Doug Stockdale's Singular Images

December 11, 2018

Trabuco Flats – still evolving

Filed under: Photography, Projects/Series, Trabuco Flats Mystery — Tags: , , — Doug Stockdale @ 11:44 pm

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Trabuco Flats, 2018 copyright Douglas Stockdale

After recently making the changes to move my website operations to SquareSpace, I have been taking some time away from working (photographing) my Trabuco Flats project. Some needed reflection time. When I find myself unsure of how a project should look (revisualization), I think it is best to slow down. I have been doing some journaling about this project and see how it reads. Fictional, semi-fictional or a bit documentary? At the moment, I am moving from the entirely fictional to more of the semi-fictional and not sure that this will become a documentary type narrative. Perhaps a bit like the Pine Lake and Bluewater Shore projects.

The photograph in this post was made earlier this year and I now think might become part of this project (from another project in the same vicinity). Interestingly I had photographed this same location earlier in the day without any shadows and then later when I observed the shadows, this aspect seemed to add another mysterious dimension to this composition. So I made another series of exposures and now happy that I did.

As you can see, this is a “straight” color image and in line with this earlier post about the use of straight black & white, color or highly manipulated images. I think I am getting a handle on how all of these different visual styles might mash-up in my book design which will support my narrative concept. Also means that I am getting closer to the book development phase of creating the first version of my book dummy (marquette).

I also need to get my printer fixed (again) as well as it’s time to upgrade my color management system. More about that shortly.

I just finished my end-of-the-year big task selecting the “Interesting Artist and Photo Books for 2018” for The PhotoBook Journal. The 12 books were just announced this past weekend, so I spent a bunch of the last couple of days promoting it on the various social media channels. Meanwhile we still need to continue reviewing photobooks. This year I have three more book reviewers joining the TPBJ, so a bit of my time coaching them on how we have been doing the book review process.

Meanwhile, it is time to enjoy the holidays and I will be discussing my Holiday Christmas card very soon.

Cheers!

November 29, 2018

Fabrik Projects 2018 Holiday Pop-up

Filed under: Art, Art Market, Memory pods, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 4:45 am

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Loss, Memory Pods, 2014 copyright Douglas Stockdale

I will have a couple of framed photographs on exhibit at Fabrik Projects for the month of December as part of their “2018 Holiday Pop-up”. This is a group show that will feature artwork that is reasonably priced for the holidays. My photographs are from my Memory Pod series, and Loss, above,  recently garnering an Honorable Mention at IFAC’s “All Media” exhibition.

The exhibition opening reception is this Saturday, from 6pm to 9pm at the gallery, located at 2636 South La Cienega Blvd, Los Angeles, California and the exhibition extends through the end of December.

Joining me for this group exhibition are a diverse group of artists, including Amadea Bailey, Yuri Boyko, J.T. Burke, Jessie Chaney, Martin Cox, Betsy Enzensberger, Cia Foreman, Astrid Francis & Bob Francis, Rob Grad, Sarah Hadley, Maureen Haldeman, JJ L’Heureux, Elizabeth Kitchen, Brandon Kusher, Patrick Ramsey, SameSource, Marilyn Sanders, Linda Stelling, Jane Szabo, Sharon Weiner, Glen Wexler and Nancy Wise.

Let me know if you would like more information about these photographs.

Cheers!

Doug

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October 27, 2018

The path to Trabuco Flats

Filed under: Path to Somewhere, Projects/Series, Trabuco Flats Mystery — Tags: , , , — Doug Stockdale @ 12:03 am

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Untitled, Trabuco Flats 2018 copyright Douglas Stockdale

Although I am spending more time with working on “straight” photographs for my Trabuco Flats project I continue to experimental/play with some of the images. Not entirely giving up on how I might incorporate some of these abstract images into this project, but exactly how I do it is not something that I need to decide today.

The earlier feedback I received about these images related to a more purist issue with the non-traditional sky, something pretty evident in the photograph of this post. My take is rather than consider this landscape image from an emotional viewpoint, that all of the various marks and lines in the sky as representing angst and discord, the viewers were reacting from a traditional viewpoint that this did not look like a classic landscape. I will admit that this landscape image is non-traditional.

Thus as an experiment, I made some modification to the landscape that I subsequently published a few days ago, here. I modified the sky by cleaning up some of the radical marks and lines, still an overall abstract landscape, perhaps with what one would call the sky’s tonality was more homogenized and perhaps leaning into appealing like something more traditional.

All of the feedback is fine and interesting to consider. Nevertheless, what do I think of these potential changes to my images? As an artist I am creating somewhat radical landscape photographs that does not meet the norms. So the question is; do the changes being suggested improve my photographs or do the changes being suggested attempt to make my photographs conform to their expectations of what is acceptable?

I suspect that part of this conservative image advice is due to my audience; they do not experiment with images that often and for the most part chase the modernist landscapes imagery of Ansel Adams. I have shown some of this work to a group of abstract painters/artist, and they encouraged me to push the effects I am using even further. Such as bury the photographs I made for a couple of weeks out in the field and see what results.

And yes, I am also sensitive and aware of the comments that I need to be sure that I am not leaning on some image app trickery as a crutch to making “good” images.

So more experimentation as I play with my options.

Cheers!

October 22, 2018

Trabuco Flats – mystery noir?

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Mysterious Circumstance site 9, Trabuco Flats, 2018 copyright Douglas Stockdale

Another aspect of experimental/play with my Trabuco Flats project is creating a pure black and white version, that would of course be my noir (dark) version. Why not? Or maybe a slight color tint to a black & white?

So this long weekend while attending the John Divola presentation at the Medium Festival in San Diego, in between events I was experimenting with a black & white conversion of some of my earlier images. I am not sure how, or even IF, these black & white images will work within this project, but one of the fun aspects of my development process is to allow myself to play with these images.

There is no getting around that these are darker images, both literally and symbolically. Perhaps a bit moodier than my color versions while not any less surreal. I will admit that I have really been fighting with myself in going full black and white on this project, as I was fully expecting to stay in a full color mode. Even as I write this, I have another idea to try out, above, so it should be interesting to see what results as I further play around.

I just need to be careful that I don’t spend so much time playing around that I don’t actually complete this project. One aspect that should get me back on track is having my medium size printer working again. As I mentioned earlier, I had not realized how important a really good printer is to me and my artistic process. I also have a lead on a slightly newer version of this Epson printer, so that might be a slight change over the next month or so.

Meanwhile I want to develop and print a small portfolio of five of these black & white images at 16 x 20″ to evaluate. Then probably set these prints aside to study while working on other aspects of this project.

A new wrinkle is that I have started writing an outline (storyboard) to create a short story about this project. Sort of a concurrent process and maybe my finial visual project will be determined by my written narrative (or my narrative will follow my visual version). Interesting that I needed to quickly sketch out the entire storyboard in oder to figure out how to flesh out the details of my narrative, another kind of pre-visualization; where was my story line going??

Cheers!

Note: I updated this cover image later in the day for two reasons; first, somehow I screwed up saving the initial image and I was unable to rescue it, so I had to start over from scratch. Second, I was then able to incorporate my idea to include the original color image as a base image to create a slight color tint to the black & white image. I think it’s pretty subtle, so I need to study this effect for a little bit. Perhaps a bit of the best of both worlds.

October 19, 2018

More feedback on Trabuco Flats project

Filed under: Projects/Series, Trabuco Flats Mystery — Tags: , , , — Doug Stockdale @ 9:49 pm

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Landscape study, Trabuco Flats, copyright 2018 Douglas Stockdale

Last night I received a little more feedback that was a bit varied from my earlier showing, also a slight change in the participants. Since my printer was down due to a lack of ink, the only image I had for discussion was the Trabuco Flats landscape that I posted earlier this week. Lot more of a mixed reaction, nevertheless positive and supportive of my project intent.

Going into these print reviews I already know that my Trabuco Flats landscape images are way, way outside the norm of most of these modern rural landscape photographers. Nevertheless, it is a good opportunity to obtain a sense as to how these images read. There are also a few who do experiment with their image content.

I have modified this image above slightly to see how it might look taking some of their comments into consideration. I think that they would prefer a very straight image, but at the moment, I am still into my experiment/play mode for this project.

I also understand that modifying the images as I have is also outside most of the greater photographic “norm”. So always a risk that that these will not be well accepted, but at this point, I still want to investigate these images in the spirit of experimental/play.

What are your thoughts?

Cheers,

Doug

October 17, 2018

Landscape of Trabuco Flats

Filed under: Photography, Projects/Series, Trabuco Flats Mystery — Tags: , , , , — Doug Stockdale @ 6:37 pm

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Untitled, Trabuco Flats 2018 copyright Douglas Stockdale

From time to time I am going to feature the evolving landscape of Trabuco Flats as I develop this book project. For most of my landscape photographs I pay close attention to any horizon lines as it seems that my photographs have a tendency to dip down just a tiny bit on the left side. I have been photographing like this for years, even when I know I might do it and try to pay close attention to the composition in the view-finder. It happens.

So when you see a slightly tipsy image like this you can bet I was trying to photograph a road that is meandering up a hill, which is indeed the case. I think the dirt road does provide sufficient visual clues in addition to the downward slope of the hill. FYI, I have always been uncomfortable with these kinds of photos which could imply that I did not get the composition right. This time I am feeling pretty good about this image.

I also notice that my broader landscape images like this one seem to do better on my social media like Instagram and Facebook that some of my tighter studies, such as my nasty Sacred datura flower that I just posted on here. Which could mean that the folks who follow me really enjoy my landscapes much better than the other stuff, or perhaps my other stuff just sucks.

Epson 4800 printer update:

For those who also have been following my Epson 4800 printer issue, it appears that I may have solved the printing issue due in large part to my friends at the Photo Exchange and Barry, a technical printer sales guy at Samy’s Camera in Santa Ana. Appears that the printing issue appears to be related to some declining paper suction that was not holding the printing paper near the print head nozzles at the end of the printing process. The paper was too heavy for the suction to hold the paper in place, thus falling away from the print head. Since the 4800 does not have an adjustment to increase the suction (one can decrease the suction), the fix was a slight delay in the Paper Feed Adjustment setting. The following two prints after making this adjustment unloaded a bunch of old ink crap on my prints, but subsequently the entire image was printed. Amazing what might accumulate over 13 years!

Equally nice is that I have a working fine art printer again, as my budget was very limited for the next few months to purchase a replacement printer. Yea!

While getting the printer working again, I also ran out of the Light Black ink. Oh well, but once the replacement ink arrives, I am back in the art business again.

Cheers!

 

 

October 15, 2018

Mystery on Trabuco Flats – Sacred datura – a dangerous flower & plant

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Sacred datura, Mystery on Trabuco Flats, 2018 copyright Douglas Stockdale

For my project Mystery on Trabuco Flats, as well as another project Gardening for Ordnance, I have been photographing a local wild weed that blooms during the summer. The small vine-like bushes with their white flowers make for an interesting visual contrast in the wild park area; a bit of local beauty among the other not so pretty weeds and wild grass. I had assumed that this was another of the many none native plants that arrived in conjunction with the local urban sprawl.

For the Mystery on Trabuco Flats project I thought that this white flower appeared quite similar to a white Lilly that is sometime found in conjunction with funerals. Thus these flowers might create another metaphoric layer to this project, especially if the flower(s) was not in perfect condition but bug eaten, decaying and falling apart.

When a friend asked me if it was the Scared datura that I was photographing I did a quick check (as you might guess, I am NOT a botanist) to confirm that it indeed was the Scared datura (species: Datura wrighti) I was photographing. The morbid surprise was to find out that this is a poisonous perennial plant and ornamental flower native to the southwestern North America. Yikes!

Serendipitously I have been actually photographing something quite dangerous. This plant does not yell Danger, Danger! (Unlike the rattlesnake a few weeks ago). So this potential metaphoric flower appears to have more of a darker potential than I had ever envisioned. Very pretty, but also deadly. cool!

I suspect that photographs of this flower will also be a pretty subtle inclusion in my story, as I am assuming that very few are aware of the danger that this flower and plant present (as I understand, not to be eaten, not even a tiny little bit). Especially when I consider that I had no idea of its exsistance; never hearing of this flower and plant before. Which is unlike the various warnings for poison oak, the close relative to poison ivy, which is common to this southwestern region as well. In retrospect poison oak will make a bad intensely itchy rash, but I don’t think it will kill you. sigh.

At one point I thought that these strange flowers were actually too pretty for my dark story, but now very happy I persisted in this visual investigation. You never can tell what strange twists just might occur. wonderful!

And I was thinking that I might pick a few of these flowers to place into or adjacent to some of my suspicious sites. Yikes!! Now very happy I did not touch these flowers or plants.

So for my visual narrative will these flowers be potential clues to solve the mystery?

Cheers!

Doug

 

October 10, 2018

Mystery on Trabuco Flats – modifying the project name

Filed under: Projects/Series, Trabuco Flats Mystery — Tags: , , , , — Doug Stockdale @ 10:40 pm

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Mystery on Trabuco Flats 2018 copyright Douglas Stockdale

This past week I have slightly modified my current project name that I have in progress, from Mystery on the Plano Trabuco to Mystery on Trabuco Flats. Okay, so why?

Primary reason is that for my work of fiction I had been using the name of an actual place, Plano Trabuco; perhaps a road and school, but it’s known as someplace specific.  Not so good for my creative intentions.

So after a little research finding out that the the Spanish word “Plano” translates into the English word “Flat”, then making this plural, I was unable to find any place named Trabuco Flats. In fact I think it would make a nice name for either a bar or an interesting little eatery. hmmm.

So there there you have it. My fictional place for my (almost) fictional project, similar to my previous artist books Pine Lake and Bluewater Shore. nice.

Last weekend I did have a chance to show a few friends at Photo Independent my early stage book dummy for this project and I received some really great responses to both my mysterious images and my book concept. Likewise Chris Davies, the Director of my gallery, Fabrik Projects, came by and was extremely interested in this project and potential book concept. I always like it when folks from a gallery start wanting to know how soon this project will be finished. So overall some nice feedback, which keeps one’s energy up.

As to the image above; this may be a clue or it might be some evidence as to solving the mystery.

Cheers!

July 6, 2018

Memory Pods – end of Season Four

Filed under: Memory pods, Photography, Projects/Series — Tags: , — Doug Stockdale @ 1:46 am

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Memory Pods, June 2018, copyright Douglas Stockdale

Now that the heat of July has come in full force here in Southern California, the Aloe Vera seed pods that I am photographing for my project Memory Pods are all quickly withering away in their own unique style. As I wrote earlier in April, this is my fourth year of working on this project and since I am not sure of how I want to publish this project yet, I will probably work on it again next year. I will give me self some more time to reflect. I am pretty sure that I can exhibit this project now, which is an option that might allow some feedback. Another aspect to consider.

Meanwhile, there are still a few parts of these plants that are still getting my visual consideration, thus I will probably shoot another couple of more rolls over this weekend. Then its time to call it quits for photographing my subject in 2018. I am noticing that I am much more preoccupied with other projects since I can’t see the ending for this one yet.

This was the year that I acquired my used 120mm f/4 Makro for the Hasselblad to photograph this project. My takeaway is that this lens did not focus as close as I had anticipated, thus I am back to thinking about another extension tube (yes, don’t remind me that I sold two and vowed never to use these things again). The upside to this current camera/lens combination is that these are really big negatives and I can crop these extensively to create large prints. One visual aspect of using an extension tube on the 120mm lens would create an even shallower depth of field, which I seem to leaning into at the moment.

Something to think about during the “off season”.

So now back to the project that does seem to have my intense interest; Gardening for Ordnance in conjunction with a secret project that is developing in the background. fun, fun, fun!

Cheers!

 

June 23, 2018

Expired film – Gardening for Ordnance

Filed under: Art, Gardening for Ordnance, Photography, Projects/Series — Tags: , — Doug Stockdale @ 2:57 pm

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Untitled, Gardening for Ordnance project, 2018 copyright Douglas Stockdale

While I am still in the midst of binding the remaining leporello artist books for Middle Ground (yes, book is still available, so message me for details) I have continued to work on two other on-going projects, Memory Pods and Gardening for Ordnance, both with an agenda of investigating memory.

One of my ideas for Gardening for Ordnance to under gird my narrative about history and memory was to use expired 120 film for this project, preferably chrome. Even though I have hoped for some radical visual effects using the expired film, the results have been minimal as I wrote a few days ago.

Nevertheless in the most current batch of processed film there were a couple of images mid-roll that has some striking visual effects (above). I am not sure if this was caused because of the film was expired (about 15 years ago) or the film was light struck somehow. I am thinking it might be the latter as there are only a few frames effected and those before and after do not appear to include this effect. Nevertheless, highly likely that this “defect” is still a result of the film being well used beyond is expiration date.

I think that this image works great with my concept for this project. So I continue to look for when serendipity and chance are introduced into this body of work. Oh, a friend quickly pointed out that with the CC version of Photoshop I can easily correct or substantially diminish this visual defect; NOT!

Cheers!

PS – I have not started a gallery for this project on my web site (have a link on the side bar to related updates for this project), and since I now working more actively on this as I finish the Middle Ground publication, probably a good reason to get one started. Look for an update on that shortly.

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