Doug Stockdale's Singular Images

October 18, 2016

On the scanner: 09-04-16 negative 12

Filed under: Memory pods, Photography, Projects/Series — Tags: , , , , — Doug Stockdale @ 12:55 am


Untitled (Memory Pods project) copyright 2016 Douglas Stockdale

Cooking on the Nikon film scanner is negative #12 from my September 4th studio session working on my Memory Pods project. Hasselblad & 150 mm f/4 lens with two 21mm extension tubes, Kodak Portra 160 with an E.I. of 80, normal film processing.

Scan is taking a little longer as I did remember to scan at a 14 bit size (think I forgot for the last scan). Scan is at super fine: 16 times sampling for each scan pass.

The dried and slumping Memory pods are out of focus while the jumble and tangled elements are just in focus. This image kept coming to me while on vacation last week, thus the first of the new batch on the scanner now that we are back.

Next is the extensive spotting of the scan file, then all of the usual magic.


October 6, 2016

lemonade stand

Filed under: Life in the Slow Lane, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 11:05 pm


Untitled (Life in the Slow Lane) copyright 2016 Douglas Stockdale

So a good friend tells me that since I am trying to make lemonade from lemons and my photographs are created when the car comes to a complete stand still in traffic, then really I have a “lemonade stand”. sigh.

I continue to think about some of the elements that I photograph while working  on this project; that when the traffic stops and where I come to halt is very arbitrary, there is a big element of chance as to what the landscape exists beside me is at that given moment. What is in the foreground; the debris, vegetation and condition of the meridian is the first layer of the photograph. The next layer is the passing cars in the opposite lane, which are not in bumper to bumper traffic. Then if visible beyond the meridian is an open landscape of trees, vegetation, hills, and man-made structures. So now what are the potential metaphors for these photographs?

It is also interesting to me that this is another project that is evolving from my playing around with the mobile phone. I think that I allow myself a sense of experimentation and trying to have fun when I use the mobile camera phone. So I hope to keep that playfulness going; an endless series of singular images and open ended investigations.


October 5, 2016


Filed under: Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 11:34 pm


Life in the slow lane, Southern California, copyright 2016 Douglas Stockdale

Yes, when life gives you lemons, make lemonade.

So this may or may not develop into a full project, but at the moment I am reacting to this current experience. I have an assignment in San Diego that frequently has allowed me to drive down the I-5 freeway in the morning and become entangled in what is called the north county bumper-to-bumper traffic jam. Prior to this, for the same assignment, I was driving up the I-5 and 101 freeway into and through Los Angles, and experiencing a similar bumper-to-bumper traffic stall, just that the view while stopped on the freeway was different. Exactly; this crappy drive was a like some really sour lemons!

Initially, it was pleasant time to listen to the XM tunes, but then I started noticing things while stopped in traffic that I had not notices blasting through the same area at 65 miles per hour. Similar to my In Passing and Lest I Forget projects, what we miss while hurling along through life. So I started taking some photographs with my mobile phone/Samsung and found that these were kinda of interesting images. Then I started posting them on Instagram and surprise, others thought these photographs were kinda of interesting too.

So now I am evaluating the potential of using film with this project and the first step for me was evaluating a larger image and determining what lens I might want to use. I locked down my Canon zoom lens at 28mm which provides a wide view similar to that of the Samsung and would look similar to the 50mm f/4 Ziess lens on the Hasselblad. Since I would have very little time to grab a photograph with the Hasselbald when I had a random stop, I would need to prefocus and set up the exposure ahead of time, then play it by ear. So that is what I tried to simulate and similar to the Samsung photographs, I find these kinda of interesting.

Issue to resolve; driving south in the morning means looking directly into the rising sun and dealing with some mega-backlight conditions (see the lens flare in the first image below). Then driving back home in the afternoon, the same back-light conditions reversed. So I could fight that or work with it, again try to make some lemonade. Either way, I will be driving down to San Diego for a while so I am trying to figure out how to make the best of this without going nuts, which is my life in the slow lane.




October 4, 2016

Film plus scan processing

Filed under: Memory pods, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 9:27 pm


Untitled (Memory Pods project) copyright 2016 Douglas Stockdale

I have been rephotographing some of my memory pod subjects with film and just realized a very inexpensive creative tool; when processing my film at ProPhoto (Irvine, CA), for just a small bit more, I can obtain a medium resolution scan of each image. Seems that when the film is processed, it automatically passes by the film scanner and so the relative cost of capturing that scan and providing it as a CD is not very expensive (film process, a 5×5″ print for each negative and the scans cost $13.00 for the 12 exposure 120 film).

I have a light box for looking at negatives and a corresponding 5×5″ print, but when I really want to check out the details of the negative before I invest in a much larger scan, I have found it very convenient to look at these medium resolution scans. Likewise, I can make some quick adjustments in Photoshop to anticipate what the final image will look like, such as the one with this post. Thus made the decision for this last roll of film that I want to obtain a high-resolution scan for negatives #8, #9 and #10.

Only hitch in my giddy-up was finding out the the scanner soft ware at ProPhoto was set up for Windows XP and not Windows 10. When trying to view the first CD on my Windows 10 machine, the computer kept wanting to reformat the disk. So on a whim I tried to open the CD on my older XP machine and there were the jpeg images. When talking with John at ProPhoto, he did not realize that his PC disks were only readible on XP (guessing that most of his clients are on Mac’s).

I was considering a film version of my 5D digital version of “Ghost”, but I realized that I did not save the dried up stem after the first year working this project. This might be an alternative, but I also like a progression I made on film with the same subject adjusting the focus, which could become a triptych, so I am not sure the title.


September 14, 2016

Leveraging an exhibition Honorable Mention


Depression (Memory Pods Project) copyright 2016 Douglas Stockdale

From what I have learned over the years is that I as an artist need to take the first steps to contact various curators and galleries to move ahead and ensure I get noticed. Self-promotion 101. I have to admit, and this is not popular among many artist, but being an artist also means you are a small independent business. Thus with the recent Honorable Mention from IFAC “All Media” exhibition, I need to see how to further leverage this event and obtain recognition with other curators and galleries.Which is to say, I need to contact them directly and ask for an opportunity to show my work.

This also means I need to step up my presentation of the body of work to share and discuss for potential portfolio reviews. Okay, so what does that mean? First, my current portfolio for Memory Pods is printed 15×19″ on Epson Professional Matte paper; I think the size is good but I need to be printing on my exhibition (and sales) medium, which for me right now is the Hahnemuhle PhotoRag (smooth surface), 308 gm matte, which is acid free and a great fine art cotton paper. This paper provides a better feel (heavier) and reinforces the image of a print as an art object, images look beautiful and provides for a more professional artist presentation.

So over the weekend I have been reprinting my Memory Pods photographs, but also reassessing the image regarding my intent for this image. As a result I have had to tweak the colors, etc for a few of the photographs. Thus the reprinting did not proceed quickly and now is only about half complete.

Second, now looking at portfolio presentation cases as my current black portfolio holder is okay for storage, but not professional looking. So I am evaluating a Museum-Solander case (e.g. Archival Methods) for the 17×22″ prints, which is elegant in design, archival, opens flat to obtain art work, but not cheap (little over $200 USD). On my wish list and I will see how the next portfolio review goes as to making this investment.

Third is the “leave-behind” artist card. I have a business card now, but more of a company card versus an artist business card (there is a creative difference). Also, I do not have a small art card for one of photographs. Again on my wish list, but these are not that expensive and I can buy the stock and print these myself. In the short term, I do have extra copies of LensWork that my In Passing project was featured in to leave behind and I have found that this magazine does make an impact.

The good news is that I just received a confirmation from the curator of the IFAC who would like to see my Memory Pods portfolio in the next couple of weeks. Nice as I am also considering a submission for an individual exhibition at IFAC during their 2017 open call this month.


September 5, 2016

Memory Pods project on web site

089 06-10-14_Memory_Pods_1142_11x11BW_Ghost

Ghost (Memory Pods project) 2014 copyright Douglas Stockdale

Sometimes I need a kick in the butt to get myself into gear.

I have been stating that I need to update my web site with more images from my Memory Pods project and now receiving the Honorable Mention at IFAC for my photography Loss from this project was enough to do the trick. Since this event and honor might get a little press on the blogisphere (courteous of yours truly), I realize that I need to have more of my project available to review, lest someone thinks I am a one-trick pony.

Okay, as of this morning; done & update is here.

One thing that I have been contemplating for my titles for this project, to use metaphoric names or a sequence number and have decided to go with names for each of the photographs. In this case, my names relate back to what I think the metaphoric image is related to, which goes against some contemporary ideas about naming your photographs. I will just defer back to my excuse that in this case, I am old school. (Okay, well I am!).

I think that this is the first time I have posted Ghost in color, as I had at one time thought that this photograph might be better in black & white. wrong. For me, much stronger image when in color.


September 4, 2016

Honorable Mention – IFAC “All Media 2016”


Memory Pods – Loss 2014 copyright Douglas Stockdale

I received word from a couple of my friends late last night that my photograph Loss from my Memory Pods project received an Honorary Award during the reception at the Irvine Fine Arts Center reception for the “All Media 2016” exhibition. Wow! This is very, very nice.

And totally unexpected, especially since Jeannie and I were at the exhibition reception earlier in the evening and had left early. We reviewed the exhibition (taking note that my photograph was the first art work hanging at the exhibit entrance) and talking with a few other artists and members of the Photographic Exchange, we went for an early dinner. I was just a happy-camper that one of my photographs from this series was juried in. It looked really nice hanging there.

I was reminded afterward that I should have taken note of the folks who came in the door and who immediately stopped to inspect my framed image with some seeking me out to discuss my photograph. Should have been a clue, which of course means I am truly clueless (yuk, yuk).

Still another validation that I may be on the right track with this project ;- )

Oh, and I forgot to add the photographs from this series to my web site, so something I better complete sooner than later. And I plan to re-photograph the exhibition of this print as I have noticed upon enlargement, this photo is a bit blurry.


172 06-10-14_Memory_Pods_Loss 091501_2

July 13, 2016

Irvine Fine Art Center – All Media 2016 acceptance

172 06-10-14_Memory_Pods_Loss 091501_2

Loss (Memory Pods project) 2014 copyright Douglas Stockdale

I am very excited and honored to announce that Loss from my Memory Pods project was juried into the Irvine Fine Art Center (IFAC) All Media 2016 exhibition. The juror was Dan Cameron who most recently was the past Chief Curator for the Orange County Museum of Art (OCMA) and who is now an independent curator. This acceptance is another great validation on the response to my Memory Pods project that I received during Photo Independent earlier this year.

The All Media 2016 exhibition dates are September 3rd – October 22, 2016 at the Irvine Fine Art Center, 14321 Yale Ave., Irvine CA. The opening reception is Saturday, September 3rd, from 4-6pm. Needless to say, I hope to see you there!

Meanwhile, this limited edition print is in the process of being archival framed.

As to the photograph, I was taken by the slow demise of the seed pods of this plant and how many were falling off and in this case, one seed pod stubbornly remained. A potential metaphor about one remaining and persistent memory amidst the turbulent chaos when all else appears to be failing.

What I need to work on now is getting my web site updated with more of the photographs from this project. If its not one think, its another, but this is all good.


09-03-16 Update: My photograph was awarded an Honorable Mention at the Saturday evening reception; very nice! (and from what I was told, the only photograph of this all media exhibition that received recognition)

June 29, 2016

Art Photo Index listing

Filed under: Art Market, Ciociaria, Photography, Projects/Series — Tags: , — Doug Stockdale @ 1:18 am


Fiuggi Passage Way 2010 copyright Douglas Stockdale

When Art Photo Index (API) was launched a few years back, I was provided with an invitation to join, which I immediately accepted. Regretfully I was in-between web sites and photographic projects and really unsure as what to provide for my profile, thus I opted for the minimal profile information to get started. As such my API site lay relatively dormant until recently.

After attending Photo Independent I realized that it was time to get the various supporting web-sites and photographic indexes up to speed, which included API. Since I have an interest in exhibiting my Ciociaria project, that book project is as good as any place as a cornerstone for my photography. I selected 21 photographs from the Ciociaria project to feature on API. I also found out that API has included some new profile options for photographers to discuss and show their work, which are some nice additions.

Since API is a part of the photo-eye group, it is easy to link up my two books that are available to purchase from photo-eye to the site. Although I initially had trouble linking my Pine Lake artist book, the API team quickly figured out the issue and made the necessary changes. So I think my profile is looking good and recommend you check it out.

Hopefully, more to come!



May 24, 2016

Lest I Forget – New Direction

Filed under: In Passing, Lest I Forget, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 2:57 pm


Tracks copyright 2016 Douglas Stockdale

Earlier this month I had a mini-exhibit at Photo Independent and subsequently posted that due to some really good feedback, that I was going to radically alter one of my in-process projects. So a little bit about that today, not that I have everything figured out, but that I have a new sense of direction.

First, the back story; I had been photographing roadside memorials for some time starting in late 2006, initially getting a portfolio of images (In Passing) published in LensWork magazine in 2008. I continued to work this project as black & white images of the memorials as an investigation into loss and remembrance. I had been thinking that I want’d this project wrapped up neat and tidy in a book.

Thus I was recently exchanging emails with Sara Terry who publishes the Aftermath Series and her annual book of War is Only Half the Story. There are a number of parallels with her Aftermath series about the consequences of war and my project, the consequences of a horrific accident. I also discussed with her that this year, it seemed like it was harder for her to get her annual funding through Kickstarter. Fortunately Sara was two tables down from me at Photo Independent so we had plenty of time to talk about her funding and exhibiting issues with her Aftermath series books and her advice about my In Passing – Lest I Forget project. It was no surprise that the aftermath photographs, although extremely socially relevant, are not images that sell or exhibit well.

Sara also pointed out that although the In Passing project was solid documentary work, the photographs were not “mine” in the same sens as my Memory Pods project. Meaning that my Memory Pods photographs had a uniqueness that was entirely due to how I created the photographs, which came from an inner desire to tell a specific story. She felt that I was not a documentary photographer per se, and that maybe I need to think about that the In Passing project was a developmental touch-stone and move on, unless I could make it mine.

Sara provided the necessary catalyst to see what was bothering me about trying to push the In Passing project forward, trying to incorporate additional images, while I was already working in a different way to photograph and narrate a project. Thus I am making a complete break from the In Passing project (black & white photographs of roadside memorials) to investigate other aspects of loss and remembrance, still using the working title of Lest I Forget.

A new image for this series is included with this post, above one version that incorporates some of the image manipulation aspects drawn from my Memory Pods project, while below is what I would call the hard-edge (relatively un-manipulated) version. I think that a consensus would say that the image below appears more contemporary, although the image above with the post-exposure manipulation would look almost identical if I had used my lens with a wide-open aperture.

The good news is that I do not need to decide which of the two versions I might use at this point, but consider both versions as I work on this project.



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