Medio Tierra, 2016 copyright Douglas Stockdale

I was pretty excited that two of my photographs from my Middle Ground/En Medio Tierra project were selected by Scott B. Davis for the Los Angeles Center of Photography (LACP) annual Fine Art Exhibition. The two photographs are America, above and the photograph San Diego Port of Entry, below.

The theme for this year is Expanding Boundaries. Although my project has as it’s primary subject a series of barriers, a form of physical boundary, the series also documents how these barriers are deteriorating and include passage ways that allow access. Thus providing an element of hope to individuals in order they might contemplate that they can overcome any barrier that they might encounter in life.

The exhibition opening is this Friday, May 25th, 2018 at the LACP facility in Los Angeles from 7pm – 10pm. LACP is located at 1515 Wilcox Ave., Los Angeles, CA 90028

The LACP exhibition will is available for viewing from May 25th thru June 22nd.

I am equally excited that this exhibition of Middle Ground/En Medio Tierra is overlapping the full exhibition of this body of work at Fabrik Projects. Another two-fer for this body project! As a reminder, my artist book of this body of work is available from me or from Fabrik Projects as well.

San Diego Point of Entry

May 17, 2018

Middle Ground – Trial Proofs now available

Marker 34

Marker #34, Middle Ground/En Medio Tierra T/P (1/1) 16 x 20″/17 x 22″ 2017 copyright Douglas Stockdale

I currently have 22 unique prints now available for sale at my gallery, Fabrik Projects, in Los Angeles. While working on the final Edition for the Middle Ground/En Medio Tierra project I printed a series of these photographs on Hahnemuhle Photo Rag, a heavy 308gms weight 100% cotton archival paper at 16 x 20″ (on 17 x 22″ paper) to visually test this project. The Photo Rag has a matte finish in which the colors have a subtle rich appearance and on this archival paper and look really, really nice.

When I printed the 40 x 50″ image on a semi-gloss paper, I found that there were some subtle changes in the appearance that warranted further investigation for this project. As a result of a long series of paper testing, I have decided to print the entire Middle Ground/En Medio Tierra edition on a glossy paper, selecting the Hahnemuhle Photo Rag Pearl, also a 100% cotton archival medium that is an equally heavy 320gms weight. To complete this evaluation required me to change my Epson printer from the matte black to the photo-black pigment ink required for glossy papers. And I do not plan to go back to the matte black at any time soon.

As a result, all of the earlier test prints on the Hahnemuhle Photo Rag are now consider Trial Proofs (T/P), not Artist Proofs, due to the switch in cotton medium for the final edition.

Thus this creates an opportunity for you to acquire some very unique and beautifully printed T/P prints that are in an edition of One (1/1). The photograph above as well as below are a partial listing of the prints that are available for only for a limited time, because when that print is sold, it’s gone!

If you are intrigued and would like to know more please contact Fabrik Projects for more information: (p) (310) 730-6074 or email: gallery@fabrikprojects.com.

Nevertheless, if you would like to obtain a limited edition print (sizes available are 16 x 20″, 24 x 30″, 30 x 40″ and 40 x 50″), Kasey and the gallery team would love the opportunity to discuss these options as well. just saying…

Cheers!

Doug

San Diego Point of Entry

San Diego Port of Entry

Coastal Point of Entry

Coast Point of Entry

Desert Edge

Desert Edge

Alternative Crossing

Alternative Crossing

Resistance

Tangled Access/Resistance

Rest Stop

Rest Stop

Camouflage

Camouflage

Access Point

Access Point

Marker 42

Marker #42

Observation Post

Observation Post

May 2, 2018

Pre-press for Middle Ground/En Medio Tierra today

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Pre-press, light table, Dual Graphics 2018 copyright Douglas Stockdale

Things are moving at a crazy speed and seems like I am juggling chain saws.

This morning I was at Dual Graphics, the SoCal book printer that I am working with for the printing, trimming and folding of my artist book Middle Ground/En Medio Tierra. We are at the hard-proof step as part of the pre-press process and now the interior pages and covers have been on press for a short run and my evaluation.

It was apparent immediately to me that the blacks needed to be punched; too much details revealed in the shadows, thus losing some of the moodiness that I want these photographs to have. I brought with me a set of match-prints off my Epson printer and left these with the pre-press manager to provide more guidance. He did not see any issues with adjusting the printing plates and laying the ink to provide a close match.

He then headed out with these match prints to start this printing job. My book printing will not actually be run until later tonight and into the weekend, but I did not see any reason to be on-press with the printer. I spent enough time this morning with both the pre-press guy who does the shop floor color management and the printing  production manager. They get it.

We folded one of the hard proofs to verify the width of the book’s spine was appropriate and the cover appears to need no further changes; looking good!

Now I am back in the studio binding the three hard proofs, which will become Trial Proofs (T/P), in as the color is not spot on and being adjusted for the press run. Nevertheless, these T/Ps can be used as display copies at the Fabrik Projects gallery for the exhibition opening this Saturday to continue taking book orders. Btw, did I mention that my artist book is now available for pre-order??

Okay, now back into the studio to glue and bind some leporello books.

Cheers!

April 23, 2018

Fabrik Projects exhibition preparations

Filed under: Art, Middle Ground, Photobook, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 2:13 am

Alternative CrossingAlternative Crossing (Middle Ground) 2017 copyright Douglas Stockdale

With the pending exhibition at Fabrik Project next month quickly coming up fast, there are a bunch of things that I need to do to prepare for this.

I guess it never fails; I have the web-images for the project prepared and then the gallery would like these in another format and size. Not really a big deal, but it just takes some time to open the files to resize and format, which has been completed and sent to the gallery last Friday.

Now that the final edit of the book is completed I needed to update my web site for Middle Ground, deleting images that did not make the cut and up-loading new images that did. As well as replacing a few images that required some additional tweaks. Likewise I also need to reorder the sequence of the images on the web site to provide more alignment and become more in sync with the book’s interior. I completed this small web-site task earlier today and as well as updating my on-line CV with the recent LACP Faculty group exhibition and my book talk at the Palos Verdes Art Center.

Last was printing one of my Middle Ground images at 42 x 52″, a new larger size for me. I will have to admit that this photograph looks amazing and thinking back, not sure why I did not make larger prints like this sooner. When I was doing the project review at the gallery, I had brought with me a 30 x 40″ c-print, and he thought it looked great and that going to 40 x 50″ should look fine. He was correct. So the print is at the custom framer and it should be ready in plenty of time for the May 5th opening.

So now I have most of the print and information to the gallery, I need to re-focus on finishing the leporello book. The goal is to have at least the final book proof available on May 5th if I do not have any final copies bound. As a result of the publication schedule being moved up for this exhibition opening, this precludes the chance to do a 30 day Kickstarter project. I was on the fence about doing a Kickstarter project anyhow, so maybe another book project at another time. This book production is going to be tight. sigh.

Nevertheless, it’s all good!

Cheers

 

 

April 18, 2018

Exhibition News; Douglas Stockdale at Fabrik Projects

Filed under: Art Market, Middle Ground, Photobook, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 6:08 pm

Surveillance

Surveillance (Middle Ground/En Medio Tierra project) 2017 copyright Douglas Stockdale

I am really excited to announce the exhibition of my project Middle Ground/En Medio Tierra at Fabrik Projects, an LA gallery located near Culver City.

Exhibition dates: Saturday, May 5th thru Saturday, June 2nd, 2018

Artist reception: Saturday, May 12th, 2018

Location: Fabrik Projects, 2636 S. La Cienega Blvd, Los Angeles, CA 90034

We are also planning for the artist book launch of my self-published Middle Ground/En Medio Tierra in conjunction with this exhibition, more details on the book’s availability to follow shortly. Yes, there are some other interesting developments about the publication of my artist book as well. and it’s all good.

This is a two-person exhibition in conjunction with (correction) Marilyn Sanders, a SoCal photographer. Meanwhile, it’s a bit crazy here in the studio with all of the things that I need to prepare for this exhibition, but in a very good way.

So if you on the left coast on May 12th, I hope you can join me during the artist reception.

Cheers!

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