Doug Stockdale's Singular Images

September 14, 2016

Leveraging an exhibition Honorable Mention

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Depression (Memory Pods Project) copyright 2016 Douglas Stockdale

From what I have learned over the years is that I as an artist need to take the first steps to contact various curators and galleries to move ahead and ensure I get noticed. Self-promotion 101. I have to admit, and this is not popular among many artist, but being an artist also means you are a small independent business. Thus with the recent Honorable Mention from IFAC “All Media” exhibition, I need to see how to further leverage this event and obtain recognition with other curators and galleries.Which is to say, I need to contact them directly and ask for an opportunity to show my work.

This also means I need to step up my presentation of the body of work to share and discuss for potential portfolio reviews. Okay, so what does that mean? First, my current portfolio for Memory Pods is printed 15×19″ on Epson Professional Matte paper; I think the size is good but I need to be printing on my exhibition (and sales) medium, which for me right now is the Hahnemuhle PhotoRag (smooth surface), 308 gm matte, which is acid free and a great fine art cotton paper. This paper provides a better feel (heavier) and reinforces the image of a print as an art object, images look beautiful and provides for a more professional artist presentation.

So over the weekend I have been reprinting my Memory Pods photographs, but also reassessing the image regarding my intent for this image. As a result I have had to tweak the colors, etc for a few of the photographs. Thus the reprinting did not proceed quickly and now is only about half complete.

Second, now looking at portfolio presentation cases as my current black portfolio holder is okay for storage, but not professional looking. So I am evaluating a Museum-Solander case (e.g. Archival Methods) for the 17×22″ prints, which is elegant in design, archival, opens flat to obtain art work, but not cheap (little over $200 USD). On my wish list and I will see how the next portfolio review goes as to making this investment.

Third is the “leave-behind” artist card. I have a business card now, but more of a company card versus an artist business card (there is a creative difference). Also, I do not have a small art card for one of photographs. Again on my wish list, but these are not that expensive and I can buy the stock and print these myself. In the short term, I do have extra copies of LensWork that my In Passing project was featured in to leave behind and I have found that this magazine does make an impact.

The good news is that I just received a confirmation from the curator of the IFAC who would like to see my Memory Pods portfolio in the next couple of weeks. Nice as I am also considering a submission for an individual exhibition at IFAC during their 2017 open call this month.

Cheers!

September 5, 2016

Memory Pods project on web site

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Ghost (Memory Pods project) 2014 copyright Douglas Stockdale

Sometimes I need a kick in the butt to get myself into gear.

I have been stating that I need to update my web site with more images from my Memory Pods project and now receiving the Honorable Mention at IFAC for my photography Loss from this project was enough to do the trick. Since this event and honor might get a little press on the blogisphere (courteous of yours truly), I realize that I need to have more of my project available to review, lest someone thinks I am a one-trick pony.

Okay, as of this morning; done & update is here.

One thing that I have been contemplating for my titles for this project, to use metaphoric names or a sequence number and have decided to go with names for each of the photographs. In this case, my names relate back to what I think the metaphoric image is related to, which goes against some contemporary ideas about naming your photographs. I will just defer back to my excuse that in this case, I am old school. (Okay, well I am!).

I think that this is the first time I have posted Ghost in color, as I had at one time thought that this photograph might be better in black & white. wrong. For me, much stronger image when in color.

Cheers!

August 30, 2016

Memory Pods – Film alternative

 

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Empty (Memory Pods project)  2016 copyright Douglas Stockdale

The photograph in this post is the results from my previous two posts; Hasselblad Ready for its Closeup and, part 2. Essentially I want to see if my Memory Pod subjects look like when captured on color negative film, in this case the Kodak Portra 160.

For the first step of comparing  8-1/2 x 11″ prints,  there are some subtle differences compared to the high resolution of the full frame Canon 5DMkIII and a lot of differences with the Samsung 5S digital images. The new film series is not meant to be comparable to the Samsung 5S with the SnapSeed post processing images. I think that I still need to tweak the dark values of this image a little and then make a 16×20″ for a print comparison.

Interesting that for the native RAW Canon 5DMkIII file of 22.3 mp, a 16×20″ print max’s out at 200 dpi with the file without having to up-resolution the file, while a 4,000 dpi scan of the 6x6cm color negative (Nikon film scanner) provides a file that can provide a 29×29″ print at 300 dpi. I need to double check how large the size print is if I use 260 dpi for print setting  for the film file (note: this turns out to be 33×33″ print). Thus to print both the Canon5DMkIII and the film scan at 30×30″, even with up-res of the digital file, I would expect to see some differences in the image quality.

The second part of the equation is the 24-105 L f/4 lens, which has macro focusing capability, on the Canon 5DMkIII versus the 150 mm f/4 Sonar lens with the two extension tubes for the Hasselblad. It would seem that these are pretty close to equivalent relative to full frame digital vs medium format film focal length (about 2x normal) & aperture. So far, inclusive, but the film image seems to have more depth of field than the digital image, which does not make sense to me.

I see that I need to create some more color negatives to be sure ;- )

cheers!

July 13, 2016

Irvine Fine Art Center – All Media 2016 acceptance

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Loss (Memory Pods project) 2014 copyright Douglas Stockdale

I am very excited and honored to announce that Loss from my Memory Pods project was juried into the Irvine Fine Art Center (IFAC) All Media 2016 exhibition. The juror was Dan Cameron who most recently was the past Chief Curator for the Orange County Museum of Art (OCMA) and who is now an independent curator. This acceptance is another great validation on the response to my Memory Pods project that I received during Photo Independent earlier this year.

The All Media 2016 exhibition dates are September 3rd – October 22, 2016 at the Irvine Fine Art Center, 14321 Yale Ave., Irvine CA. The opening reception is Saturday, September 3rd, from 4-6pm. Needless to say, I hope to see you there!

Meanwhile, this limited edition print is in the process of being archival framed.

As to the photograph, I was taken by the slow demise of the seed pods of this plant and how many were falling off and in this case, one seed pod stubbornly remained. A potential metaphor about one remaining and persistent memory amidst the turbulent chaos when all else appears to be failing.

What I need to work on now is getting my web site updated with more of the photographs from this project. If its not one think, its another, but this is all good.

Cheers!

09-03-16 Update: My photograph was awarded an Honorable Mention at the Saturday evening reception; very nice! (and from what I was told, the only photograph of this all media exhibition that received recognition)

May 4, 2016

Silvershotz magazine features Pine Lake

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Pine Lake, self-published artist book, copyright 2013 Douglas Stockdale

I am really stoked and honored to announce that my artist book Pine Lake was just featured in SilverShotz magazine; Volume 10, Edition 8 (May 2016). The Silvershotz article includes the background for my semi-fictional story about an American summer rite of passage: a guy’s get-away fishing trip and has eight photographs that include the cover(s) and some of the interior pages. Really nice.

One more copy of this limited edition found a wonderful home during Photobook Independent this last weekend, so just a couple more of these artist books remain available.

The recent attention on this artist book is inspiring me to finish Bluewater Shore, which I had a work-print portfolio with me at Photobook Independent to share and discuss. This pending artist book generated some really good feedback.

Cheers!

April 15, 2016

Photo Independent – Print Portfolio progress

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Memory Pods, copyright 2016 Douglas Stockdale

An update on my progress to prepare for Photo Independent regarding my print portfolio(s) as previous discussed. First, the idea that I had to quickly prepare a print portfolio for Photo Independent was quickly stressing me out. Needing to quickly select the prints (yikes, which ones out of the project?), then matte and prepare the prints, and ensure that I had all of the outer bags to protect the sold prints was just a little too much on short notice. Yes it could not be done as I have jumped through these types of hoops in the past, but did I really need to?

I think its about expectations; if you are at an art fair then you should have prints for sale. Well honestly I do have some items for sale; a trade edition of Ciociaria, two limited editions of this book, my hand-made artist book Pine Lake, some out-of-print copies of LensWork #74 that feature my In Passing project and probably my Foundations mini-portfolio. So I think I am going to take an alternative pathway for my prints that will work best for me; bringing a print portfolio or two of work-in-progress and ask for feedback. This could be a win-win opportunity for me.

So at the moment, the first work-in-progress print portfolio will be my Memory Pods project. I have not been posting much of my photographs for this project created with the larger format Canon 5D equipment. Thus this photograph will be new. I have also been working on the artist statement for this project, which I will print and have available at Photo Independent to provide to those who have an interest in this project. I am also planning to have an interest list to capture names and emails of those who are interested in this project for follow up as the project comes closer to publication and exhibition. And of course I will need to update my web site with the images in the portfolio, which I will announce here when I have completed it.

Cool, I am doing much better already! And a back-up supply of pigment ink for the Epson printer just arrived so I feel energized to dig in and start printing. This is going to be fun!

Cheers!

April 7, 2016

Exhibiting at Photo Independent

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Memory Pods 2016 copyright Douglas Stockdale

I have just been notified that I am accepted into Photo Independent at the end of this month. I was anticipating that I would be included in the Photobook Independent, but I was just notified that I can also have a print portfolio in addition to my photobooks. Yikes, I was not prepared for that wrinkle. The event in LA (Raleigh Studios in Hollywood) is at the end of this month April 29 – May 1, 2016, so although I do not have much time to prepare, I will make the most of this opportunity.

As to which photobooks to bring and sell, that is the easy part. For the print portfolio; which one? I will have a limited space to display, so from past experience, far better to focus on one portfolio than try to show a little bit of everything. What I did learn in the past is to hold in reserve at least one smaller (both size of prints and quantity of prints) portfolio that might come up in discussion.

I have been looking to publish my project In Passing – Lest I Forget, but I am not sure that this is the right audience. So I am thinking that this will be my portfolio that will in reserve. As to the display portfolio, I am leaning towards my Memory Pods project. I really don’t have much time to fret over this as I need to start printing for the portfolio this weekend.

Such problems to have, eh?

Cheers!

 

January 1, 2016

2016 – Looking Ahead

Filed under: Photography — Tags: , , — Doug Stockdale @ 11:30 pm

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Untitled, copyright 2016 Douglas Stockdale

As I just posted, the beginning of the year is a time to reflect on the past and also to look forward for what might be. My first post was honking my horn for 2015, now I want to look at my goals for 2016.

I had two principal projects in 2015 and an artist book that needed a bit more reflection. I plan to work on all three of these which are at various phases of completion.

In Passing – Lest I Forget is an aftermath project that I actively worked on starting in 2006 and into 2012, then took some time to let the project cook, then I started back in earnest again at the end of last year. I have about 100 photographic images that I have culled from the past 9 years that I think will make a really nice photobook and will be the basis of an exhibition. So I have developed a project plan to finalize tweaking the images for a book dummy, obtain sponsorship’s and funding with a goal to have a Fall publication and release concurrent with at least one exhibition.

For my project Memory Pods, I am looking forward to the spring for the budding and blooming of my subjects for another intense season of photography. The one thing that I would like to do is invest in a prime macro lens for this project. I have bounced between a 100 mm f/1.8 L macro for the 5DMk3 or a 120mm CFi Makro lens for the Hasselblad, and currently I am  leaning towards the Hasselblad Makro lens. I have some expired 120 transparency film that I think will be ideal with the Hasselblad for this project; old, expired film investigating fading memories.

For my third project, which is my artist book Bluewater Shore, I want to use the newly acquired Micro/Makro lens mentioned above to re-photograph my family prints. I also have some very, very expired 120 black and white film for this project. I have a better idea now of how I want to design, print and bind this book. My goal is to prepare everything for publication in 2016, with a Spring 2017 publication date. My bigger priority for 2016 is to finish In Passing – Lest I Forget.

I also plan to keep an open eye and actively make some exhibition submissions in 2016, to try to participate in at least one if not two exhibitions.

cheers!

December 9, 2015

Angel of Death – Surrealistic moment

Filed under: In Passing, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 6:31 am

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untitled (Colfax Street, Denver, CO) copyright 2015 Douglas Stockdale

While I was working on my project In Passing – Lest I Forget while in Denver over the Thanksgiving weekend, a Surrealist moment occurred for me.

Having known of the Henri Cartier-Bresson’s practice of composing a potential image and waiting for someone or something to happen, I had not realized the Surrealistic theory behind it until recently. I had an opportunity earlier this year to review Clement Cheroux’s biography of Henri Cartier-BressonHere and Now (published by Thames & Hudson) which connected the dots for me. In the photograph above, I was following the surrealistic theory of Andre Breton’s called Fixed-Explosive, which denotes the state of something simultaneously in motion and at rest. Henri Cartier-Bresson felt that this was one of the surrealist concepts that uniquely energized  his compositions and characterizes many of his famous photographs.

For me, I was not intending to create a surrealist photograph, but had set up the camera and tripod to document this small roadside memorial. Then I noted this guy in the dark hoodie approaching and I could not resist making one more exposure as he walked towards the memorial. That the man is dressed entirely in black, the hoodie is concealing his face and he has his hands in his pocket makes him anonymous and creates a mysterious image.

I do not think that this photograph will be in my final project as all of my other photographs are devoid of people. Nevertheless I find this photograph very interesting.

Cheers

November 25, 2015

Descanso memorial – Halloween

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Untitled (Halloween Costume, I-15 Frontage Road, Victorville, California) copyright Douglas Stockdale

While researching my In Passing – Lest I Forget project, I came across an interesting term; Descanso memorial. This is a Spanish derived word, literally meaning “to rest”. It originates from the old Spanish practice of marking the place where a coffin was placed the ground along the route to the cemetery, allowing the coffin bearers to rest. As the photographer Dave Nance states about the Descanso memorials, “The association thus created between the road, the interrupted journey, and death as a destination, eventually found expression in the practice of similarly marking the location of fatal accidents on the highway.”

Descanso now appears to also designate those memorials which are decorated for each of the holidays. Which is the case of the I-15 Frontage Road memorial that I photographed near Victorville, above. I had photographed this memorial about mid-October, just prior to Halloween. Not evident in the photograph is a bowl of candy nestled within the flower arrangement at the base of this memorial, along with a memorial plaque, which from the wording was probably placed there by the mother of the individual who died at this place.

Best regards

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