Doug Stockdale's Singular Images

November 29, 2018

Fabrik Projects 2018 Holiday Pop-up

Filed under: Art, Art Market, Memory pods, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 4:45 am

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Loss, Memory Pods, 2014 copyright Douglas Stockdale

I will have a couple of framed photographs on exhibit at Fabrik Projects for the month of December as part of their “2018 Holiday Pop-up”. This is a group show that will feature artwork that is reasonably priced for the holidays. My photographs are from my Memory Pod series, and Loss, above,  recently garnering an Honorable Mention at IFAC’s “All Media” exhibition.

The exhibition opening reception is this Saturday, from 6pm to 9pm at the gallery, located at 2636 South La Cienega Blvd, Los Angeles, California and the exhibition extends through the end of December.

Joining me for this group exhibition are a diverse group of artists, including Amadea Bailey, Yuri Boyko, J.T. Burke, Jessie Chaney, Martin Cox, Betsy Enzensberger, Cia Foreman, Astrid Francis & Bob Francis, Rob Grad, Sarah Hadley, Maureen Haldeman, JJ L’Heureux, Elizabeth Kitchen, Brandon Kusher, Patrick Ramsey, SameSource, Marilyn Sanders, Linda Stelling, Jane Szabo, Sharon Weiner, Glen Wexler and Nancy Wise.

Let me know if you would like more information about these photographs.

Cheers!

Doug

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October 5, 2018

Photo Independent 2018 exhibitor

Filed under: Art, Art Market, Memory pods, Middle Ground, Photography, Projects/Series — Tags: , — Doug Stockdale @ 5:15 am

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Loss, Memory Pods, copyright Douglas Stockdale

Truly an interesting weekend and now the following week as I just found out that I have an opportunity to exhibit at this weekend’s Photo Independent 2018 being held in Los Angeles. I will be sharing some exhibition space with my book printer, Dual Graphics, thus my stronger emphasis on my artist books that I will have for sale; there are still a few editions of Bluewater Shore left, as well editions of Middle Ground and copies of my Guide to Self-publishing an Artist Book.

Yikes, still less than seven days notice; so I have to say there is some value in having some of my art already framed. There are some limitations on size and where/how to hang, so I quickly determined that I have four pieces (including the photo above that was awarded Honorable Mention at the IFAC 2016 All Media exhibition), that will work within the confines of this exhibition space in conjunction with my artist book sales.

Printer update; appears that my old Epson printer had a slight bit of temporary coherence, but then lapsed back into its printing coma. sigh. So evaluating alternatives and will there will be a bunch of printer discussions with friends at Photo Independent. I know that I would really love to have a 42″ wide printer, but there is absolutely no studio space for this size printing monster and since I am not selling this size prints yet, a nice dream. Perhaps more realistic is an upgrade to a 24″ wide and I can move some things around; it should be a tight fit, but do-able.

One thing I have come to understand for my book projects; I need a smaller printer to make test prints for the book dummy, etc, thus also looking at a 13″ printer since the 24″ wide printers have issues handling/printing paper smaller than 8-1/2 x 11″.

Last, with all of the past nozzle clogging issues of the legion of Epson printers that I have had, giving very serious consideration for a Canon printer.

Okay, still some things to do to prepare for this weekend.

If you are attending Photo Independent, look for me walking the isles or hanging out at the Dual Graphics/Douglas Stockdale exhibition booth.

Cheers!

September 5, 2018

Summer of 2018 is over

Filed under: Art, Art Market, Memory pods, Photobook, Photography, Projects/Series — Doug Stockdale @ 6:38 pm

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Aging (Memory Pods project) copyright Douglas Stockdale

It is now September, summer vacation as most of us know it (as a former Midwestern that is after Labor Day), the kids are back in school and looking forward to the Fall weather. I took a short break from blogging here after the publication and exhibition of my artist book Middle Ground. So a bit of a quick recap of what has been going on for the past month and a half (no moss growing on a rolling stone).

In July I was a portfolio Reviewer for Los Angeles Center of Photography’s 2018 EXPOSURES during which one of those I spent time with was Melissa Lazuka, who has been developing some very cool artist books. Subsequently after discussing the issues of how to create a larger edition size she made a decision to create her artist books as unique books (1 of 1), but in a series utilizing the same layout, her photographs, but different ephemeral materials. And she just sold her first one shortly after I reviewed “Song of the Cicadas” on The PhotoBook Journal. It is very nice now one of my favorite photobooks for 2018. So check it out!

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Melissa Lazuka, Song of the Cicadas, copyright 2018

In early August the photobook I have been designing for Christine Kaplan, On My Walk, was published and released during a UCLA Medical event in conjunction with Teen Cancer America for their Backyard Concert series fundraiser. (Also attended this concert, which included performances by Jewel, Van Morrison, Don McLean (American Pie, a long version, of course!), Ed Sheeran, including an impromptu duet by McLean and Sheeran, and Roger Daltry). Christine was working on her book with me through the LACP Mentorship program.

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Christine Kaplan, On my Walk, copyright 2018

August was also the month that my little portable PC gave up the ghost and I made the transition back to using Mac’s again after 20+ years, opting for a 27″ iMac with most of the bells and whistles. Not a fan of the iMac bluetooth mouse, so that was switched out for a Logitech mouse which has been 100% reliable, which is more than I can say for the iMac mouse. I did lose a few things during this transition, but nice thing about using film, I just need to rescan the negatives.

Meanwhile I continued to develop my project Gardening for Ordnance while promoting my artist book Middle Ground. In the process of working on Gardening for Ordnance, I recently came across what the local O.C. Sheriff is calling a “shallow” grave. Not something I was looking for, but something that I found & reported. The Sheriff’s (about six of them showed up) stated that they will continue to investigate; don’t know who buried what and when. Also in touch with the crime desk of the local OC Register newspaper. Since I am not a photo-journalist, I will leave this to someone else to keep track of.

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O’Neill Regional Park, September 2018, copyright Douglas Stockdale

As a result of completing a book review of Tara Wray’s photobook “Too Tired for Sunshine“, I have been submitting some of my photographs from my Memory Pods project for her TooTired project on IG. My attempts to indirectly create a portrait of my mother and grandmother in the later stages of Alzheimer’s Disease during which they experience profound sadness, confusion, anger and depression appear to resonate with her readership. Thus I am returning to this body of work which I have not spent much time with this past year while working on the Middle Ground project. So expect to see a bit more from me about the Memory Pods project during the Fall.

Last, Gerhard (Gerry) Clausing and I have initiated a monthly on-line exhibition series for the Photographers Exchange, a local photographic group that Gerry and I edit the blog. He and I will take turns curating this monthly on-line exhibition (I am currently curating the Contemporary Landscape exhibition) and see how this develops as we consider what unmeet needs that we can address with this. Regretfully at the moment this is an internal event for members of the Exchange, while Gerry and I consider alternatives for this social media channel.

Cheers!

July 6, 2018

Memory Pods – end of Season Four

Filed under: Memory pods, Photography, Projects/Series — Tags: , — Doug Stockdale @ 1:46 am

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Memory Pods, June 2018, copyright Douglas Stockdale

Now that the heat of July has come in full force here in Southern California, the Aloe Vera seed pods that I am photographing for my project Memory Pods are all quickly withering away in their own unique style. As I wrote earlier in April, this is my fourth year of working on this project and since I am not sure of how I want to publish this project yet, I will probably work on it again next year. I will give me self some more time to reflect. I am pretty sure that I can exhibit this project now, which is an option that might allow some feedback. Another aspect to consider.

Meanwhile, there are still a few parts of these plants that are still getting my visual consideration, thus I will probably shoot another couple of more rolls over this weekend. Then its time to call it quits for photographing my subject in 2018. I am noticing that I am much more preoccupied with other projects since I can’t see the ending for this one yet.

This was the year that I acquired my used 120mm f/4 Makro for the Hasselblad to photograph this project. My takeaway is that this lens did not focus as close as I had anticipated, thus I am back to thinking about another extension tube (yes, don’t remind me that I sold two and vowed never to use these things again). The upside to this current camera/lens combination is that these are really big negatives and I can crop these extensively to create large prints. One visual aspect of using an extension tube on the 120mm lens would create an even shallower depth of field, which I seem to leaning into at the moment.

Something to think about during the “off season”.

So now back to the project that does seem to have my intense interest; Gardening for Ordnance in conjunction with a secret project that is developing in the background. fun, fun, fun!

Cheers!

 

April 11, 2018

Meanwhile, back on the ranch

Filed under: Memory pods, Photography, Projects/Series — Tags: — Doug Stockdale @ 10:25 pm

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Memory Pods, April 2018 copyright Douglas Stockdale

While I am going slightly crazy preparing to launch a Kickstarter campaign for the Middle Ground project, the weather has warmed and my aloa vera are budding. It is Memory Pods season again!

This is my fourth season of working on the Memory Pods project at my studio. For this project I have not been waiting for a book design and pending publication to share, post, and exhibit the body of work. Main reason is I am still thinking about the design and layout for this pending book. Meanwhile I continue to experiment/play with my subject. Last year I did not become as obsessed with this project as I had in previous years and for this year I find myself working at more of a measured pace, anticipating the various phases as to what I want to accomplish. Seems like I am filling in more of the visual gaps that I am loosely considering for this project.

Last year I was experimenting with the two extension tubes with the 150mm lens on the Hasselblad (using 120 film), which turned into a mini disaster as the tubes fowled up the camera body. At the time I had thought my solution would be acquiring a 120mm Zeiss Makro-Planar, which I did during the off-season.

This is not a bad start. The photograph is investigating the “youth” stage for the Memory Pods, so I consider this a nice portrait of a “kid”. Also first chance to really work with this Makro Zeiss lens on the Hasselblad, which I was slightly surprised that I was not able to get in closer to my subject (image above is slightly cropped). Probably why when I sold the extension tubes I was asked if I really wanted to sell these if I were acquiring the Makro lens for macro photographic work.

So while diligently pulling together my Middle Ground Kickstarter materials and information, I will be taking some well deserved breaks for my Memory Pods project. And a good time to let my Gardening for Ordnance take a slight breather. Otherwise, I will be probably be going nuts.

Cheers!

December 31, 2017

Best creative wishes for 2018!

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Morning walk, Trabuco Canyon, 2017 copyright Douglas Stockdale

On the brink of 2018 I think is a nice time to reflect on the achievements (and maybe even some of the screw-ups) of this past year, while looking forward to the opportunities and possibilities of the New Year.

So what do I have a chance to pat myself on the back about for 2017?

A bunch of things are just the continuation of my on-going artists and photographic projects; writing my random thoughts for this blog, providing photographic/artist book reviews for The PhotoBook Journal, portfolio and submission reviews for LensCulture, portfolio reviews for Los Angeles Center for Photography (LACP), curating the photobook submissions & curatorial talks for Photo Independent, and providing mentoring to other photographers/artist on the development of their book/projects. Likewise I continue development of long term photographic/artist projects; Memory Pods, Middle Ground, Instant Nomad and Gardening for Ordinance.

Bluewater Shore; self-published my limited edition artist book  which was launched this spring at Photo Independent. I had been developing this artist book for the past four years, so it was really great to finish this publication, which was recently selected by Elizabeth Avedon as one of her Best Photographic Books for 2017, and made Viory Schellekans Best Photo Books of 2017. (Also a few copies of this edition are still available, so contact me if interested; doug@douglasstockdale.com)

Guide to Self-publishing an Indie Artist Book; an unexpected self-published book that I received a commission to complete in time for it’s launch at the Medium Festival of Photography this fall. This book draws heavily upon my Introduction to Photo Book design workshops.

Introduction to Photo Book workshop; In conjunction with Los Angeles Center for Photography (LACP) last spring, I led the first of two workshops this year for LACP. We are already planning the next workshop with LACP for fall of 2018, so watch for more details next year. These workshops have also led to more mentoring for photobook development with individual artist/photographers and organizations.

So what lays ahead for 2018? As the photograph above hopefully implies; an uncertain future on a path that only a few walk, with some potential hills (ups and downs) lurking ahead with the end of the path obscured by the trees. There’s also the thorny cactus lurking just off the trail.  Okay, it’s a bit of a classic metaphor, but I enjoy it all the same.

One goal for 2018 is the (self) publication of Middle Ground this spring (working on the book dummy during the holidays). Continue development of the other photographic projects. In discussions with my Associate Editor, Gerhard Clausing, about a ten-year anniversary photobook for The PhotoBook Journal.

On a personal note, I still need to lose another 5 pounds this year (did lose 10 pounds this fall) and get my blood pressure further down with modifications to my diet (a bit less wine, reducing the amount of salt, more fish, fruits and vegtables) in conjunction with frequently daily walks of a duration that is at least an hour. For the later, I am now venturing more off the beaten path that has led to the start of another photographic project about walking (I have a working title, but more about this in 2018 as I tweak the project’s artist statement). Maybe two walking project since I have been walking both the nature trails and the local ocean beaches, as well the local neighborhoods. I will continue to follow my muse and really interested to see how this all will develop!

So as we prepare for the New Year, I wish you all the very creative best for 2018!

Cheers!!

Doug

June 21, 2017

LACP 4th Annual Members juried exhibition acceptance

Filed under: Memory pods, Projects/Series — Tags: — Doug Stockdale @ 7:52 pm

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Fog (Memory Pods project) copyright 2014 Douglas Stockdale

I am delighted to announce that another of my Memory Pod project photographs has been juried into an exhibition, which in this case is the 4th Annual Members Exhibition for LACP (Los Angeles Center of Photography). The juror is Paula Tognarelli of the Griffin Museum of Photography (Winchester, MA). While the earlier exhibition of Loss was awarded an honorable mention, this time I am very honored to be juried in which I believe is another validation of this project.

In checking earlier posts, it appears that I have not published this image before. All of my photographs for this conceptual project are potential metaphors for the condition of individuals who are living with the loss of memory. For this image, Fog, I am investigating profound memory loss; all traces of memory are gone and the individual is existing in a perpetual memory fog. The stooped, disheveled and bent-over appearance is also an indication that these individual frequently resemble in this state and if they could communicate they would talk of serve depression, anxiety and anger. This is also nearing the end of the individuals life as other acute issues related to their memory loss are occurring.

Regretfully not an up-lifting reason for me to develop this image, but part of my desire to investigate the effects of dementia and Alzheimer’s upon those who are unfortunate to suffer this dreadful disease. Also why we need to invest in research to eliminate it. We will all come to our end on day, but some paths are more wicked than others.

Best regards, Doug

 

 

 

December 28, 2016

2016 in Review

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Loss (Memory Pods) 2014 copyright Douglas Stockdale

For me it’s always a nice treat at the end of the year to look back at what has occurred; achievements, progress in the my development of my conceptual projects, lessons learned that might help inform me and keep me on a progressive creative path in the year to come.

First, 2016 was about making new photographic friends and deepening the existing relationships. The photographic and artistic community is really great in how encouraging everyone is towards supporting each other’s creative endeavors. That is always the best part of looking back at the year that was.

One of the highlight of the year was in September when I was juried into the Irvine Fine Arts Center (IFAC) 2016 All Media, which was curated by Dan Cameron and I received an Honorable Mention (above), the only photograph of the exhibition that received recognition. A really nice validation that my Memory Pods project is progressing as I had hoped, which I will continue developing in 2017.

I was invited to became part of the LensCulture submission review team (aka consultant, a true paying photographic gig) in August and I have completed close to 200 portfolio submission reviews in 2016. This has become a great opportunity to become familiar with an interesting and diverse international group of photographers and their photographic work.

Photo Book Independent; in April I was one of the photobook jurors for the photobook exhibition and subsequently provided two curatorial talks during the exhibition while also exhibiting my own photobooks and photographs at this event. It appears that I may be involved in Photo Independent 2017 event as well ;- )

For the Los Angeles Center of Photography (LACP) Exposure 2016 I joined them as a portfolio reviewer in September and subsequently I will be leading a photo book development workshop for LACP next April, 2017. This is going to be a fun workshop!

As the Editor of The PhotoBook: my book-blog-zine passed one million views and provided a milestone 400 photobook reviews; an amazing eight years. I also increased the staff of this blog-zine with the recent addition of Gerhard Clasusing as a book reviewer. I am looking forward to all of the creative photobooks yet to come in 2017.

Social media; my experiment with Instagram (@douglasstockdale) this year appears to be proceeding in a slowly growing but successful manner. So I now a presence on Facebook and Instagram in conjunction with this blog. I also became the co-Editor of the Facebook page for The Photo Exchange which led to the development of a closed group on Facebook for the members of this group.

Infrastructure changes with the transfer of my photographic web site to a new platform hosted by PhotoShelter that is focused on providing photographic content. This should take care of my web site requirements for a while and I need to remember to update it from time to time.

I also spent some time at some local photographic events, such as photo l.a., which is coming up soon next month, and down in San Diego at the Medium Photographic Festival.

And of course I was working on some photographic projects, such as continuing my development of Memory Pods, concluding Lest I Forget, and starting a new project Middle Ground.

I think 2017 will be even more fun! See you all next year ;- )

Cheers!!

October 18, 2016

On the scanner: 09-04-16 negative 12

Filed under: Memory pods, Photography, Projects/Series — Tags: , , , , — Doug Stockdale @ 12:55 am

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Untitled (Memory Pods project) copyright 2016 Douglas Stockdale

Cooking on the Nikon film scanner is negative #12 from my September 4th studio session working on my Memory Pods project. Hasselblad & 150 mm f/4 lens with two 21mm extension tubes, Kodak Portra 160 with an E.I. of 80, normal film processing.

Scan is taking a little longer as I did remember to scan at a 14 bit size (think I forgot for the last scan). Scan is at super fine: 16 times sampling for each scan pass.

The dried and slumping Memory pods are out of focus while the jumble and tangled elements are just in focus. This image kept coming to me while on vacation last week, thus the first of the new batch on the scanner now that we are back.

Next is the extensive spotting of the scan file, then all of the usual magic.

Cheers

October 4, 2016

Film plus scan processing

Filed under: Memory pods, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 9:27 pm

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Untitled (Memory Pods project) copyright 2016 Douglas Stockdale

I have been rephotographing some of my memory pod subjects with film and just realized a very inexpensive creative tool; when processing my film at ProPhoto (Irvine, CA), for just a small bit more, I can obtain a medium resolution scan of each image. Seems that when the film is processed, it automatically passes by the film scanner and so the relative cost of capturing that scan and providing it as a CD is not very expensive (film process, a 5×5″ print for each negative and the scans cost $13.00 for the 12 exposure 120 film).

I have a light box for looking at negatives and a corresponding 5×5″ print, but when I really want to check out the details of the negative before I invest in a much larger scan, I have found it very convenient to look at these medium resolution scans. Likewise, I can make some quick adjustments in Photoshop to anticipate what the final image will look like, such as the one with this post. Thus made the decision for this last roll of film that I want to obtain a high-resolution scan for negatives #8, #9 and #10.

Only hitch in my giddy-up was finding out the the scanner soft ware at ProPhoto was set up for Windows XP and not Windows 10. When trying to view the first CD on my Windows 10 machine, the computer kept wanting to reformat the disk. So on a whim I tried to open the CD on my older XP machine and there were the jpeg images. When talking with John at ProPhoto, he did not realize that his PC disks were only readible on XP (guessing that most of his clients are on Mac’s).

I was considering a film version of my 5D digital version of “Ghost”, but I realized that I did not save the dried up stem after the first year working this project. This might be an alternative, but I also like a progression I made on film with the same subject adjusting the focus, which could become a triptych, so I am not sure the title.

Cheers!

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