Artist photobook maquette cover, Bluewater Shore, copyright 2014 Douglas Stockdale.
A couple of days ago I started a discussion about my next artist photobook for 2014, Bluewater Shore, which I have just finished the first maquette in preparation of getting some feedback from friends at photo l.a. next week.
First, in the photo of the marquette above, the artist photobook dummy appears kinda of chunky, but that is due to my creative process. At this point in time, I have not finalized the selection of the interior photographs, nor the sequence. The image size and margins on the page will be the same as those I used for Pine Lake. Thus after I developed the marquette’s framework, the photographs are being held in place with paper clips (you can see them at the edge of the page) to facilitate changes. Thus, the thickness is a bit unwieldy. When I am pretty sure of the image selection and sequencing, then I will probably tape the images into place.
One change that I am making to Bluewater Shore is the book binding process of the interior block to the book cover and I am using another manual process; pamphlet sewn stitch. For the Pine Lake artist book, I had used an aluminum prong binding process, almost identical to what was used by Kodak and Ansco for their promotional processing booklets. The downside to the manual prong binding process was the tedious punching of the holes and getting the alignment of the holes correct. Since I was using a hand paper punch, I could only punch three pages at a time. I busted a couple of these punches when I pushed the amount of pages to hole punch. One result of the prong binding was another reason to keep the edition size of Pine Lake to 25.
With the pamphlet sewn stitch, still a very manual process, it is keeping me literally in touch with each and every photobook that I am making. Even the ice pick tool to make the holes for the pamphlet stitching is from the same 1940’s period as the found photographs, or maybe even earlier. A very subtle, essentially unseen, and metaphoric book binding process.
The colors for Bluewater Shore were selected from those used in the same late 1940’s period as my short story is set in. The Canson 300 gm cover is a Sky Blue and the waxed Irish linen thread is a wonderful pink, aptly called Bubble Gum. You can still find these two colors in many of the bathrooms and kitchens of the 1950’s and probably 1960’s houses in the US. My parent’s house in Michigan comes quickly to mind. Oh yes, these were two of my mom’s favorite colors as well, thus another symbolic element.
What I did determine during the construction of this maquette is that my HP desktop printer can not process the 300 gm cover stock. This heavy paper jams the paper feeder and it jams it really well. Thus back to my Epson 4800, which I had suspected that I would need to use and I should have started with it to begin with. sigh. Some lessons are harder to learn than others.
A big change for Bluewater Shore will be that this artist photobook will not have the matching hand made wood frame and cover as did Pine Lake. Since I want to increase the edition size and keep this artist book reasonable priced, I need to make some changes, this probably being one. One thought is to have a large edition of just the stiff-cover book, and a smaller edition of the hand made frame and stiff-cover book. Nice thing about being an artist, I can change my mind on this.
Another change I am making is the printing of the interior pages. With Pine Lake, I had utilized laser printing from a local quick print shop. hmmmm, an area for improvement. For Bluewater Shore, I will be using an offset lithographic printing process, probably two color. Still working the print, fold and trim details out with a local printer. I will have the printer also fold and trim to a saddle stitch style (without the saddle stitching) so that the signatures will be ready to stitch to the cover. I also plan to increase the limited edition size to 100 or more.
Another draw back to the small edition of Pine Lake was the limited samples available to send out for reviews; there just weren’t any. Thus Pine Lake ended up being under the radar a bit. So for Bluewater Shore, I want to have enough copies to send out to my fellow photobook reviewers to generate some buzzzzzzz. Or at least I hope it will get a little :- D
oh, as to the contents of the maquette, here’s a tease: