Doug Stockdale's Singular Images

July 6, 2018

Memory Pods – end of Season Four

Filed under: Memory pods, Photography, Projects/Series — Tags: , — Doug Stockdale @ 1:46 am

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Memory Pods, June 2018, copyright Douglas Stockdale

Now that the heat of July has come in full force here in Southern California, the Aloe Vera seed pods that I am photographing for my project Memory Pods are all quickly withering away in their own unique style. As I wrote earlier in April, this is my fourth year of working on this project and since I am not sure of how I want to publish this project yet, I will probably work on it again next year. I will give me self some more time to reflect. I am pretty sure that I can exhibit this project now, which is an option that might allow some feedback. Another aspect to consider.

Meanwhile, there are still a few parts of these plants that are still getting my visual consideration, thus I will probably shoot another couple of more rolls over this weekend. Then its time to call it quits for photographing my subject in 2018. I am noticing that I am much more preoccupied with other projects since I can’t see the ending for this one yet.

This was the year that I acquired my used 120mm f/4 Makro for the Hasselblad to photograph this project. My takeaway is that this lens did not focus as close as I had anticipated, thus I am back to thinking about another extension tube (yes, don’t remind me that I sold two and vowed never to use these things again). The upside to this current camera/lens combination is that these are really big negatives and I can crop these extensively to create large prints. One visual aspect of using an extension tube on the 120mm lens would create an even shallower depth of field, which I seem to leaning into at the moment.

Something to think about during the “off season”.

So now back to the project that does seem to have my intense interest; Gardening for Ordnance in conjunction with a secret project that is developing in the background. fun, fun, fun!

Cheers!

 

June 23, 2018

Expired film – Gardening for Ordnance

Filed under: Art, Gardening for Ordnance, Photography, Projects/Series — Tags: , — Doug Stockdale @ 2:57 pm

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Untitled, Gardening for Ordnance project, 2018 copyright Douglas Stockdale

While I am still in the midst of binding the remaining leporello artist books for Middle Ground (yes, book is still available, so message me for details) I have continued to work on two other on-going projects, Memory Pods and Gardening for Ordnance, both with an agenda of investigating memory.

One of my ideas for Gardening for Ordnance to under gird my narrative about history and memory was to use expired 120 film for this project, preferably chrome. Even though I have hoped for some radical visual effects using the expired film, the results have been minimal as I wrote a few days ago.

Nevertheless in the most current batch of processed film there were a couple of images mid-roll that has some striking visual effects (above). I am not sure if this was caused because of the film was expired (about 15 years ago) or the film was light struck somehow. I am thinking it might be the latter as there are only a few frames effected and those before and after do not appear to include this effect. Nevertheless, highly likely that this “defect” is still a result of the film being well used beyond is expiration date.

I think that this image works great with my concept for this project. So I continue to look for when serendipity and chance are introduced into this body of work. Oh, a friend quickly pointed out that with the CC version of Photoshop I can easily correct or substantially diminish this visual defect; NOT!

Cheers!

PS – I have not started a gallery for this project on my web site (have a link on the side bar to related updates for this project), and since I now working more actively on this as I finish the Middle Ground publication, probably a good reason to get one started. Look for an update on that shortly.

June 22, 2018

More Expired film donations

Filed under: Art, Gardening for Ordnance, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 6:26 pm

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120 Ektachrome & VPS expired film, 2018 copyright Douglas Stockdale

This was a good week for expired 120 film donations for me. I was starting to run a bit thin in my expired film inventory while working on my project Gardening for Ordnance and starting to get a little stingy in my film use. My idea is that while working on a memory project that dates back to WWII (1940’s) that using old expired film might add another dimension to my narrative. Especially if there are any serendipitous visual effects that occur.

So far I am not seeing a lot color variation in the final processed film results for the expired film I have been principally using which was Fujichrome that expired about 2006. This next batch of 120 film might provide a little more variation as the expiration date for the Ektachrome is 1996, 1997 and 1988. During the week I have already used a couple of rolls of the ’96 vintage, so it will be interesting to see what comes out of the soup next week.

I also received a small donation of some expired 120 black & white roll film that is even older going back to a 1984 expiration date, which means it was probably made about 1982, thus almost 35 years old. Very cool! I do not have a specific project in mind for the black & white film yet, but now that I have this film in hand, I will be a bit more receptive to my artistic muse.

Of course if you have some expired 120 film laying about that you would like to get rid of, message me ;- D

Cheers!

Ilford Pan F - expired 1984

May 26, 2018

America Memorial Day

Filed under: Art Market, Middle Ground, Photography, Projects/Series — Tags: , , , , — Doug Stockdale @ 6:25 pm

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America, (Middle Ground/En Medio Tierra), 2016 copyright Douglas Stockdale

Here in the United States we are celebrating Memorial Day over this long three day weekend, a wonderful event for many reasons. As a kid it meant that we were going to be out of school shortly and the summer vacation was about to go into full swing. Also meant that the winter weather was gone, flowers were blooming, and it was going to get hot along with the evening swarm of mosquito, the nastiest of little flying biting insects.

As a child I had learned that this weekend was also about honoring those who served in the military, but as my dad and all of his brothers had survived WWII, understanding the underlying sacrifice was really lost on me then. Later when the Vietnam war was upon me and high school friends had gone to serve and then some did not come back, I really came to understood the full impact of what military service was about.

I have also come to celebrate this weekend in a much broader sense; a weekend to remember all of those who served as well as those others who have now passed through this life and a growing appreciation of all those still living among us.

Thus I felt very honored when my gallery used the above photograph, America, from my Middle Ground/En Medio Tierra project, as a memorial day weekend celebration announcement. In the context of Memorial Day I think that this photograph is a contemporary urban man-built landscape that metaphorically reflects on the current issues facing America. As our national anthem states That our Flag was still there, this photography visually signifies to me that we will get through this current political mess as individuals attempt to create barriers, impediments and divisions. That there is still hope for our country.

Cheers,

Doug

Photographic prints; 40 x 50″ (42 x 52″), 30 x 40″ (32 x 42″) , 22 x 28″ (24 x 30″), 16 x 20″ (17x 22″) available from Fabrik Projects, Los Angeles.

 

December 31, 2017

Best creative wishes for 2018!

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Morning walk, Trabuco Canyon, 2017 copyright Douglas Stockdale

On the brink of 2018 I think is a nice time to reflect on the achievements (and maybe even some of the screw-ups) of this past year, while looking forward to the opportunities and possibilities of the New Year.

So what do I have a chance to pat myself on the back about for 2017?

A bunch of things are just the continuation of my on-going artists and photographic projects; writing my random thoughts for this blog, providing photographic/artist book reviews for The PhotoBook Journal, portfolio and submission reviews for LensCulture, portfolio reviews for Los Angeles Center for Photography (LACP), curating the photobook submissions & curatorial talks for Photo Independent, and providing mentoring to other photographers/artist on the development of their book/projects. Likewise I continue development of long term photographic/artist projects; Memory Pods, Middle Ground, Instant Nomad and Gardening for Ordinance.

Bluewater Shore; self-published my limited edition artist book  which was launched this spring at Photo Independent. I had been developing this artist book for the past four years, so it was really great to finish this publication, which was recently selected by Elizabeth Avedon as one of her Best Photographic Books for 2017, and made Viory Schellekans Best Photo Books of 2017. (Also a few copies of this edition are still available, so contact me if interested; doug@douglasstockdale.com)

Guide to Self-publishing an Indie Artist Book; an unexpected self-published book that I received a commission to complete in time for it’s launch at the Medium Festival of Photography this fall. This book draws heavily upon my Introduction to Photo Book design workshops.

Introduction to Photo Book workshop; In conjunction with Los Angeles Center for Photography (LACP) last spring, I led the first of two workshops this year for LACP. We are already planning the next workshop with LACP for fall of 2018, so watch for more details next year. These workshops have also led to more mentoring for photobook development with individual artist/photographers and organizations.

So what lays ahead for 2018? As the photograph above hopefully implies; an uncertain future on a path that only a few walk, with some potential hills (ups and downs) lurking ahead with the end of the path obscured by the trees. There’s also the thorny cactus lurking just off the trail.  Okay, it’s a bit of a classic metaphor, but I enjoy it all the same.

One goal for 2018 is the (self) publication of Middle Ground this spring (working on the book dummy during the holidays). Continue development of the other photographic projects. In discussions with my Associate Editor, Gerhard Clausing, about a ten-year anniversary photobook for The PhotoBook Journal.

On a personal note, I still need to lose another 5 pounds this year (did lose 10 pounds this fall) and get my blood pressure further down with modifications to my diet (a bit less wine, reducing the amount of salt, more fish, fruits and vegtables) in conjunction with frequently daily walks of a duration that is at least an hour. For the later, I am now venturing more off the beaten path that has led to the start of another photographic project about walking (I have a working title, but more about this in 2018 as I tweak the project’s artist statement). Maybe two walking project since I have been walking both the nature trails and the local ocean beaches, as well the local neighborhoods. I will continue to follow my muse and really interested to see how this all will develop!

So as we prepare for the New Year, I wish you all the very creative best for 2018!

Cheers!!

Doug

September 2, 2017

Gabriela Cendoya reviews Bluewater Shore

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Review 2017 copyright Gabreiela Cendoya, screen shot, Bluewater Shore copyright 2017 Douglas Stockdale

Yesterday I woke to find that Gabriela Cendoya, a very well known photobook reviewer in Spain, has just published a review of Bluewater Shore on her blog GabrielaCendoya. Although she will on occasion provide a book review in English, the Bluewater Shore review is provided in Spanish. If your Spanish is a bit rusty, the review easily converts with the use of Google translate.

So I have taken the liberty to provide a few excerpts, but do not let that hinder you from reading the review in it’s entirety!

Las fotografías de Bluewater Shore, en blanco y negro, de finales de los años 40, tienen el sabor de una cierta despreocupación (insouciance, dirían los franceses), pero sobre todo de una libertad feliz. (The photographs of Bluewater Shore, in black and white, of the late 40’s, have the flavor of a certain disregard (insouciance, the French would say), but above all a happy freedom.)

Como en la obra de Shakespeare, el verano es propicio a los encuentros mas diversos. (As in the work of Shakespeare, summer is conducive to the most diverse encounters)

Mas que de memoria familiar, Douglas nos habla de libertad y emancipación de las mujeres, en un relato abierto en el que podemos intuir muchas aventuras. (Rather than family memory, Douglas speaks of freedom and emancipation of women, in an open story in which we can intuit many adventures.)

Bluewater Shore, en su formato encantador, su nostalgicas fotos envejecidas, es un perfecto acompanante al melancolico final del verano, ese momento sonado de gozo y libertad.
(Bluewater Shore, in its charming format, its nostalgic old photos, is a perfect companion to the melancholic final of the summer that dreamed moment of joy and freedom.)

Thanks to Gabriela for a wonderful and insightful reading of Bluewater Shore. I really enjoy the fact that this artist book has a broad and universal appeal and that it has the capability to connect with readers regardless of their background and culture.

Cheers!

This is where I state that although Bluewater Shore is selling at a very nice pace that there are still some limited edition copies still available. So message me (doug@douglasstockdale.com).

August 9, 2017

Bluewater Shore at Photobook International bookstore

Filed under: Bluewater Shore - artist book, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 4:48 pm

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Bluewater Shore, limited edition artist book, copyright 2017 Douglas Stockdale

Another of my projects this summer has been getting Bluewater Shore into bookstores here in the U.S. as well as in Europe. As is discussed at length in the Indie Photobook Publishing Guide that I posted yesterday, once your book is self-published, there can be an almost equal amount of work to sell it.

Thus I am very excited to announce that Bluewater Shore is now available on-line at the virtual Photobook International bookstore, here. Photobook International is located here in Southern California and is associated with Photo Independent, so my submission was a follow up to my book launch at Photo Independent earlier this year. Very nice, and I of course recommend you check it out (and maybe even buy a copy??)

Meanwhile I will continue making some book submissions to other photobook stores here in the U.S. and Europe. Perhaps similar to making submissions for galleries and exhibitions; I need to determine if there might be good chemistry between me, my books and the bookstores owner and their sales market. I can testify that for a self-published artist, this whole process takes an amazing amount of diligence.

In a related article in this month’s PDNews (August 2017), two self-published photographs discuss how they they are continuing to try to sell the photobooks that they released in 2015. Thus the dilemma of juggling my time to sell what I have published with current work that I intend to publish.  It’s all good & just part of having an artist life!

Cheers!

Doug

Artist, Educator and Mentor

July 2, 2017

Bluewater Shore PR photo do-over

Filed under: Bluewater Shore - artist book, Books, Photography — Tags: , — Doug Stockdale @ 3:55 am

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Ready for a Holiday (Bluewater Shore) 2017 Douglas Stockdale

Earlier in June I had set up the studio lights to re-photograph the interior of my limited edition artist book Bluewater Shore for some bookstore submissions. Recently looking at the resulting images, one of which is below, I realized that as a result of how I had the lights setup to photograph the book’s interior, I did not really get a great representational image. Then is dawned on me; rather than have the back cover of the book facing the lights, I had it reversed and essentially allowing the book’s cover to cast a shadow on the book’s interior. Duh.

What was I thinking? Okay, so I am relatively new to using studio lights and this pretty dumb lighting set-up was pretty much a rookie mistake. So be it; at least I was not screwing up some commercial assignment in the process. I figure that this is just part of my studio lighting learning curve and hopefully I will not make this mistake again (probably another, but hopefully not this same one again).

I also edited the image on my other computer which has a better color managed monitor to ensure that the resulting images are a better representation of the book. Done.

I will update a few other articles about Bluewater Shore with these new images and then right after July 4th holiday I will start pitching a series of bookstores that sell both photographic as well as artist books that use photographic sourced material.

Cheers!

P.S. I still have copies of this limited edition artist book available and if you are interested, please message me doug@douglasstockdale.com

Bluewater Shore limited edition artist book_page_1_Ready_for_a_Holiday

 

June 21, 2017

LACP 4th Annual Members juried exhibition acceptance

Filed under: Memory pods, Projects/Series — Tags: — Doug Stockdale @ 7:52 pm

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Fog (Memory Pods project) copyright 2014 Douglas Stockdale

I am delighted to announce that another of my Memory Pod project photographs has been juried into an exhibition, which in this case is the 4th Annual Members Exhibition for LACP (Los Angeles Center of Photography). The juror is Paula Tognarelli of the Griffin Museum of Photography (Winchester, MA). While the earlier exhibition of Loss was awarded an honorable mention, this time I am very honored to be juried in which I believe is another validation of this project.

In checking earlier posts, it appears that I have not published this image before. All of my photographs for this conceptual project are potential metaphors for the condition of individuals who are living with the loss of memory. For this image, Fog, I am investigating profound memory loss; all traces of memory are gone and the individual is existing in a perpetual memory fog. The stooped, disheveled and bent-over appearance is also an indication that these individual frequently resemble in this state and if they could communicate they would talk of serve depression, anxiety and anger. This is also nearing the end of the individuals life as other acute issues related to their memory loss are occurring.

Regretfully not an up-lifting reason for me to develop this image, but part of my desire to investigate the effects of dementia and Alzheimer’s upon those who are unfortunate to suffer this dreadful disease. Also why we need to invest in research to eliminate it. We will all come to our end on day, but some paths are more wicked than others.

Best regards, Doug

 

 

 

June 19, 2017

Fathers Day & remembering Dad

Filed under: Photography — Tags: , , — Doug Stockdale @ 4:42 pm

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Two rods, Newport Beach, June 2017 copyright Douglas Stockdale

This past weekend was Father’s Day, a time to celebrate Dads and for some of us, to remember their Dad’s who are no longer with us. In my case it was the later as my Dad had passed almost thirty years ago. Yesterday in honor of Father’s Day I posted the above photo that I had taken a earlier on the Newport Beach pier as part of my experiment/play process. At the time that I took the photo and then subsequently tweaked it I had not really given much thought to the metaphoric potential. Until I posted it on Instagram and starting spent a little more time thinking about this image.

So what I realized is that these two fishing rods could represent the current state of me and my dad. Both of us like to fish, he much more than I every will, with the fishing rod on the right going out of focus and appearing to become fainter and harder to make out the details. Which I realized is part of my memory process over the last thirty years I have lost many details about our time spent together. Although these details and experiences are becoming harder to recall he still is a presence however faint he has become. Which was why this weekend this photograph became important to me.

Sometimes I do not recognize the serendipity of my creative works until later, but for me better late than never.

I hope you all had a wonderful time with your father’s and dad’s this weekend and if they are still around cherish the time you still have together.

Cheers!

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