Doug Stockdale's Singular Images

March 8, 2017

Book table at LACP Open House – March 18

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Ciociaria published by Punctum Press (Rome, Italy)

For those on the Left Coast, Los Angeles Center for Photography (LACP) is having a Spring Open House on March 18 & 19th, 2017 at their L.A. facility; 1515 Wilcox Ave., Los Angeles, California.

I have been invited to present, discuss and sell my photobooks and I will have a table from 2 to 5pm on Saturday, March 18th. I will have copies of Ciociaria and one or two copies that are left of Pine Lake. I have still have a couple of issues of LensWork #74 in which my portfolio In Passing was featured.

And of course I will be discussing my Introduction to Photo Book Design workshop that begins on April 1st. I have told that there are a few remaining spots still available for this dynamic  two-Saturday workshop.

If you are in the area, I hope you can drop in and say hello.

Cheers!

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May 4, 2016

Silvershotz magazine features Pine Lake

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Pine Lake, self-published artist book, copyright 2013 Douglas Stockdale

I am really stoked and honored to announce that my artist book Pine Lake was just featured in SilverShotz magazine; Volume 10, Edition 8 (May 2016). The Silvershotz article includes the background for my semi-fictional story about an American summer rite of passage: a guy’s get-away fishing trip and has eight photographs that include the cover(s) and some of the interior pages. Really nice.

One more copy of this limited edition found a wonderful home during Photobook Independent this last weekend, so just a couple more of these artist books remain available.

The recent attention on this artist book is inspiring me to finish Bluewater Shore, which I had a work-print portfolio with me at Photobook Independent to share and discuss. This pending artist book generated some really good feedback.

Cheers!

December 22, 2014

Elizabeth Avedon’s Best Photography Books for 2014 – and I am on it!

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Pine Lake, copyright 2014 Douglas Stockdale

As a book artist and photobook specialist, this is the time of year that I provide kudo’s to all of the photographers, photobook designers, photobook publishers and the book artists who use photography as a part of their creative medium. This year I was asked by Manik Katyal, the Editor/Publisher of Emaho magazine to provide five photobook titles for the Emaho annual list of Best Photobook lists. So since getting my list down to just five, I needed to again published my own Interesting Photobooks of 2014 on my other blog, The Photobook.

What came as a very pleasant surprise is when the amazing NYC book designer Elizabeth Avedon (yes, a familiar last name to those following photography over the years) selected Pine Lake as one of her Best Photography Books of 2014. A total surprise as this is a very limited edition artist book (edition of 25 plus 2 A/P’s) and thus I am assuming not many have actually held or seen.

What a sweet ending to the year and which reminds me that I need to get my butte back into gear and finish my next limited edition book Bluewater Shore, the second of the three photo-narratives plan for this series.

Cheers!

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September 24, 2014

Pine Lake > The Box of Dummies

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Pine Lake copyright 2013 Douglas Stockdale

A little update on my artist and limited edition photobooks. With Paris Photo approaching in November, I noted that there is another call for book dummies (Rock Your Dummy!) by the Paris PhotoBook club to be submitted by the end of this October. Last year I had submitted the book dummy for Pine Lake and just noted that the Paris PhotoBook club has a page about resulting The Box of Dummies which are on tour and includes my Pine Lake book dummy. Currently the last remaining copies of this artist book are available from photo-eye‘s photobook store.

So at the moment I am starting to assemble another book dummy (or two) for Bluewater Shore to submit to the Paris Photobook club for potential acceptance and exhibition during Paris Photo and the Rock Your Dummy! event. Especially now that I have most of the kinks worked out for the book design and image sequencing. If all goes per plan, I expect to publish and release the limited edition (150 books?) of Bluewater Shore early in 2015.

Cheers!

January 10, 2014

New Year’s housekeeping – start of 2014

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10×10 American Photobooks exhibiton catalog, copyright 2013 10×10 Photobooks

Today was a bit of virtual housekeeping day, as with all of the events that crashed into the end of the year, there were some things that I did not complete that I should have. Most of these tasks are related to my personal self promotion as an artist/photographer, but in the end, the cobblers kids don’t have shoes. Yeah, those subtle things that I need to do for myself go to the sidelines while I complete the tasks at hand; ship books to bookstores, send out invoices, attend book fairs, respond to editorial requests about my books, etc.

So in order of what I did today  (since I kinda hear you asking), is 1. update my web site with the shout-outs regarding my artist book Pine Lake, 2. update this same web site with some 2013 accomplishments (you probably get the idea that keeping a web site updated is viewed as a necessary pain. Yep!), 3. finishing some Facebook shout-outs regarding my photobook Ciociaria and last, 4. publishing a commentary on the 10×10 American Photobook exhibition catalog in which I am featured. sigh.

The three publications which featured Pine Lake at the end of the year were easy to copy & paste into the web site. Yes, this blog is more interactive and easier to use repository of links, etc., so the links are over to your right under the category of Web Ink.

Same for a few updates to the my CV on the web site. My book Ciociaria was accepted into the Indie Photobook Library (IPL) a donation that was made possible by the support of Ella and Zachary Webb.  hmmm, Pine Lake would be another possibility for IPL, so I am now looking for a sponsor who might want to help make this happen.

And last is the review of the 10×10 American Photobooks catalog that includes my selection of photobooks for this series of exhibitions.

Okay, Done!

Cheers

January 8, 2014

Bluewater Shore – Maquette

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Artist photobook maquette cover, Bluewater Shore, copyright 2014 Douglas Stockdale.

A couple of days ago I started a discussion about my next artist photobook for 2014, Bluewater Shore, which I have just finished the first maquette in preparation of getting some feedback from friends at photo l.a. next week.

First, in the photo of the marquette above, the artist photobook dummy appears kinda of chunky, but that is due to my creative process. At this point in time, I have not finalized the selection of the interior photographs, nor the sequence. The image size and margins on the page will be the same as those I used for Pine Lake. Thus after I developed the marquette’s framework, the photographs are being held in place with paper clips (you can see them at the edge of the page) to facilitate changes. Thus, the thickness is a bit unwieldy. When I am pretty sure of the image selection and sequencing, then I will probably tape the images into place.

One change that I am making to Bluewater Shore  is the book binding process of the interior block to the book cover and I am using another manual process; pamphlet sewn stitch. For the Pine Lake artist book, I had used an aluminum prong binding process, almost identical to what was used by Kodak and Ansco for their promotional processing booklets. The downside to the manual prong binding process was the tedious punching of the holes and getting the alignment of the holes correct. Since I was using a hand paper punch, I could only punch three pages at a time. I busted a couple of these punches when I pushed the amount of pages to hole punch. One result of the prong binding was another reason to keep the edition size of Pine Lake to 25.

With the pamphlet sewn stitch, still a very manual process, it is keeping me literally in touch with each and every photobook that I am making. Even the ice pick tool to make the holes for the pamphlet stitching is from the same 1940’s period as the found photographs, or maybe even earlier. A very subtle, essentially unseen, and metaphoric book binding process.

The colors for Bluewater Shore were selected from those used in the same late 1940’s period as my short story is set in. The Canson 300 gm cover is a Sky Blue and the waxed Irish linen thread is a wonderful pink, aptly called Bubble Gum. You can still find these two colors in many of the bathrooms and kitchens of the 1950’s and probably 1960’s houses in the US. My parent’s house in Michigan comes quickly to mind. Oh yes, these were two of my mom’s favorite colors as well, thus another symbolic element.

What I did determine during the construction of this maquette is that my HP desktop printer can not process the 300 gm cover stock. This heavy paper jams the paper feeder and it jams it really well. Thus back to my Epson 4800, which I had suspected that I would need to use and I should have started with it to begin with. sigh. Some lessons are harder to learn than others.

A big change for Bluewater Shore will be that this artist photobook will not have the matching hand made wood frame and cover as did Pine Lake. Since I want to increase the edition size and keep this artist book reasonable priced, I need to make some changes, this probably being one. One thought is to have a large edition of just the stiff-cover book, and a smaller edition of the hand made frame and stiff-cover book. Nice thing about being an artist, I can change my mind on this.

Another change I am making is the printing of the interior pages. With Pine Lake, I had utilized laser printing from a local quick print shop. hmmmm, an area for improvement.  For Bluewater Shore, I will be using an offset lithographic printing process, probably two color. Still working the print, fold and trim details out with a local printer. I will have the printer also fold and trim to a saddle stitch style (without the saddle stitching) so that the signatures will be ready to stitch to the cover. I also plan to increase the limited edition size to 100 or more.

Another draw back to the small edition of Pine Lake was the limited samples available to send out for reviews; there just weren’t any. Thus Pine Lake ended up being under the radar a bit. So for Bluewater Shore, I want to have enough copies to send out to my fellow photobook reviewers to generate some buzzzzzzz. Or at least I hope it will get a little :- D

Cheers!

oh, as to the contents of the maquette, here’s a tease:

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January 3, 2014

New Year – 2014

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untitled (working title: Bluewater Shore) copyright 2014 Douglas Stockdale

At the beginning of the year I like to think about what I might accomplish for the coming year, with this being more of a bunch of loose-goosey planing objectives. Having worked in corporate for tooo many years, I know how rigid and constricting a plan can get. As an artist, I think that having some objectives is actually a good thing, e.g. to ensure that I try some new things and explore some wild ideas. Allow myself to listen to the faint whispering of my creative muse.

One of the fun things that evolved last year was my first artist photobook Pine Lake. All in all, I am very satisfied with this artist photobook and I had kinda realized that if this worked out well enough (translation: I sold some), that I would do at least one more, if not two. Truth is I did more than just selling some, as about all of the Edition is gone. The response to the Pine Lake book has been delightful!

Even while developing Pine Lake, I was already planning for a second book in this series that investigates memory, family, relationships, nostalgia and loss. Similar to Pine Lake, this will be another semi-fictional short story with this one based on a young woman and her girlfriends going on a holiday to the shore set in the late 1940’s using “found” anonymous photographs that perchance were residing in my family’s old photo albums.

This second artist photobook will also incorporate some lessons learned from self-publishing Pine Lake. I will elaborate on those changes in the coming weeks as I finish the design and publishing as I am still tweaking some of these changes. Nevertheless I do plan to have the actual stiff cover book about the same size as Pine Lake, what I am unsure of at this time is to also include the outer custom frame. I also want to increase the edition size in order to have copies available to send to reviewers, something that I was unable to do with Pine Lake. So this book will be similar but yet different.

For now, I am working on creating my book dummy and to my initial point above, my objective is to have a book dummy to carry around with me at photo l.a. that starts on January 17 – 19 at the LA Mart. In this case, my book dummy is not to share with any publishers but rather I have a number of friends who I usually meet up with at photo l.a. and I want to bounce this project off their creative skulls. And the best way to obtain great feedback is to have a book dummy that they can play with.

So enough of this, I need to get back to printing the test images :- D

Cheers!

December 30, 2013

Pine Lake featured in Emaho Magazine

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Pine Lake copyright 2013 Douglas Stockdale.

I was thinking earlier today that I should finish the year with a post about what my objectives were for next year and thoughts about this past year.

But then Manik Katyal, the Editor-in-Chief/Publisher of Emaho magazine disrupted my great plans with his article about Pine Lake. So how cool is that?!

I have to admit, what a very, very nice way to end the year. So check it out here.

Cheers!

Oh, and there are only a few copies of Pine Lake left now.

December 15, 2013

New artist book project with pamphlet stitching

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Untitled (Union Ice Picks) copyright 2013 Douglas Stockdale.

While I was developing my artist book Pine Lake, I had started selecting photographs for what will probably be the second artist book in this series about memory, family, nostalgia and remembrance. I am also going to make some changes for this next book, one of which is to produce a limited number of flip books in conjunction with the artist book. I will self-publish both versions and for the stand alone flip-book, I am planing to incorporate a pamphlet binding process.

For the pamphlet bind, it is essentially uses a stabbing tool (awl) to pierce through the interior picture block and outer covers (three holes minimum) and then sewn with an inter-looping pattern and tied off inside the book. Okay, I have never done this before, but how hard can this be to learn, eh?

The awl tool that is prescribed for the paper stabbing has a long slender pointed steel rod fixed to a wooden handle. hmmmm, where had I seen something similar in my grandfather’s steel tool chest? Yep, there in lay three very old ice picks, two of which were pretty grungy and were a pair that I had avoided touching for some twenty years. Time to clean ’em up!

My biggest concern is the condition of the tips, as they need to be both sharp and straight, which neither of the three are even close. Since I will be working with some very old photographs for this project, perhaps not as old as the ice picks, to use these ice picks in conjunction with creating these books I think would be very symbolic.

So time to figure out how to clean these three little guys up! Another fun aspect of these artist books, more trouble to get into.

Cheers!

December 9, 2013

Book Fair participation

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Me (photo by Wendy Hicks) at Duncan Miller gallery, Santa Monica, CA

Yesterday afternoon was a fun and interesting event being a participant at the Duncan Miller gallery Photo Art Book Fair held in Santa Monica. Actually my first time as a “exhibitor”, so thought I would share a little bit about this experience.

First, the gallery space was about the size of my living room/dining room combination, with great lighting. Although with the exhibition tables ringing the two exhibition rooms, that meant that we had to stand directly in the spot lights. That was initially a little uncomfortable,  but after removing my jacket, I was comfortable enough.

Sarah Hadley on behalf of the gallery had provided a list of things to bring and what to expect, but in retrospect, it was missing a few items. I have purposefully not made any business cards, which I was only asked twice, but not having a business card at this event was a mistake that I will shortly correct.

Take-a-ways, promotional cards, brochures, etc was not on Hadley’s list, but this is something you need to include on your check list (now mine) if you are going to participate in similar events. Lots of folks walking by and you are not going to get their card to follow up, so give them something to remember you by. There were 26 of us exhibiting, so thinking that you will be remembered a couple of months after the event is expecting too much.

This was a great experience for me to directly interact with photobook  and photography collectors as they spent time with my work. My book Ciociaria was an easy read for attendees compared to the Pine Lake artist book. Ciociaria is a contemporary and traditional published photobook which can be picked up and viewed at leisure. Pine Lake on the other hand as lots of layers and parts, not really meant for a quick read, thus not well suited for a line of attendees who are waiting their turn. Nevertheless, Pine Lake continued to receive high praises for creativity and originality as everyone who spent a little time with it remarked they had not recalled seeing anything similar. Very cool!

Since I wanted to cover a gamut of options (a range of book prices aka price points), I also brought copies of LensWork #74 in which my portfolio for In Passing was featured. And I brought one of my Foundations portfolio editions, a retrospective collection of my early black & white landscape photographs that I completed in the 1980’s.

And of course, there were a bunch of friends coming by, such as Ann Mitchell, Jim McKinnis and Sarah Lee as well as a bunch of my co-conspirators (oops; co-exhibitors) that included Renee Jacobs with her partner Wendy Hicks, Sara Jane Boyers and Kathleen Laria McLauglin.

Cheers!

Renee Jacobs holding her recently published Paris (discreetly concealing the cover’s ta-tas) while I hold Pine Lake. By chance (yeah, after a week of planning) we had adjacent exhibition tables.

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Kathleen Laria McLauglin, author of “Color of Hay“, which I reviewed on The Photobook last year.

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Ann Mitchell, both of our portfolios were published in LensWork issue #74

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Sarah Hadley, exhibition coordinator extraordinaire, also Executive Director of Filter Festival

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