Doug Stockdale's Singular Images

July 6, 2017

Seaweed, San Clemente beach

Filed under: Photography, Projects/Series — Tags: , , — Doug Stockdale @ 3:49 am

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Seaweed, San Clemente beach, June 2017 copyright Douglas Stockdale

One of my recent experiment/fun projects has been to investigate photographic possibilities at the beach, which regretfully as a genre is a mine field of cliche photographs. So rather run from the obvious as I attempt to skirt around these cliches, the rather wonderful aspect of my process is if I am seduced into taking a photograph that appears to borders on cliche, just take it anyway! No worries! Who knows what might come of it?

I was intrigued by the abstract pattern of these three seaweed pieces that had recently washed ashore. The shore break of the surf was not that large and I could see a series of interesting patterns of surf and residuals as the tide receded. The colors were muted by the overcast sky thus the resulting photograph would be a bit more manageable as I converted this to a black & white image.

So I took a series of images of this composition as the surf broke on the beach and selected this one that seemed to best exemplify the potential abstract surf patterns. I also framed the image to include the distant San Clemente pier as another visual element anticipating that it was going to be out of focus that it might create a bit of visual push/pull and potential mystery.

One of the disadvantages of Snapseed for the initial image processing for posting on Instagram (@douglasstockdale) is the limited black and white conversion options. Nevertheless I think I was pretty close on my initial try and subsequently received a really good response on Instagram, enough to want me to further investigate the black & white conversion with Photoshop. This is the resulting photograph and in line with pre-visualization.

Available as a limited edition archival pigment print. Email me for current pricing for sizes and shipping of this photograph print.

 

July 2, 2017

Bluewater Shore PR photo do-over

Filed under: Bluewater Shore - artist book, Books, Photography — Tags: , — Doug Stockdale @ 3:55 am

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Ready for a Holiday (Bluewater Shore) 2017 Douglas Stockdale

Earlier in June I had set up the studio lights to re-photograph the interior of my limited edition artist book Bluewater Shore for some bookstore submissions. Recently looking at the resulting images, one of which is below, I realized that as a result of how I had the lights setup to photograph the book’s interior, I did not really get a great representational image. Then is dawned on me; rather than have the back cover of the book facing the lights, I had it reversed and essentially allowing the book’s cover to cast a shadow on the book’s interior. Duh.

What was I thinking? Okay, so I am relatively new to using studio lights and this pretty dumb lighting set-up was pretty much a rookie mistake. So be it; at least I was not screwing up some commercial assignment in the process. I figure that this is just part of my studio lighting learning curve and hopefully I will not make this mistake again (probably another, but hopefully not this same one again).

I also edited the image on my other computer which has a better color managed monitor to ensure that the resulting images are a better representation of the book. Done.

I will update a few other articles about Bluewater Shore with these new images and then right after July 4th holiday I will start pitching a series of bookstores that sell both photographic as well as artist books that use photographic sourced material.

Cheers!

P.S. I still have copies of this limited edition artist book available and if you are interested, please message me doug@douglasstockdale.com

Bluewater Shore limited edition artist book_page_1_Ready_for_a_Holiday

 

June 21, 2017

LACP 4th Annual Members juried exhibition acceptance

Filed under: Memory pods, Projects/Series — Tags: — Doug Stockdale @ 7:52 pm

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Fog (Memory Pods project) copyright 2014 Douglas Stockdale

I am delighted to announce that another of my Memory Pod project photographs has been juried into an exhibition, which in this case is the 4th Annual Members Exhibition for LACP (Los Angeles Center of Photography). The juror is Paula Tognarelli of the Griffin Museum of Photography (Winchester, MA). While the earlier exhibition of Loss was awarded an honorable mention, this time I am very honored to be juried in which I believe is another validation of this project.

In checking earlier posts, it appears that I have not published this image before. All of my photographs for this conceptual project are potential metaphors for the condition of individuals who are living with the loss of memory. For this image, Fog, I am investigating profound memory loss; all traces of memory are gone and the individual is existing in a perpetual memory fog. The stooped, disheveled and bent-over appearance is also an indication that these individual frequently resemble in this state and if they could communicate they would talk of serve depression, anxiety and anger. This is also nearing the end of the individuals life as other acute issues related to their memory loss are occurring.

Regretfully not an up-lifting reason for me to develop this image, but part of my desire to investigate the effects of dementia and Alzheimer’s upon those who are unfortunate to suffer this dreadful disease. Also why we need to invest in research to eliminate it. We will all come to our end on day, but some paths are more wicked than others.

Best regards, Doug

 

 

 

June 19, 2017

Fathers Day & remembering Dad

Filed under: Photography — Tags: , , — Doug Stockdale @ 4:42 pm

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Two rods, Newport Beach, June 2017 copyright Douglas Stockdale

This past weekend was Father’s Day, a time to celebrate Dads and for some of us, to remember their Dad’s who are no longer with us. In my case it was the later as my Dad had passed almost thirty years ago. Yesterday in honor of Father’s Day I posted the above photo that I had taken a earlier on the Newport Beach pier as part of my experiment/play process. At the time that I took the photo and then subsequently tweaked it I had not really given much thought to the metaphoric potential. Until I posted it on Instagram and starting spent a little more time thinking about this image.

So what I realized is that these two fishing rods could represent the current state of me and my dad. Both of us like to fish, he much more than I every will, with the fishing rod on the right going out of focus and appearing to become fainter and harder to make out the details. Which I realized is part of my memory process over the last thirty years I have lost many details about our time spent together. Although these details and experiences are becoming harder to recall he still is a presence however faint he has become. Which was why this weekend this photograph became important to me.

Sometimes I do not recognize the serendipity of my creative works until later, but for me better late than never.

I hope you all had a wonderful time with your father’s and dad’s this weekend and if they are still around cherish the time you still have together.

Cheers!

June 13, 2017

OCMA Family Day out-take

Filed under: Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 11:48 pm

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Compass Dance, OCMA June 2017 copyright Douglas Stockdale

Last weekend I was the event photographer again for the Orange County Museum of Art (OCMA) Family Day held in conjunction with their latest exhibition. Although my intent was to capture the interaction of the attendees with the exhibition, family activities and school concerts, I was able to make a few personal photographs. One of which was my capture of the members of the Compass Dance group, above, which is led by Amanda White.

Their dance style is abstract, interpretive and free flowing with a bit of improvisation, which I think is well suited to a slightly slower shutter speed. As a result I hope that I captured some of the kinetics and energy of their dance. Last year I attempted a similar interpretation of the Re:BorN dance assemble.

I do not consider myself a dance photographer but when provided the opportunity to experiment with a group like this I consider this also a time to have some fun, which of course falls under my experiment/fun photographic category. This was also a chance to experiment with my new 50mm f/1.8 lens that I brought along for the occasion.

Who knows where this might lead to one day?

Cheers!

 

June 10, 2017

Preparing Bluewater Shore for bookstore submissions

Filed under: Bluewater Shore - artist book, Photography, Projects/Series — Tags: , — Doug Stockdale @ 12:32 am

Bluewater Shore limited edition artist book

Bluewater Shore, self-published 2017 copyright Douglas Stockdale

A couple of days ago I was preparing to make another series of bookstore submissions for Bluewater Shore, my limited edition artist book. In looking at my “press photos” for this book, I realized that I needed to have a set of photographs showing the book’s cover, with and without the slip cover. So it was time to set-up the studio lights and make a few exterior photographs. I also realized that I did not have any interior photographs of the book that might illustrate how the book and pages work together as a “flip-book”. That extended my studio session by only a little bit and I like the results, above and below.

Btw, Bluewater Shore is still available for sale as the edition has not been completely sold out yet. If interested, check out the book review by Gerhard Clausing and an overview of this artist book that I posted earlier, here.

Cheers!

Bluewater Shore with clear slip cover

Bluewater Shore limited edition artist book_page_1_Ready_for_a_Holiday

Bluewater Shore limited edition artist book_page_17_Hula_Party

June 6, 2017

Mentoring – New service for artists, photographers and organizations

Filed under: Art Market, Projects/Series — Tags: , , , , — Doug Stockdale @ 8:41 pm

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Seagull protest, 2016 copyright Douglas Stockdale

In the art business there is a service market segment that I was not really aware of until recently: Mentoring. In my biotech world we would call this same type of service consulting and I have come to understand is essentially the same kind of service; having a skill or expertise that can help others. I suspect that mentoring is just a nicer sounding word and a code word for consulting. I liken it to: “is that person over there nude” or “are they naked”? (hint: Artistic models are nude, they are NOT naked)

That artist, photographers and art professionals are providing mentoring services was under my radar. As I have become more familiar with the term and services, mentoring appears to be more prevalent than I was every aware of and see that this service is offered by many individuals. It’s when you buy a silver Honda SUV you suddenly realize that there are a lot more of this style and color out there driving around than you had ever realized.

My introduction to mentoring came about during and immediately after my LACP book design workshop as those attending the workshop kept asking me about my availability to continue mentoring them on their book project. They in turn told their friends how I had helped them to edit, sequence and layout out their book project which sparked additional inquiries into my availability to mentor them as well. The lights finally came on and it all clicked for me. Okay, maybe I am a bit slow, but I am a biotech professional and I did not come up through the MFA educational mill.

As a biotech design and operations guy with a MBA I have been consulting for over twenty years and I really know that particular consulting world, just not the artistic monitoring world. So I did a quick study about artistic mentoring with some friends who were very gracious to help me come up to speed quickly, especially when they realized that I had a very through understanding of a small artistic niche; all aspects of book design and development.

I am now an artistic mentor! I just had not realized that all of the pro-bono help I have been providing other artist, photographers and organizations for the past five or six years on their book development projects was really providing a mentoring service. The difference is now I have a fee (consulting rate) structure for my mentoring. I currently have three personal clients and one organizational client that I am helping with various aspects of their book programs. Nice.

When I went back to my web site to add mentoring as an artistic capability I realized PhotoShelter, my web service backbone, was not very non-photo friendly. It has great infrastructure for showing and selling photographs, just not very conducive for pages about services. After an inquiry with PhotoShelter during which they admitted this weakness they did provide me a potential work-around that appears to be a good start on how to make my mentoring services available. So I have created a new Bio page and a specific emphasis on my availability for mentoring.

I did check with my friend Susan Burnstine’s website on where & how she advertises her mentoring service to get some additional advertising pointers. Unlike Mary Virginia Swanson, another friend of mine, Susan is somewhat vague and not very specific about her mentoring. Different from my biotech world consulting in which you are very specific about the types of consulting services, skills and experience that you offer. Thus the web advertising is an aspect that is a work in progress in which I am starting out. I think that one of the similarities between artistic mentoring and biotech consulting is “word of mouth”; if you can help make good things happen for someone, the word quickly starts to get around and which I am quickly finding out. Very nice.

So if you have a great idea about a potential book project but realize that you might need some assistance to get your project either self-published or to a publisher, let me know and see if I might be able to help you to get’r done!

Note: the seagull photo above was made at the end of last year on one of my drives down to San Diego and during one of my rest stops along the coast to check out how the adjacent seascape was looking. I found that the juxtaposition of the seagull on top of this specific sign was a bit humorous since this bird was apparently begging for treats from those who were likewise taking in the seascape view.

Cheers!

June 2, 2017

Life Guard Station #13 – featured in YourDailyPhotograph today

Filed under: Art Market, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 4:41 pm

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Life Guard Station #13, May 2017 copyright Douglas Stockdale

I am very honored to be featured in YourDailyPhotograph today with a special limited time offer (today!) for the photographic print of Life Guard Station #13, May 2017.

Archival pigment print: 15″ x 15″ on 17″ x 22″ Hahnemuhle matte.

This is part of a series of coastal photographs that I am making along the Southern California shore line. This location was in Dana Point on Doheny Beach.

Cheers!

May 30, 2017

Shipping more Bluewater Shore

Filed under: Bluewater Shore - artist book — Tags: , — Doug Stockdale @ 4:40 pm

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Bluewater Shore Packages, US Post Office, 2017 copyright Douglas Stockdale

Yikes! I was side-lined with the flu for the past couple of weeks and I was finally able to get out of the house just in time for Memorial Day. Today with the post office back in full operation it is time to take the packages over and start the journey to some new homes. nice.

Meanwhile I have a long laundry list of tasks that I need to finish as a result of being sick, nevertheless I will take it one task at a time and what I don’t finish today I will then start on tomorrow. My secret to keep my life in a low stress mode.

Cheers!

 

May 24, 2017

Passionate about Photography

Filed under: Art, Art Market, Projects/Series — Tags: , — Doug Stockdale @ 8:43 pm

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Surf Fishing, San Clemente Beach 2016, copyright 2017 Douglas Stockdale

While I continue to work on my workshop agenda for the LACP Marketing Your Photo Book, I was reminded about a brand focusing process I used for my consulting company many years ago. The methodology has the unlikely name of Hedgehog Concept and when researchers were trying to figure out why certain companies were much better than others that one essential element is the best companies developed relatively simple (if not seemingly boring) business strategies and then stuck to it.

One important aspect of developing a personal Hedgehog Concept is the self-realization of what a person is passionate about. This is not something that I am good at or competent at but really passionate about in a way that I am compulsive. Which in this case I am compulsive about using photography and photographs to create artwork as an artist. I stopped photographing about 1985 to draw and paint and then eventually returned back to photography as I found really missing this aspect of what I was doing creatively. So this is a high level concept that does not really differentiate me from many other artist.

Within my artist practice I also find I get compulsive while working on conceptual projects that once I am engaged it is hard for me to get un-engaged. I continued to take road side memorial photographs for almost six years after this project published was in LensWork. I kept finding myself looking for these memorials and then when I did find one trying to figure out the best time to photograph it. There a lot fewer artist who get compulsive and work on the same conceptual subject for years at a time.

Regarding compulsive projects it also appears that I become more compulsive about the project when I realize it investigates some aspect of memory and its preservation. I know that my reasons to continually focus on this type of subject are unique to me as to why this is an important concept to investigate. Nevertheless, I do understand that many artist are investigating aspects of memory as this seems to be a “popular” genre at the moment.

One thing that I am still going back and forth about: am I compulsive in creating black & white photographs? This may could be a critical aspect of what drives my artistic practice as I do keep coming back to converting color photographs to black & white photographs. I really, really enjoy creating black & white images such as the one in this post. The harsh reality, thinking back to the previous post, is that museums and galleries look at black & white photograph as being Modern/Classic (dated & old fashion) while most “Contemporary” exhibitions embrace color images. Which means I need to think about this aspect some more ;- )

Cheers!

 

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