Doug Stockdale's Singular Images

July 13, 2016

Irvine Fine Art Center – All Media 2016 acceptance

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Memory Pods – Loss 2014 copyright Douglas Stockdale

I am very excited and honored to announce that Loss from my Memory Pods project was juried into the Irvine Fine Art Center (IFAC) All Media 2016 exhibition. The juror was Dan Cameron who most recently was the past Chief Curator for the Orange County Museum of Art (OCMA) and who is now an independent curator. This acceptance is another great validation on the response to my Memory Pods project that I received during Photo Independent earlier this year.

The All Media 2016 exhibition dates are September 3rd – October 22, 2016 at the Irvine Fine Art Center, 14321 Yale Ave., Irvine CA. The opening reception is Saturday, September 3rd, from 4-6pm. Needless to say, I hope to see you there!

Meanwhile, this limited edition print is in the process of being archival framed.

As to the photograph, I was taken by the slow demise of the seed pods of this plant and how many were falling off and in this case, one seed pod stubbornly remained. A potential metaphor about one remaining and persistent memory amidst the turbulent chaos when all else appears to be failing.

What I need to work on now is getting my web site updated with more of the photographs from this project. If its not one think, its another, but this is all good.

Cheers!

May 4, 2016

Silvershotz magazine features Pine Lake

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Pine Lake, self-published artist book, copyright 2013 Douglas Stockdale

I am really stoked and honored to announce that my artist book Pine Lake was just featured in SilverShotz magazine; Volume 10, Edition 8 (May 2016). The Silvershotz article includes the background for my semi-fictional story about an American summer rite of passage: a guy’s get-away fishing trip and has eight photographs that include the cover(s) and some of the interior pages. Really nice.

One more copy of this limited edition found a wonderful home during Photobook Independent this last weekend, so just a couple more of these artist books remain available.

The recent attention on this artist book is inspiring me to finish Bluewater Shore, which I had a work-print portfolio with me at Photobook Independent to share and discuss. This pending artist book generated some really good feedback.

Cheers!

April 15, 2016

Photo Independent – Print Portfolio progress

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Memory Pods, copyright 2016 Douglas Stockdale

An update on my progress to prepare for Photo Independent regarding my print portfolio(s) as previous discussed. First, the idea that I had to quickly prepare a print portfolio for Photo Independent was quickly stressing me out. Needing to quickly select the prints (yikes, which ones out of the project?), then matte and prepare the prints, and ensure that I had all of the outer bags to protect the sold prints was just a little too much on short notice. Yes it could not be done as I have jumped through these types of hoops in the past, but did I really need to?

I think its about expectations; if you are at an art fair then you should have prints for sale. Well honestly I do have some items for sale; a trade edition of Ciociaria, two limited editions of this book, my hand-made artist book Pine Lake, some out-of-print copies of LensWork #74 that feature my In Passing project and probably my Foundations mini-portfolio. So I think I am going to take an alternative pathway for my prints that will work best for me; bringing a print portfolio or two of work-in-progress and ask for feedback. This could be a win-win opportunity for me.

So at the moment, the first work-in-progress print portfolio will be my Memory Pods project. I have not been posting much of my photographs for this project created with the larger format Canon 5D equipment. Thus this photograph will be new. I have also been working on the artist statement for this project, which I will print and have available at Photo Independent to provide to those who have an interest in this project. I am also planning to have an interest list to capture names and emails of those who are interested in this project for follow up as the project comes closer to publication and exhibition. And of course I will need to update my web site with the images in the portfolio, which I will announce here when I have completed it.

Cool, I am doing much better already! And a back-up supply of pigment ink for the Epson printer just arrived so I feel energized to dig in and start printing. This is going to be fun!

Cheers!

April 7, 2016

Exhibiting at Photo Independent

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Memory Pods 2016 copyright Douglas Stockdale

I have just been notified that I am accepted into Photo Independent at the end of this month. I was anticipating that I would be included in the Photobook Independent, but I was just notified that I can also have a print portfolio in addition to my photobooks. Yikes, I was not prepared for that wrinkle. The event in LA (Raleigh Studios in Hollywood) is at the end of this month April 29 – May 1, 2016, so although I do not have much time to prepare, I will make the most of this opportunity.

As to which photobooks to bring and sell, that is the easy part. For the print portfolio; which one? I will have a limited space to display, so from past experience, far better to focus on one portfolio than try to show a little bit of everything. What I did learn in the past is to hold in reserve at least one smaller (both size of prints and quantity of prints) portfolio that might come up in discussion.

I have been looking to publish my project In Passing – Lest I Forget, but I am not sure that this is the right audience. So I am thinking that this will be my portfolio that will in reserve. As to the display portfolio, I am leaning towards my Memory Pods project. I really don’t have much time to fret over this as I need to start printing for the portfolio this weekend.

Such problems to have, eh?

Cheers!

 

January 1, 2016

2016 – Looking Ahead

Filed under: Photography — Tags: , , — Doug Stockdale @ 11:30 pm

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Untitled, copyright 2016 Douglas Stockdale

As I just posted, the beginning of the year is a time to reflect on the past and also to look forward for what might be. My first post was honking my horn for 2015, now I want to look at my goals for 2016.

I had two principal projects in 2015 and an artist book that needed a bit more reflection. I plan to work on all three of these which are at various phases of completion.

In Passing – Lest I Forget is an aftermath project that I actively worked on starting in 2006 and into 2012, then took some time to let the project cook, then I started back in earnest again at the end of last year. I have about 100 photographic images that I have culled from the past 9 years that I think will make a really nice photobook and will be the basis of an exhibition. So I have developed a project plan to finalize tweaking the images for a book dummy, obtain sponsorship’s and funding with a goal to have a Fall publication and release concurrent with at least one exhibition.

For my project Memory Pods, I am looking forward to the spring for the budding and blooming of my subjects for another intense season of photography. The one thing that I would like to do is invest in a prime macro lens for this project. I have bounced between a 100 mm f/1.8 L macro for the 5DMk3 or a 120mm CFi Makro lens for the Hasselblad, and currently I am  leaning towards the Hasselblad Makro lens. I have some expired 120 transparency film that I think will be ideal with the Hasselblad for this project; old, expired film investigating fading memories.

For my third project, which is my artist book Bluewater Shore, I want to use the newly acquired Micro/Makro lens mentioned above to re-photograph my family prints. I also have some very, very expired 120 black and white film for this project. I have a better idea now of how I want to design, print and bind this book. My goal is to prepare everything for publication in 2016, with a Spring 2017 publication date. My bigger priority for 2016 is to finish In Passing – Lest I Forget.

I also plan to keep an open eye and actively make some exhibition submissions in 2016, to try to participate in at least one if not two exhibitions.

cheers!

December 9, 2015

Angel of Death – Surrealistic moment

Filed under: In Passing, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 6:31 am

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untitled (Colfax Street, Denver, CO) copyright 2015 Douglas Stockdale

While I was working on my project In Passing – Lest I Forget while in Denver over the Thanksgiving weekend, a Surrealist moment occurred for me.

Having known of the Henri Cartier-Bresson’s practice of composing a potential image and waiting for someone or something to happen, I had not realized the Surrealistic theory behind it until recently. I had an opportunity earlier this year to review Clement Cheroux’s biography of Henri Cartier-BressonHere and Now (published by Thames & Hudson) which connected the dots for me. In the photograph above, I was following the surrealistic theory of Andre Breton’s called Fixed-Explosive, which denotes the state of something simultaneously in motion and at rest. Henri Cartier-Bresson felt that this was one of the surrealist concepts that uniquely energized  his compositions and characterizes many of his famous photographs.

For me, I was not intending to create a surrealist photograph, but had set up the camera and tripod to document this small roadside memorial. Then I noted this guy in the dark hoodie approaching and I could not resist making one more exposure as he walked towards the memorial. That the man is dressed entirely in black, the hoodie is concealing his face and he has his hands in his pocket makes him anonymous and creates a mysterious image.

I do not think that this photograph will be in my final project as all of my other photographs are devoid of people. Nevertheless I find this photograph very interesting.

Cheers

November 25, 2015

Descanso memorial – Halloween

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Untitled (Halloween Costume, I-15 Frontage Road, Victorville, California) copyright Douglas Stockdale

While researching my In Passing – Lest I Forget project, I came across an interesting term; Descanso memorial. This is a Spanish derived word, literally meaning “to rest”. It originates from the old Spanish practice of marking the place where a coffin was placed the ground along the route to the cemetery, allowing the coffin bearers to rest. As the photographer Dave Nance states about the Descanso memorials, “The association thus created between the road, the interrupted journey, and death as a destination, eventually found expression in the practice of similarly marking the location of fatal accidents on the highway.”

Descanso now appears to also designate those memorials which are decorated for each of the holidays. Which is the case of the I-15 Frontage Road memorial that I photographed near Victorville, above. I had photographed this memorial about mid-October, just prior to Halloween. Not evident in the photograph is a bowl of candy nestled within the flower arrangement at the base of this memorial, along with a memorial plaque, which from the wording was probably placed there by the mother of the individual who died at this place.

Best regards

November 4, 2015

Juggling Photographic Projects – Just like Life

Filed under: In Passing, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 10:57 pm

Plastic Lei - Maui - Hawaii

Plastic Lei, Maui Hawaii, 2006 copyright Douglas Stockdale

So the issue with refocusing my earlier project is that this results in having two photographic projects in progress. My Ciociaria memory book is published, but I have not obtained any meaningful exhibitions of this body of work, thus if you take into account that I will be looking for exhibition venues for Ciociaria, that places three photographic projects on my plate. All of this in conjunction with the fact that I have a full time (non-photographic) day-job and a loving family to attend to. And lets not forget my photographic book reviews on The Photobook blog that I like to fit in. At times, it all feels complex, layered if not outright overwhelming.

This is where my day-job does help as a large portion of what I do entails all of the aspects of project management, which provides much needed experience to lean-into in order to keep on keeping-on. The skills of project management help me get organized and probably keeps me decently focused on what tasks needs to be accomplished next. The draw back is that getting “too” organized can creative limits, box me in, thus I try to stay “messy” organized, more of a loose project structure rather than try to have a rigidly defined project. Another way of saying that I try to be flexible; time, goals, tasks, relationships, etc. I need to allow some give and take and know my priorities, such as family comes first.

One key aspect of project management that has helped me is to set goals, both long term as well as short term. This helps me organize what tasks are needed and what time frame I would like to complete them in. Such as for each of my projects, one long term goal is have it published as a book, which for one project, this is complete. Nice. Another is that I would like to have one solo exhibition of each body of work, which is a goal that is in progress.

Meanwhile, I am reevaluating the photographs for In Passing, while still composing and developing my Memory Pods photographs. It has been a while since I examined all of the photographs that support the In Passing project, so I am giving them a fresh look and finding some pleasant surprises. I am not sure why I did not realize the potential for a number of these photographs, but nevertheless, I do now.

For Plastic Lei, Maui Hawaii, above, I have dramatically modified the cropping of the photograph; from a vertical image to a square image. Earlier if I had composed a subject to be contained within a photograph, I would do my best to keep it intact in the final version. Not so now. I realize that for this photograph the emotional aspect was preserved even if I lost the top portion of this memorial. This is one of the few photographs that include a vehicle, as I had accidentally made an exposure while a car ran through the composition, but I liked the ghostly (blurred) appearance. I then made another half dozen exposures with various vehicles moving through the frame until I obtained this exposure. Nice juxtaposition of the two key elements and creates just enough visual tension. And like many of the photographs that I am reworking for this project, I adjusted the overall nicer tonality, which I think is a nice improvement over my earlier version. Nice.

Cheers

November 2, 2015

Refocusing a project

Morning Shadow - Central California

Morning Shadow, Denverton, California, 2007 copyright Douglas Stockdale

Following up on yesterday’s post perhaps a little more about how this project has come back full circle to a Black & White portfolio. As a project, this series of roadside memorials was starting to get a little traction in 2008 and I felt it had potential to go beyond the LensWork magazine publication as a photobook. The project at that time had a uniqueness, although  I did feel that the subject did not lend itself to posters (I did get this wrong) and something folks would want to hang in their living room. After a couple of rejected book submissions the project began to coast, as feeling a little defeated, I stopped making book submissions and became very introspective.

As a result, I “jumped the shark“, the t.v. slang for when there is a big change in a series plot, resulting in the audience losing interest and the series quickly tanks. I think that moving to color photographs and renaming the project did just that. I lost continuity with my audience. I did learn more about myself during this transition, such as photographing my Ciociaria project in color which resulted in the publication of a book. But in retrospect, I think that the In Passing project was visually stronger in Black & White.

Now I am re-examining all of my original photographs and although I will develop these as Black & White images, I have found that my interpretation has become a bit more refined. Part of which is that I have learned more about how to convert a color digital file in Photoshop to Black & White.

As an example is this photograph, Morning Cross, Central California, I had used a lens polarizer for the original exposure, but regretfully that only effected part of the morning sky. This resulted in a dramatic darkening on the left side of the sky and fading to almost white on the right side of the print, which I had found visually distracting. Now with a Photoshop Black & White adjustment layer and playing with the two blue settings, I am able to create a more even sky tone across the horizon. I think the print/image retains more of the emotional impact that I had experienced and I am very happy to have revisited this image.

Cheers!

November 1, 2015

In Passing – Lest I Forget

Randy - Route 179 - Nevada

Randy, Route 179, Nevada, copyright Douglas Stockdale

Reading the recent October issue of PDN magazine, which is their annual photobook issue, I found myself thinking back to my real first photographic project, a series of roadside memorials. As a quick recap, it was a series that I became very fascinated by in late in 2006. This project gained real momentum in 2007, as I made note of each various roadside memorial we came across and I quickly tried to figure out when and how to photograph each one. This Black & White photographic project, In Passing, was subsequently published by LensWork magazine in their Jan/Feb 2008 #74 issue, then I self-published a hard cover photobook  of In Passing using Blurb (which was juried into a self-publishing photobook exhibition in Portland, OR) and one image, Winter Field, Route 30, Indiana was published in Brooks Jensen’s Looking at Images in 2014.

During the publications, I had read Nathalie Herschdorfer’s book Afterwards (Contemporary Photography Confronting the Past) and began rethinking my earlier decision to convert my photographs to Black & White and that using the original color could be relevant. Meanwhile I still found myself photographing road-side memorials, but now staying with Color, not transforming these photographs to Black & White images. Concurrent with the color decision I had also decided to rename the project to Lest I Forget.

So I am now back full circle, with the project again in Black & White. And reconciled that the project should have a combination name; In Passing – Lest I Forget.

In the next couple of weeks, I plan to write more about the continuing metamorphose of this photographic project.

Cheers!

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