Doug Stockdale's Singular Images

July 11, 2018

Middle Ground – Published

Filed under: Art Market, Middle Ground, Photobook, Photography, Picture Postcards — Tags: — Doug Stockdale @ 9:06 pm

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Middle Ground, self-published artist book, edition of 99 copyright 2018 Douglas Stockdale

Last weekend the publication of the Middle Ground edition was finally completed! Binding the of 99 artist books took a bit longer than anticipated.

Introduction (text not provided in the artist book):

My urban landscape project Middle Ground evolved out my attempts to make some Lemonade. Perhaps not literally. I was commuting from Orange County to San Diego driving south on Interstate-5 freeway and frequently ensnarled in bumper to bumper traffic in North San Diego for a least a half hour of my trip. That part of my commute was a real lemon experience, a stop-n-go traffic condition that left a bitter and unpleasant taste. As part of my artistic practice that I call experimentation/play, I began to use my mobile phone to photograph the adjacent freeway landscape each time I came to a complete stop in traffic as an attempt to create something fun out of an event that was anything but.

As a result of taking the photographs, I was now seeing with clarity an urban landscape that is unique to this section of Interstate-5 as it traverses part of San Diego County. This is a man-built landscape that is usually experienced at speeds of 65+mph while being singularly transfixed on the tail lights of the speeding cars and trucks in front. I quickly came to realize that although San Diego County had planted an extensive landscape barrier between the northbound and southbound freeway to act as a beautiful boundary that over time, this barrier wall had evolved. What I saw was a mash-up of beauty and desolation with an undercurrent of detritus and neglect. A serendipitous element of chance in this project is that I had little control over when the traffic would come to a complete stop to briefly reveal the adjacent landscape.

Intrigued by what I was capturing, I made a decision to upgrade my investigation of this unique landscape to the use a full frame DSLR, with the lens focal length set at the approximate wide angle view of my mobile phone. I had shifted into the next phase of the development of this project.

With my cognitive shift I started investigating the elements of the morning light, which shaped the landscape masses while revealing tantalizing details that had gone unnoticed before. Likewise I found myself drawn to the layers of this urban landscape; the foreground k-rail (Jersey Wall) and vegetation, a mix of planned bushes and wild weeds, the opposing traffic that could be brief seen and heard, the adjacent homes and businesses in close proximity to this roadway as well as how the landscape extended beyond. I also began to notice the mysterious gaps in this barrier landscaping, various marks on the barrier walls and the occasional numbers painted on the concrete.

While the project began to evolve I pre-visualized the potential photobook for this project; a leporello book design that would extend out to simulate this barrier wall, which both a K-rail and this book interior extend 21 feet. Another element were adjustments to the composition of each photograph in order that the top line of concrete barrier would create a continuous line though out the book.

The ensuing body of work is meant to appear factual without an agenda, a very banal urban landscape that is normally not noticed or rarely seen. It is a unique urban landscape that I believe is a realistic characterization of Southern California, not idealized images meant to Romanize a southern California for a holiday experience.

Note: this project was started in the summer of 2016, when the United States presidential election was coming to a close and one candidate kept hammering on the need for a bigly wall to be constructed between the United States and Mexico. As of the summer of 2018 after his election, this bigly wall remains to be built.

Artist book information:

Self-published, launch date; May 2018 (concurrent with exhibition at Fabrik Projects, Los Angeles, CA)

Stiff covers with flap-over French fold, Leporello (accordion) book design

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Pages: 66 pages (blank verso)

Photographs: 31 Images, color

Printing: 4 color lithographic printing

Leporello binding: hand-bound by the artist

Book design and layout by the artist

Artist book, edition size 99 + 5 A/P

Book trim size: 6-1/2” x 8-1/4” (165mm x 210mm)

Acknowledgements & Colophon, without essays, captions or pagination

Cover paper: 18 pt C1s Tango

Interior paper: 80# GPA Uncoated Text

Text: English and Spanish

Retail price: $59.50 USD

So ping me if you are interested in a copy of this edition ( doug@douglasstockdale.com)

Meanwhile, I am now taking a short break from posting on Singular Images.

Cheers!

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December 24, 2016

Merry Christmas & Happy Holidays!

Filed under: Photography, Picture Postcards — Tags: , , — Doug Stockdale @ 6:37 pm

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Christmas Wreath 2016 copyright Douglas Stockdale

First, wishing all of you and your families a wonderful and joy filled Christmas and Holiday Season.

Yes, time to create another Christmas card and this year, since I did not create a wonderful Christmas (card) image in Santa Fe last month (& not for a lack of trying), I had to do something a little different. First, I was inspired by the fresh greenery of the wreath on the front door and pre-visualized a little post-processing Snapseed magic. The results have been called a little bit too much of a “Hallmark” photo in deference to the giant card company’s photographic style, but it does work for me. For this year anyway.

Also wishing you a very creative photographic New Year!

Cheers

 

December 20, 2015

2015 Christmas Card

Filed under: Photography, Picture Postcards, Projects/Series — Tags: — Doug Stockdale @ 6:15 pm

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Untitled (La Heutte, Switzerland, 2005) copyright Douglas Stockdale

Since my family and I celebrate Christmas, one of my holiday traditions is to design, produce and address the Christmas Cards. And of course the center piece for the card is the Christmas photograph. It has been our practice to not include photographs of ourselves, but rather something that might appear celebratory and enjoyable (as my wife would say, “appropriate”).

Typically for us an appropriate photograph for the Christmas season would be a winter landscape. This is a bit odd in that in Southern California we do not have snow during the winter and in Israel where the original birth occurred, there is not any snow at this time of the year either. Perhaps this Christmas photographic subject is a tradition that is linked to our growing up in the MidWest when snow was definitely a frequent occurrence during this time of year. I do recall waking up on many a Christmas  morning to a fresh layer of snow over top the previous mushy snow.

I had anticipated that our late November trip to Denver Colorado would be a great time to make a Christmas photo, especially since there was a forecast for snow. Regretfully, although I did come away with some urban snowy landscape photographs, none of these were deemed “appropriate”. Thus I did a deep dive into my photographic files to find something a bit better suited.

I actually find myself looking for the photograph above, which I made while I was working on a project that frequently took me to Switzerland. At this time in 2005 I was just starting to experiment with digital photography and I was using a 4 Mp Canon G2, which looked and handled amazing like an old Leica camera. The hassles of film though customs and detectors was still a nagging issue, so I wanted to start exploring the digital capture alternatives (I was already scanning my 120 negatives).

I have good memories of these business trips; non-stop from LAX into Zurich, then from the airport taking the express train to Biel and from there, jumping on a local train to La Chaux-de-Fonds. What I quickly learned was that you can hop off the train at any station and in almost exactly one hour, the next train would stop and you could hop back on again. Thus my stop in La Heutte in January with a short, cold walk-about and noticing this singular tree in a snow covered field with the forest on the mountain behind it fading into the winter fog. At the time, I think I was using Photoshop CS and when returning home, I was less than thrilled with my RAW conversion, but this image still lingered as being a potential someday.

And so with Photoshop CC, the “someday” has successfully arrived. Enjoy.

Merry Christmas and Happy Holidays!

January 19, 2015

Picture Postcards

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Untitled (MingXinPian #0984) copyright Douglas Stockdale

This is a long term and a slowly developing project that I have worked on intermittently these past years. For this photograph I am investigating a feeling about a state of decline or decay.

I recently had an opportunity to show this photographic print in conjunction with five similar photographs to a group of photographers. Of the five, this image seemed to evoke the strongest response consistent with my objective.

Cheers

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