Untitled (Budding Memory Pods, March 2015) copyright 2015 Douglas Stockdale
Earlier this week I posted this same image, but a version with a very distinct blue hue. After having this matted blue version on my work bench for a while, it dawned on me that this was a nice Singular Image, but it would not eventually become part of my Memory Pods project. That said, I still might change my mind, again! I guess that a blue version might carry some metaphoric connotations of actually feeling “blue” or depressed, which is not what I am thinking. A budding flower is about expectations and hope. For me, this phase of the Memory Pods is when the memory is being formed.
So I tweaked this image some more, eliminating the blue hue for one that may read more like a Platinum print. I also worked on some options to introduce some grain, really pushing the limits and finally decided that if there is any grain, it should be minimal.
So now, all in all, I think that the resulting print reads like something that would be included in this project, thus a better print to bring to the print exchange tonight. As to the print; image size is 5″ x 5″ on matte paper. I will have to say that after over matting it looks really nice.
Meanwhile, my buddy with the 120mm Makro lens for my Hasselblad just realized that he had lent that lens to someone else. So if I want to use this combination for my project, I will need to buy one, pronto! I was hoping to try his lens out and see if I would provide me with something close to my visualized photographs before making this lens purchase. sigh.
Untitled (budding memory pods) copyright 2015 Douglas Stockdale
Earlier this week I had posted that I was finding myself being drawn back into my Memory Pods project. The photograph I posted was pretty close to a straight documentary image (which in retrospect is pretty boring at that). I was interested investigating the start of the whole memory pod evolution; the budding of the plant as the flower stems start rising above the plant.
Meanwhile, I have am also exploring some alternative ways to visualize this project, such as this photograph above, made the following day as the one in the earlier post. What a difference, eh?
I also found myself last year working these two visually different alternatives, “straight” and “interpretative” as I am just not sure where I will end up and maybe even have a mash-up of the two options. I will have to say, of the two images that I have recently posted, this is the one that has captured my interest. I tweaked the overall color slightly from a slightly greenish cast to incorporate more blue after posting this photograph earlier on Facebook.
Tonight I printed it to see what it looks like as an object on paper framed by a white four-ply white matte. Nice. Later this week I will be attending an annual print exchange meeting with some photo friends and I think that this will be my print that I will bring for the group.
For the reminder of the week, it will be sitting on my work table.
Untitled (#120 Memory Pods) copyright 2015 Douglas Stockdale
Last year I found myself photographing of all things, plants. Not a genre that that I have been drawn to before, but while messing around with the macro focusing capabilities of my Samsung 4, I started to investigate some aloe vera plants that had gone to seed in my back yard. On reflection, I realized the conceptual possibilities to explore memory and its preservation. Memory Pods turned into a very addicting project and really consumed me for about two and half months. I did not complete very many photobook reviews during this time, nor work any of my other projects and stopped work on my self published limited edition photobook BlueWater Shore, the follow on book to Pine Lake.
I also spent a ton of time editing, tweaking and working the resulting Memory Pod photographs last Summer and into the Fall. I sensed some gaps in the project, so I have decided that I would resume this project again this year and take a couple of photographs of the flowers before the seed pods began to form. To facilitate this project I will also investigate the use of a 120mm Makro lens for my Hasselblad in conjunction with color negative film. Now a buddy of mine is going to lend me his 120mm Makro and if this lens works out, I will probably be on the hunt to purchase a used one in excellent condition this summer.
Meanwhile, this small group of plants are rapidly sending out shoots (yes, nice and warm here in Southern California, Spring has indeed sprung) and I am not due to obtain the 120mm Makro until late next week. So with opportunities quickly developing I will make due with the DSLR on work on some ideas.
Yep, more to come….
Sidewalk Superintendent (Acuto, Italy, 2010) copyright 2015 Douglas Stockdale
Okay, where to start? This photograph was made while I was working on my Ciociaria project, but this image did not make the final edit into the photobook. Nevertheless, it has always intrigued me as this scene is just a little slice of urban life, almost universal in nature. Some guys have a job to do and a local decides to provide some advice.
I like how I was transparent to everyone except for the two dogs. I had their full attention.
So I am posting this photograph for a Throw-back Thursday image.
Untitled (Cheesman Park, February 2015) copyright 2015 Douglas Stockdale
Earlier this week I posted another vision of this photograph, one that has a little more dramatic interpretation of this same composition. Many might consider this the more representative version, not entirely banal, but with some metaphoric vestiges.
This is part of my investigation of memory, how this region might be layered with it, both past and new memories in the making. As to this photograph, I am not sure that it is all that interesting, as it seems to illustrate a complete, singular image while not seemingly to ask many questions.
It was tempting to sit on one of these benches for a while, which regretfully I did not. The group I was walking with were getting short on time and we needed to press on. Nevertheless these do seem to beckon me back, to repose under the spreading limbs and watch the world meander by. Realistically they do not look all that comfortable with the hard bony steel slats, but I would still like to try them out.
Could it be part of my puzzle? Perhaps, as I guess time will tell.
Untitled (Humboldt St, Cheesman Park District, February 2015) copyright 2015 Douglas Stockdale
There is something about the circa 1910 window casements that connects with me, probably as this reminded me so much of my Grandparents house.
A window makes a wonderful metaphoric subject, but as a genre, it titters on the edge of visual over-use and the danger of becoming trite. Nevertheless, I find that this composition is interesting as I investigate the memories of this house on Humboldt Street within the context of the Cheesman Park region. The translucent curtains provides a layer of indeterminacy evoking a feeling of some place in between the internal and external experiences.
Untitled (Cheesman Park, February 2015) copyright 2015 Douglas Stockdale
While walking through Cheesman Park, I could not help but notice this pair of benches under this very mature tree. I am not sure of the age of this tree or these benches as to how long they have been dutifully performing their tasks. I did pause and give thought as to the many individuals who have taken rest and contemplated what lay before them. Perhaps some were here before the growing trees and built landscape obscured the distant mountain peaks in the distance?
Untitled (Humboldt Street, February 2015), copyright 2015 Douglas Stockdale
My first image of my Cheesman Park District series. I am attempting to investigate a region of historic Denver as to how those who live here preserve memories through the built structures, thus indirectly preserving the past memories, while layering on new memories.
Always a question as to how to move a project forward, how to visually interpret what is there and what narrative to create. In most of my recent projects, there is a personal subtext; that I have a personal connection to the photographs and the stories that ensue. This series is similar to my Ciociaria project, that of dropping into a little known place, wondering around to go deep, observing and attempting to be open to how memory and its preservation are intertwined.
So while waiting for the voice of my muse to become clearer, I will work on some creative options. In this case, I seem to be opting for a pictorial & stylized narrative that has some lyrical qualities.
Untitled (Cheesman Park marker) copyright 2015 Douglas Stockdale
This last week I was on vacation with my family in Colorado mostly doing some skiing in Vail. Okay, perhaps a bit of photography too, but more about the photography in Vail in a later post. Of interest to me was an opportunity to check out the Cheesman Park District in Denver, an area that I had little knowledge of until this past weekend. It is a much older region of Denver with much of the built landscape originating at the turn of the 20th Century (yep, old by US standards).
As such, this region is infested with very interesting and unique homes and buildings that indirectly show the presence of those who currently live here and embedded with many memories. Thus I have the feeling that I have embarked on another long term photography project and I sense I will be returning to this area to further investigate what I see and feel.
Untitled (MingXinPian #0984) copyright Douglas Stockdale
This is a long term and a slowly developing project that I have worked on intermittently these past years. For this photograph I am investigating a feeling about a state of decline or decay.
I recently had an opportunity to show this photographic print in conjunction with five similar photographs to a group of photographers. Of the five, this image seemed to evoke the strongest response consistent with my objective.