Doug Stockdale's Singular Images

September 14, 2016

Leveraging an exhibition Honorable Mention

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Depression (Memory Pods Project) copyright 2016 Douglas Stockdale

From what I have learned over the years is that I as an artist need to take the first steps to contact various curators and galleries to move ahead and ensure I get noticed. Self-promotion 101. I have to admit, and this is not popular among many artist, but being an artist also means you are a small independent business. Thus with the recent Honorable Mention from IFAC “All Media” exhibition, I need to see how to further leverage this event and obtain recognition with other curators and galleries.Which is to say, I need to contact them directly and ask for an opportunity to show my work.

This also means I need to step up my presentation of the body of work to share and discuss for potential portfolio reviews. Okay, so what does that mean? First, my current portfolio for Memory Pods is printed 15×19″ on Epson Professional Matte paper; I think the size is good but I need to be printing on my exhibition (and sales) medium, which for me right now is the Hahnemuhle PhotoRag (smooth surface), 308 gm matte, which is acid free and a great fine art cotton paper. This paper provides a better feel (heavier) and reinforces the image of a print as an art object, images look beautiful and provides for a more professional artist presentation.

So over the weekend I have been reprinting my Memory Pods photographs, but also reassessing the image regarding my intent for this image. As a result I have had to tweak the colors, etc for a few of the photographs. Thus the reprinting did not proceed quickly and now is only about half complete.

Second, now looking at portfolio presentation cases as my current black portfolio holder is okay for storage, but not professional looking. So I am evaluating a Museum-Solander case (e.g. Archival Methods) for the 17×22″ prints, which is elegant in design, archival, opens flat to obtain art work, but not cheap (little over $200 USD). On my wish list and I will see how the next portfolio review goes as to making this investment.

Third is the “leave-behind” artist card. I have a business card now, but more of a company card versus an artist business card (there is a creative difference). Also, I do not have a small art card for one of photographs. Again on my wish list, but these are not that expensive and I can buy the stock and print these myself. In the short term, I do have extra copies of LensWork that my In Passing project was featured in to leave behind and I have found that this magazine does make an impact.

The good news is that I just received a confirmation from the curator of the IFAC who would like to see my Memory Pods portfolio in the next couple of weeks. Nice as I am also considering a submission for an individual exhibition at IFAC during their 2017 open call this month.

Cheers!

September 5, 2016

Memory Pods project on web site

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Ghost (Memory Pods project) 2014 copyright Douglas Stockdale

Sometimes I need a kick in the butt to get myself into gear.

I have been stating that I need to update my web site with more images from my Memory Pods project and now receiving the Honorable Mention at IFAC for my photography Loss from this project was enough to do the trick. Since this event and honor might get a little press on the blogisphere (courteous of yours truly), I realize that I need to have more of my project available to review, lest someone thinks I am a one-trick pony.

Okay, as of this morning; done & update is here.

One thing that I have been contemplating for my titles for this project, to use metaphoric names or a sequence number and have decided to go with names for each of the photographs. In this case, my names relate back to what I think the metaphoric image is related to, which goes against some contemporary ideas about naming your photographs. I will just defer back to my excuse that in this case, I am old school. (Okay, well I am!).

I think that this is the first time I have posted Ghost in color, as I had at one time thought that this photograph might be better in black & white. wrong. For me, much stronger image when in color.

Cheers!

July 13, 2016

Irvine Fine Art Center – All Media 2016 acceptance

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Loss (Memory Pods project) 2014 copyright Douglas Stockdale

I am very excited and honored to announce that Loss from my Memory Pods project was juried into the Irvine Fine Art Center (IFAC) All Media 2016 exhibition. The juror was Dan Cameron who most recently was the past Chief Curator for the Orange County Museum of Art (OCMA) and who is now an independent curator. This acceptance is another great validation on the response to my Memory Pods project that I received during Photo Independent earlier this year.

The All Media 2016 exhibition dates are September 3rd – October 22, 2016 at the Irvine Fine Art Center, 14321 Yale Ave., Irvine CA. The opening reception is Saturday, September 3rd, from 4-6pm. Needless to say, I hope to see you there!

Meanwhile, this limited edition print is in the process of being archival framed.

As to the photograph, I was taken by the slow demise of the seed pods of this plant and how many were falling off and in this case, one seed pod stubbornly remained. A potential metaphor about one remaining and persistent memory amidst the turbulent chaos when all else appears to be failing.

What I need to work on now is getting my web site updated with more of the photographs from this project. If its not one think, its another, but this is all good.

Cheers!

09-03-16 Update: My photograph was awarded an Honorable Mention at the Saturday evening reception; very nice! (and from what I was told, the only photograph of this all media exhibition that received recognition)

June 29, 2016

Art Photo Index listing

Filed under: Art Market, Ciociaria, Photography, Projects/Series — Tags: , — Doug Stockdale @ 1:18 am

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Fiuggi Passage Way 2010 copyright Douglas Stockdale

When Art Photo Index (API) was launched a few years back, I was provided with an invitation to join, which I immediately accepted. Regretfully I was in-between web sites and photographic projects and really unsure as what to provide for my profile, thus I opted for the minimal profile information to get started. As such my API site lay relatively dormant until recently.

After attending Photo Independent I realized that it was time to get the various supporting web-sites and photographic indexes up to speed, which included API. Since I have an interest in exhibiting my Ciociaria project, that book project is as good as any place as a cornerstone for my photography. I selected 21 photographs from the Ciociaria project to feature on API. I also found out that API has included some new profile options for photographers to discuss and show their work, which are some nice additions.

Since API is a part of the photo-eye group, it is easy to link up my two books that are available to purchase from photo-eye to the site. Although I initially had trouble linking my Pine Lake artist book, the API team quickly figured out the issue and made the necessary changes. So I think my profile is looking good and recommend you check it out.

Hopefully, more to come!

Cheers!

 

May 24, 2016

Lest I Forget – New Direction

Filed under: In Passing, Lest I Forget, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 2:57 pm

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Tracks copyright 2016 Douglas Stockdale

Earlier this month I had a mini-exhibit at Photo Independent and subsequently posted that due to some really good feedback, that I was going to radically alter one of my in-process projects. So a little bit about that today, not that I have everything figured out, but that I have a new sense of direction.

First, the back story; I had been photographing roadside memorials for some time starting in late 2006, initially getting a portfolio of images (In Passing) published in LensWork magazine in 2008. I continued to work this project as black & white images of the memorials as an investigation into loss and remembrance. I had been thinking that I want’d this project wrapped up neat and tidy in a book.

Thus I was recently exchanging emails with Sara Terry who publishes the Aftermath Series and her annual book of War is Only Half the Story. There are a number of parallels with her Aftermath series about the consequences of war and my project, the consequences of a horrific accident. I also discussed with her that this year, it seemed like it was harder for her to get her annual funding through Kickstarter. Fortunately Sara was two tables down from me at Photo Independent so we had plenty of time to talk about her funding and exhibiting issues with her Aftermath series books and her advice about my In Passing – Lest I Forget project. It was no surprise that the aftermath photographs, although extremely socially relevant, are not images that sell or exhibit well.

Sara also pointed out that although the In Passing project was solid documentary work, the photographs were not “mine” in the same sens as my Memory Pods project. Meaning that my Memory Pods photographs had a uniqueness that was entirely due to how I created the photographs, which came from an inner desire to tell a specific story. She felt that I was not a documentary photographer per se, and that maybe I need to think about that the In Passing project was a developmental touch-stone and move on, unless I could make it mine.

Sara provided the necessary catalyst to see what was bothering me about trying to push the In Passing project forward, trying to incorporate additional images, while I was already working in a different way to photograph and narrate a project. Thus I am making a complete break from the In Passing project (black & white photographs of roadside memorials) to investigate other aspects of loss and remembrance, still using the working title of Lest I Forget.

A new image for this series is included with this post, above one version that incorporates some of the image manipulation aspects drawn from my Memory Pods project, while below is what I would call the hard-edge (relatively un-manipulated) version. I think that a consensus would say that the image below appears more contemporary, although the image above with the post-exposure manipulation would look almost identical if I had used my lens with a wide-open aperture.

The good news is that I do not need to decide which of the two versions I might use at this point, but consider both versions as I work on this project.

Cheers

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May 4, 2016

Silvershotz magazine features Pine Lake

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Pine Lake, self-published artist book, copyright 2013 Douglas Stockdale

I am really stoked and honored to announce that my artist book Pine Lake was just featured in SilverShotz magazine; Volume 10, Edition 8 (May 2016). The Silvershotz article includes the background for my semi-fictional story about an American summer rite of passage: a guy’s get-away fishing trip and has eight photographs that include the cover(s) and some of the interior pages. Really nice.

One more copy of this limited edition found a wonderful home during Photobook Independent this last weekend, so just a couple more of these artist books remain available.

The recent attention on this artist book is inspiring me to finish Bluewater Shore, which I had a work-print portfolio with me at Photobook Independent to share and discuss. This pending artist book generated some really good feedback.

Cheers!

April 17, 2016

Instagram learning curve

Filed under: Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 6:05 pm

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3rd Street LA Art district 2016 copyright Douglas Stockdale

I stated at the beginning of this year that I am now posting on Instagram (@douglasstockdale), so I am new to this platform. I have been getting a few (very few) pointers from my daughter, but I figure if I look and play, I should get this figured out.

I was not expecting a ton of folks looking at my photographs and becoming a “follower”, nevertheless I feel like I was moving at a glacial pace. So my aha! moment yesterday was when my daughter posted a photograph with a bunch of hashtags. Duh. Okay, so I am old.

So I began to poke around Instagram this morning, as I thought hashtags were a Twitter thing. I was so wrong. So now I know and I imagine most of you already knew and now you are wondering what kinda of stone age guy I am. So I will tell you; old enough to process my analog black & white film!

The good news is that I have not posted that many photos on Instagram, so it should be relatively easy to edit in a few hashtags for each photo, which I started this morning. Now of course is the hashtag choice issue; which ones to link up to with each photo? If its not one thing, its another.

As to this photograph above made earlier this month, I noted the juxtaposition of the real bike with the background wall art while I was up in LA during the photobook judging for Photo Book Independent. By tightly framing the two, I think the resulting image creates a nice metaphor about the dreamlike experience of biking, even in the urban city. I guess you could also see this as a different narrative after noticing that the bike is chained down (restrained) and that the owner also took the bike seat with him to further deter a bike thief. As a result that this image could have alternative readings is very appealing to me.

Okay, back to working on my print portfolio for Photo Independent, which is quickly approaching!

Cheers!

 

April 15, 2016

Photo Independent – Print Portfolio progress

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Memory Pods, copyright 2016 Douglas Stockdale

An update on my progress to prepare for Photo Independent regarding my print portfolio(s) as previous discussed. First, the idea that I had to quickly prepare a print portfolio for Photo Independent was quickly stressing me out. Needing to quickly select the prints (yikes, which ones out of the project?), then matte and prepare the prints, and ensure that I had all of the outer bags to protect the sold prints was just a little too much on short notice. Yes it could not be done as I have jumped through these types of hoops in the past, but did I really need to?

I think its about expectations; if you are at an art fair then you should have prints for sale. Well honestly I do have some items for sale; a trade edition of Ciociaria, two limited editions of this book, my hand-made artist book Pine Lake, some out-of-print copies of LensWork #74 that feature my In Passing project and probably my Foundations mini-portfolio. So I think I am going to take an alternative pathway for my prints that will work best for me; bringing a print portfolio or two of work-in-progress and ask for feedback. This could be a win-win opportunity for me.

So at the moment, the first work-in-progress print portfolio will be my Memory Pods project. I have not been posting much of my photographs for this project created with the larger format Canon 5D equipment. Thus this photograph will be new. I have also been working on the artist statement for this project, which I will print and have available at Photo Independent to provide to those who have an interest in this project. I am also planning to have an interest list to capture names and emails of those who are interested in this project for follow up as the project comes closer to publication and exhibition. And of course I will need to update my web site with the images in the portfolio, which I will announce here when I have completed it.

Cool, I am doing much better already! And a back-up supply of pigment ink for the Epson printer just arrived so I feel energized to dig in and start printing. This is going to be fun!

Cheers!

April 7, 2016

Exhibiting at Photo Independent

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Memory Pods 2016 copyright Douglas Stockdale

I have just been notified that I am accepted into Photo Independent at the end of this month. I was anticipating that I would be included in the Photobook Independent, but I was just notified that I can also have a print portfolio in addition to my photobooks. Yikes, I was not prepared for that wrinkle. The event in LA (Raleigh Studios in Hollywood) is at the end of this month April 29 – May 1, 2016, so although I do not have much time to prepare, I will make the most of this opportunity.

As to which photobooks to bring and sell, that is the easy part. For the print portfolio; which one? I will have a limited space to display, so from past experience, far better to focus on one portfolio than try to show a little bit of everything. What I did learn in the past is to hold in reserve at least one smaller (both size of prints and quantity of prints) portfolio that might come up in discussion.

I have been looking to publish my project In Passing – Lest I Forget, but I am not sure that this is the right audience. So I am thinking that this will be my portfolio that will in reserve. As to the display portfolio, I am leaning towards my Memory Pods project. I really don’t have much time to fret over this as I need to start printing for the portfolio this weekend.

Such problems to have, eh?

Cheers!

 

April 5, 2016

Urban Tree – Spring

Filed under: Photography, Projects/Series — Tags: , , — Doug Stockdale @ 7:30 pm

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Urban Tree, Spring 2016 copyright Douglas Stockdale

Perhaps like Edward Steichen in his later years, I find myself photographing a backyard tree, as I had posted earlier here. Perhaps this could develop into a photographic project, but for now, I am content to think of this as a pleasant on-going series.

Cheers

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