Doug Stockdale's Singular Images

April 15, 2017

Bluewater Shore – limited edition artist book

Filed under: Bluewater Shore - artist book, Books, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 9:20 pm

Bluewater Shore cover in clear slip case KI6A5662

Bluewater Shore (book cover with poly slip-cover) Copyright 2017 Douglas Stockdale

Bluewater Shore is a semi-fictional visual narrative about a young woman’s holiday, an exciting unescorted trip to the shore with friends, which is set in the late 1940’s and investigates a new sense of independence for women that occurred during and following World War II as well as American culture, family, and memory. The limited edition artist book was developed from repurposed vernacular photographs from the artist’s family archive and the concept was partly inspired by Kodak and Ansco promotional booklets that were available with dime/drug stores film processing in the 1950’s and into the 1960’s.

Concept, development & design: Douglas Stockdale copyright 2017

Flip-book, stiff covers, prong binding, hand-inscribed cover, hand-inscribed poly slip case, 32 pages, 16 black & white photographs, size: 7 ½” x 6” (190 mm x 155 mm)

Self-published artist book, limited edition of 99 + 5 A/P; price $47.00 USD (44 €, 37.5 £, 5,230 ¥,)

Printing: Fultone© digital lithography by Dual Graphics, (Brea, CA), hand-bound by the artist.

Additional photographs: www.douglasstockdale.com (Bluewater Shore – artist book)

Official book launch: Photo Independent, Los Angeles, CA April 21- 23, 2017

Cheers!

Bluewater_Shore-Ready_for_a_holiday

Bluewater-Shore_on-the-shore

Bluewater_Shore-the_Wise_guy

Bluewater_Shore-Hula_party

Bluewater_Shore-Big_raft

Bluewater_Shore-Show-offs

Introduction to Photo Book Design Workshop – final thoughts

04-08-17 LACP Intro to Photo Book Design workshop KI6A5544 limited edition hand made book

LACP Introduction to Photo Book Design Workshop, Douglas Stockdale with workshop members, photo by Nikki Washburn

Now that the LACP Introduction to Photo Book Design workshop is complete,  a few closing thoughts. First, this was an intense workshop, a ton of information to pass along in conjunction with those attending heavily engaged in developing their rough book dummy. I will admit that there were a couple of items on the agenda that in retrospect that I did not dive into deep enough. Since I know that I will be leading this workshop again (see below), I am making some notes and slight adjustments to the outline.

It appears from the workshop feedback for my surprise limited edition hand made book that we self-published at the start of the workshop (members holding their editions, photo above), did have the impact that I had hoped for. Making this book energized the workshop as to the potential for self-publishing and took away some of the mystery of book publishing. Nice. Also raised the bar for producing this booklet in future workshop!

The one week break between the workshop sessions had a big impact on those attending to return home really dig into the development of their book dummies. The resulting dummies that were shared on the start of the second session were amazing and the energy each person brought back to the class was very contagious. The book dummy’s were as varied and diverse as those attending the workshop. The photographs below are of the participants who completed their rough book dummy, a big step forward for each.

By the way, did I mention that I was equally inspired to create my first dummy for my Middle Ground project? I brought it to the workshop and shared it with the group after everyone had an opportunity to have their dummy’s critiqued. I enjoyed my feedback as well and I will be posting more about this dummy and project in the weeks and months to come ;- )

Some really good news? I will be repeating this workshop with LACP next Fall, probably in early October and a second one-day LACP workshop is now in the works: Marketing Your Photobook. As advance notice the Marketing workshop is being planned for Saturday, July 22nd at the LACP facilities in Los Angeles and more information to follow soon!

Cheers

LACP Introduction to Photo Book Design workshop144831-01_Gerhard_Clausing

LACP Introduction to Photo Book Design workshop_144845-01_Safi_Shabaik

LACP Introduction to Photo Book Design workshop_144902-01_Christine_Riedell

LACP Introduction to Photo Book Design workshop_144916-01_Hannah_Kozak

LACP Introduction to Photo Book Design workshop 144929-01_Tomas_Gasper

Bluewater Shore – Final Press Checks

Filed under: Bluewater Shore - artist book, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 4:04 am

04-14-17 Final_Press-check_Bluewater_Shore_085737-01_Dual_Graphics_Craig_Evans

Final Press check, Craig Evans, Dual Graphics, copyright 2017 Douglas Stockdale

At one point a couple of years ago I was not so sure that this event was going to happen; working on the press-checks at the printer for the pending publication of Bluewater Shore. And here we are.

There were a couple of scheduling hiccups this past week, so while we had hoped to be doing the pres-checks at the beginning of the week, here we were doing it today. Before this, I had a chance to evaluate the soft proofs, but today I was looking at the printer and examining printed sheets as they came off the digital litho printing press, aka, hard-proofs or in this case, actually a press-check.

Fortunately I had already provided some match prints that I printed earlier on my Epson 4800 on Epson paper, so when we looked at each printed sheet (below in the light box) I could compare this to my match prints. Out of 16 printed sheets, I found that a slight increase in contrast (more density) was required for only three of the plates, otherwise spot on. Since we were using the Fultone printing process (two inks: Grey + Black) developed by Dual Graphics, the black and white images looked amazing. Granted that due to my intent, I had “aged” the images and backed off on the contrast to simulate a faded photograph, but these looked truly like old photographs. We also used a slightly off-white luster paper that works really well with this book.

We also evaluated the color and heavier stock for the book’s cover and this looked great as well. Only thing left was a confirmation to ensure that the holes would be drilled in the right location for the prong binding.

I provided my approvals and all systems were GO! The printing should be completed tonight, then the secondary operations to trim, score and drill the holes. Right now we are looking at a completion date of Wednesday, which is going to be a bit tight for having the finished books bound and inscribed for Photo Independent Friday afternoon, I will not need to finish them all, but have enough for the exhibition. Might bring a few parts with me and if a lull in the action during the exhibition, assemble a few more books.

This artist book will be literately hot off the press!

Cheers and hopefully see some of you at Photo Independent next weekend in Los Angeles. Give me a shout out if you plan to stop by ;- )

04-14-17 Press-check Bluewater_Shore_080938-01_Dual_Graphics

04-14-17 Press-check_Bluewater_Shore_085431-01_Dual_Graphics_Craig_Evans

April 7, 2017

Pre-order Bluewater Shore

Bluewater Shore cover in clear slip case KI6A5662

Bluewater Shore (cover, with clear slip-case) 2017 copyright Douglas Stockdale

It is now time to pre-order a copy of Bluewater Shore prior to the formal book launch at Photo Independent (Los Angles, April 21-23, 2017) for a special pre-launch price of $40.00 USD (includes shipping and handling within the USA) (Note: this pre-launch price has now ended). The book price will increase to $47.00 at Photo Independent. This is my version of a crowd-funding for this book project!

Introduction: A semi-fictional visual narrative about a young woman’s holiday, an exciting unescorted trip to the shore with friends which is set in the late 1940’s and investigates a new sense of independence for women that occurred during and following World War II. The limited edition book was developed from repurposed vernacular photographs that are in my family archive and the concept was partly inspired by Kodak and Ansco promotional booklets that were available with dime/drug stores film processing in the 1950’s and into the 1960’s.

A book that investigates American culture, time, memory and nostalgia. This is a sequel to Pine Lake, my 2013 artist book which was recognized by Elizabeth Avedon as one of her Best Photographic Books for 2014.

Concept, development & design: Douglas Stockdale copyright 2017

Flip-book, stiff covers, prong binding, hand-inscribed cover, hand-inscribed poly slip case, 32 pages, 16 black & white photographs, size: 7 ½” x 6” (190 mm x 155 mm)

Self-published artist book, limited edition of 99 + 5 A/P; price $47.00 USD (44 €, 37.5 £, 5,230 ¥,)

Fultone© digital lithography printed by Dual Graphics, Brea, CA (USA)

Additional photographs: www.douglasstockdale.com (Bluewater Shore – artist book)

I will need you to email me and let me know that the check is in the mail (or we can do a PayPal invoice for credit cards) for the number of copies you want; doug@douglasstockdale.com

I think you will find this to be a very charming story about what might have happened with this band of brave, young, adventuresome women.

Cheers!

Note: First my sincere thanks to all of you who pre-ordered Bluewater Shore, your enthusiastic response was wonderful is very much appreciated! 25% of the edition was gone in two weeks and this allowed me to prepare for the book’s launch at Photo Independent on April 21st. Thank you!

 

 

April 5, 2017

Bluewater Shore – Next steps to self-publish

Bluewater_Shore-Show-offs

Show-offs! (Bluewater Shore) 2017 copyright Douglas Stockdale

Since my last update on the development of my limited edition photobook Bluewater Shore, I continue to be very busy with getting the printing completed at Dual Graphics, starting the pre-publication selling, arranging for books reviews and making pitches to some select book shops to stock and sell it.

First, printing the book at Dual Graphics (Brea, CA); we are currently tweaking the gray tones for the Fultone printing of the interior pages. Fultone printing was developed by David Gardner to improve on the duotone printing then available in the mid-1980’s, but his efforts duly impressed Ansel Adams & John Sexton that Fultone printing by Dual Graphics (at that time called Gardner Lithographic) was the best black and white book printing in the US and where they have their books printed. Since then a whole series of black and white photographers have been going to Dual Graphics to use their Fultone printing process. We are also fine tuning the color and font of the book’s exterior. I may be at Dual Graphics later this week on-press for the actually book printing. I am looking forward to that!

Since I just set my selling price after a stop at ARTBOOKS in LA last weekend to check out the competitive landscape of similar book prices, I am now able to start my campaign to pitch booksellers to stock Bluewater Shore (just received my first confirmation) in conjunction with pre-publication discount and a standard post Photo Independent book sellers discount.

Likewise in conjunction with my budding newsletter process, I am now starting to reach out to my family, friends and contacts to offer a pre-launch discounted price for the book (see below for details). This is essentially a mini-kickstarter program to pre-sell as many of the books as I can to fund my launch at Photo Independent (and pay for the final publication costs).

I have been in touch with (“pitching”) a couple of magazine and on-line zine publications about featuring Bluewater Shore. It can be a little longer process to get accepted and then published by the Editorial teams, so I needed to start that as soon as possible. I have already anticipated that for some magazines that they will only feature “original” photographic work, so my artist book which uses re-purposed vernacular photographs is a bit of an artistic stretch for them (yep, already have my first rejection slip!)

At the moment, I am anticipating that I will have the printing complete by mid-April and then I need to complete the prong binding and hand inscribe the book, book covers and the outer shell. Stay tuned!

One serendipitous outcome of this project; since I am using my family archive to draw on for the content and sadly since my parents (and their brothers and sisters) have passed, I do not know all of the identifies of those in the photographs. Photo above is my dad who plays a cameo role in the book, but then my cousin Jack just emailed me to tell me that he’s the young kid in the foreground. I suspected it might have been him, but I did not know for sure. So now I do. How cool is that?!

Regarding the above photograph, what interested me, besides the subjects, was the vernacular nature of this photograph. The the framing was off-kilter, a trade mark of an amateur photograph, and the spontaneity of the subjects. A classic candid vacation photo which I felt was ideally suited for this summer holiday narrative.

Btw, if you have become interested in purchasing Bluewater Shore, I do have a pre-publication sale going on right now (sort of a personal Kickstarter program), which is $40.00 USD (includes shipping and handling within the USA). The price increases to $47.00 USD on April 21st at Photo Independent (Los Angles). So I can honestly say that this is a limited time offer! (contact me off-line: doug@douglasstockdale.com).

Cheers!

April 4, 2017

Photo Book Design Workshop – Limited Edition Book!

Book design workshop outline and limited edition book_083448

Introduction to Photo Book Design book 2017 copyright Douglas Stockdale

Last Saturday on the first day of my Introduction to Photo Book Design workshop with LACP, I finally had an opportunity to make my surprise reveal; as part of the saddle stitch binding demonstration, each person in the workshop completed a limited edition, hand-made book (aka artist book) which was also their course outline! I had printed all of the covers and interior pages, then showed the class how to slightly score the cover with a bone-folder to ensure a clean fold, then fold and order the interior pages (3 sheets), and finally each one completed the saddle stitch binding with the long reach stapler of their own edition copy. Perfect!

I had been working on this book idea for the workshop since the Christmas break and thought that if each person were to leave with a limited edition book, it should be pretty cool workshop take-away as well as under score the point that creating limited edition books can be fun. So every couple of weeks I would advance this book concept; designing the covers, what I wanted for the Colophon in the inside back cover, developing the course outline which would become the text for the interior, the sequencing of the workshop, thus the sequencing of the pages and corresponding text. With some additional feedback from a couple of those who had signed up, I realized that I needed to refocus the key objective of the workshop which resulted in a new sequence of the course outline.

I wanted the resulting book to have stiff covers, so I printed the covers on double-sided Epson Presentation Matte photo paper (8-1/2 x 11″, subsequently folded once) using my Epson 4800 for the exterior which had one photographic image (aka plate) and then the interior text was printed on my Epson Workforce (WF-7620), a desktop printer/copier that I use for printing documents. For the interior text block, I used some #20 Staples copier paper (8-1/2 x 11″, subsequently folded once), also printed on the Epson Workforce desktop printer.

The text layout was created using MS Publisher (2013) and the two-page column template. This template design keep the resulting gutter clear of text after folding the sheets to create the pages of this book.

As a part of the workshop discussion about book dummy development, I also shared the various book dummy stages that I used to develop this book; hand-written text, pages taped together, and versions up to the polished printed dummy that I used to write the notes for how I needed to re-sequence the book after changing my objectives for the workshop.

Colophon: hand made photobook, edition of 12, this being the first edition, copyright 2017. Stiff cover book with 12 pages, size 5-1/2″ x 8″, design & printed by me, assembly and binding by the workshop class.

So tell me, how cool is that!

Cheers!

 

March 20, 2017

Bluewater Shore – Final Development in progress!

Bluewater_Shore-Ready_for_a_holiday

Ready for a Holiday (Bluewater Shore, artist book, self-published, 2017) copyright Douglas Stockdale

Very exciting news; last week I have a sponsor for my limited edition artist book Bluewater Shore!

For the past six days I have radically shifted gears to finalize the development of my project: book & cover design (same as Pine Lake), tweaked a couple of the images, created a set of production proofs and pre-production high resolution files, created a set of web ready images and just posted these on my web site, fine tuned my introduction (below) and put together a little press release flyer that provides an overview of this artist book which I was able to start handing out at the LACP open house this last Saturday. Yep, I’ve been a busy guy ;- )

Bluewater Shore Introduction:  A semi-fictional story about an American rite of summer. This is a visual narrative about a women’s holiday, an exciting trip to the shore with friends. This is set in the late 1940’s and investigates a new sense of independence for women that occurred during and following World War II.

The good news is that I have been mulling over this book project for the past couple of years after self-publishing Pine Lake. Sort of had this on a slow-simmer; so the concept and what I want to accomplish was pretty well thought-out, thus when I received the go-ahead, I had the planning complete so I just needed to update all of the files and book dummy.

At the moment I looking at a book launch for Bluewater Shore at Photo Independent (April 21-23, 2017) at which I already have a table reserved. Also starting an interest list, so let me know (doug@dougalsstockdale.com) if this project might be one you would like to support and purchase one of the 99 limited edition copies. Very close to setting the final price, so that will be announced shortly.

Cheers!

 

March 2, 2017

Fortress America – a political folly

Filed under: Middle Ground, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 6:49 pm

08-29-16-middle-ground-_084426_19x15

Middle Ground, San Diego, 2016 copyright Douglas Stockdale

I have enjoyed a short breather from my Middle Ground project, an investigation of “Fortress America”, a sarcastic visual parody of the current political desire to build a HUGE wall to protect America from the desperadoes of the South. I touched on this project briefly during my interview with Aline Smithson for Lenscratch, but none of photographs from this project were included (I think that this is my bad, as I meant to, but not sure that I actually provided one)

So a quick recap: I now think that I have all of the photographs to finish this project (which means I will not be acquiring the 50mm Distagon for a film version of this project), now heavily into editing and I think that time is of the essence to get this project completed. I do not think it will stop the political folly, but this might help with the discussion as to why this wall is such a stupid, impracticable and expensive idea (I don’t think that this concept worked for China or most recently in Berlin). Yes, a billion dollar wall that can be overcome by a used $25.00 ladder. sigh.

One idea for an artist book (and hopefully a trade edition) is to design, print and bind the interior pages as an accordion (Leporello or Concertinas). The results will create a continuous line of the barriers (photographs), thus another layer of visual parody about The wall.

Okay, back to work!

Cheers

 

January 27, 2017

Weather & Surf Reports

Filed under: Photography, Projects/Series — Tags: , , — Doug Stockdale @ 11:50 pm

01-13-17_san_clemente_070430-01

San Clemente, CA 2017 copyright Douglas Stockdale

So my latest experiment-fun that I have been playing around with is photographing the ocean, surf & sky when I happen to be driving near and subsequently posting on Instagram (@douglasstockdale) as my Weather & Surf Report. As you might imagine, we live close by and my daughter lives even closer, so this becomes a frequently opportunity, especially when I need to drop off someone at the San Clement train station which is just yards away from this ocean beach. I enjoy watching the surf, the smell of the salt air, and the various sounds of the surf and beach, but I was not really drawn to photograph it until recently. Not sure that I want to do a long exposure or in black & white, but perhaps documenting this natural landscape (while the local coastal train zooms by behind me) in color.

I have not been that consistent in my framing, but experimenting with options; leaning towards a lot more atmospheric sky than the ocean & beach.

See what develops, eh? Meantime, having some fun.

Cheers!

01-17-17_san_clemente_065042-01

01-15-17_san_clemente_145339-01

January 8, 2017

Bluewater Shore artist book update

bluewater_shore_outter_cover

Bluewater Shore copyright 2017 Douglas Stockdale

So if life is not crazy enough, I might be also looking to self-publish in 2017 my photobook Bluewater Shore, the second in my series of Holiday Snaps project (the first being Pine Lake). Honestly, this project took a little holiday when (1) it took a lot of energy to market and sell Pine Lake in 2014, (2) I did not have the investment funds to print it (even after I received a much better quote) and worse (3), I lost (okay it turns out I miss placed it) my completed book dummy for Bluewater Shore. After searching for this darn thing for almost six months I was feeling a bit deflated and although I had all of the pieces to build another dummy, I just did not feel like doing it.

Well that all changed yesterday, while looking for something else in back of my files I spied a little bit of baby blue; could it be?? Yep, there was my Bluewater Shore book dummy in the oddest of files.My bad. But finding this bookdummy was very, very nice!

So I have been back working on the digital files for the interior of this book today while confirming that the sequence that I developed two years ago still made sense. Yep, looking good! The nice thing about the conceptual intent for this narrative is that it is sequenced in a chronological order, much as you would go thru a roll of processed film after a holiday vacation, similar in narrative style of Pine Lake. Second, I now have the funds to go to print and complete that aspect. The limited edition is till going to be 100 copies, which I am still planning to hand bind and then personally inscribe each book. Since I do have all of the parts, maybe I can have this completed for the Spring book season, so stayed tuned if this artist book is of interest.

Oh, like Pine Lake, I am still thinking of adding a few little extras ;- )

Cheers!

 

Older Posts »

Create a free website or blog at WordPress.com.