Doug Stockdale's Singular Images

June 23, 2018

Expired film – Gardening for Ordnance

Filed under: Art, Gardening for Ordnance, Photography, Projects/Series — Tags: , — Doug Stockdale @ 2:57 pm

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Untitled, Gardening for Ordnance project, 2018 copyright Douglas Stockdale

While I am still in the midst of binding the remaining leporello artist books for Middle Ground (yes, book is still available, so message me for details) I have continued to work on two other on-going projects, Memory Pods and Gardening for Ordnance, both with an agenda of investigating memory.

One of my ideas for Gardening for Ordnance to under gird my narrative about history and memory was to use expired 120 film for this project, preferably chrome. Even though I have hoped for some radical visual effects using the expired film, the results have been minimal as I wrote a few days ago.

Nevertheless in the most current batch of processed film there were a couple of images mid-roll that has some striking visual effects (above). I am not sure if this was caused because of the film was expired (about 15 years ago) or the film was light struck somehow. I am thinking it might be the latter as there are only a few frames effected and those before and after do not appear to include this effect. Nevertheless, highly likely that this “defect” is still a result of the film being well used beyond is expiration date.

I think that this image works great with my concept for this project. So I continue to look for when serendipity and chance are introduced into this body of work. Oh, a friend quickly pointed out that with the CC version of Photoshop I can easily correct or substantially diminish this visual defect; NOT!

Cheers!

PS – I have not started a gallery for this project on my web site (have a link on the side bar to related updates for this project), and since I now working more actively on this as I finish the Middle Ground publication, probably a good reason to get one started. Look for an update on that shortly.

June 22, 2018

More Expired film donations

Filed under: Art, Gardening for Ordnance, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 6:26 pm

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120 Ektachrome & VPS expired film, 2018 copyright Douglas Stockdale

This was a good week for expired 120 film donations for me. I was starting to run a bit thin in my expired film inventory while working on my project Gardening for Ordnance and starting to get a little stingy in my film use. My idea is that while working on a memory project that dates back to WWII (1940’s) that using old expired film might add another dimension to my narrative. Especially if there are any serendipitous visual effects that occur.

So far I am not seeing a lot color variation in the final processed film results for the expired film I have been principally using which was Fujichrome that expired about 2006. This next batch of 120 film might provide a little more variation as the expiration date for the Ektachrome is 1996, 1997 and 1988. During the week I have already used a couple of rolls of the ’96 vintage, so it will be interesting to see what comes out of the soup next week.

I also received a small donation of some expired 120 black & white roll film that is even older going back to a 1984 expiration date, which means it was probably made about 1982, thus almost 35 years old. Very cool! I do not have a specific project in mind for the black & white film yet, but now that I have this film in hand, I will be a bit more receptive to my artistic muse.

Of course if you have some expired 120 film laying about that you would like to get rid of, message me ;- D

Cheers!

Ilford Pan F - expired 1984

June 20, 2018

Middle Ground – contextualized

Filed under: Art, Art Market, Middle Ground, Photobook, Photography, Projects/Series — Tags: — Doug Stockdale @ 4:47 pm

Alternative Crossing

Alternative Crossing, Middle Ground, 2017, copyright Douglas Stockdale

contextualize; the artist intends to explain, justify and extend their body of work. What a gallery will attempt to accomplish with an artist work that might need to be re-positioned as to it’s artistic merit (as being collectible), e.g. a searing war documentary image as an artistic work (“documentary” photographs are not usually considered “artistic” and could be the kiss of death for an artistic body of work)

Part of my reason to reexamine my artistic statement for Middle Ground stems from the feedback during my artist talk at the exhibition closing reception and some comments from book review submissions. Although I see the symbolic potential for this project, most, if not all, do not. Or at least they sense something that they cannot seem to put their finger on. Middle Ground is mainly considered an ambiguous and mysterious urban landscape project.

Thus my underlying concept for this project is perhaps so subtle that it is not being perceived and I need to restate to my “roots” for this project as what pulled me in to want to create this project; I think is a fascinating urban landscape that typifies southern California and this subject is evolving to create a visually diverse and interesting environment.

Perhaps one comment that was made about this project helps place it into perspective, that it is beyond being banal, as this is an urban landscape that is not being noticed. Which I think I agree, these are snapshots of an urban American landscape that we frequently encounter yet remains relatively unseen, perhaps what lends some of the visual mystery to this body of work.

Similar to the recent photographs of the British urban landscape photographer Simon Roberts and those photographers featured in New Topographics, a landscape project with an attempt at a visual neutrality, presented as seemingly factual and in a non-romantic manner that one does not usually associate with an idealized southern California. Perhaps why some reviewers try to pigeon hole this project in the documentary genre.

Maybe why the curiosity about my photographs; I think it triggers a memory without the ability to find a mooring for it. As though there is something vaguely familiar about this urban landscape but lacking an identifiable context.

I still think that my conceptual idea provided the guiding rudder for my editing of the images and how these inspired my artist book’s leporello design. So I am not walking back on this aspect of my project.

In conclusion: an urban landscape study of a unique region of southern California with a mysterious dark undercurrent.

What do ya think?

Also a reminder that my artist book Middle Ground is still available for purchase; message me for more information. And yes, I am continuing to assemble the books with another visit to the post office yesterday for book homes destined in Hong Kong, Spain, Russia and Colorado.

Cheers!

 

 

June 12, 2018

Feedback – Artist talk at Fabrik Projects

Filed under: Art, Books, Middle Ground, Photography, Projects/Series — Tags: , , , , — Doug Stockdale @ 6:10 pm

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Douglas Stockdale, Artist talk, Fabrik Projects, photos by Kasey Taylor

Having an opportunity to having an open discussion with those interested in your work is a great chance to create a dialog as well as get some really honest feedback from your work. Really honest. Yes, there was what one person called afterwards a little bit of a “heated discussion” between a couple of individuals who had different takes on this project.

For my part, talking about myself and my project is not the easiest thing to do, makes me a bit nervous, so I did not think that I provided the most eloquent presentation, but almost everyone else thought that my talk and subsequent discussion was very informative. Perhaps this event for me was similar to participating in a portfolio review, except it was live, on-stage and with a whole lot of people involved, all providing input at the same time while I did not have a chance to write notes. A bit intense.

So some take aways:

First and foremost, when asked what others thought that this project was about before I told them about my concept, they almost all agreed; an urban landscape that was mysterious and since they could not figure out the place, ambiguous, and in the consistent way it was presented, very intriguing. They were all really curious and wanted to know more. Which was totally in line with my initial framing and idea for this project. So that was pretty cool!!

Regretfully what no one was talking about was if this body of work could be considered a political parody of the Trumpian Mexico border wall. Or if it could be a metaphor for injustice or political/social/cultural issues rising out of blocking and stopping segregation or other types of impediments. I think that this point underlies one of the issues of conceptual art, sometimes it works, sometimes it does not. Especially if the concept is abstract enough and the underlying idea is not presented in a way to visually connect the message with the images, which I understood was one of the concerns with my project; it does not shout-out a strong political protest narrative.

Nevertheless, having my underlying concept did help me in how I created this body of work and I believe helped to inform me on the artist book design and layout. I also appreciate that this concept helped me create an intriguing and mysterious body of work.

So some other things that came to light; here in California the concrete structures that are the base of these barriers are called K-rails, while apparently everyone else in America call these structures Jersey Walls or Jersey Barriers. Interesting.

Many of the beautiful blooming plants that I photographed, such as the one on the cover of my artist book, are Oleander, which is actually a very poisonous plant. The physical barrier is actual multi-faceted and more complex than I had realized, thus creating another dimension to my project that I was unaware of. Perhaps another reason for this project appearing mysterious and having another darker dimension and undercurrent as to what appears as beautiful.

All in all, it was a really wonderful opportunity for some interesting feedback on my project, which I appreciated very much. Oh, and if you are now more interested in my artist book, editions are available from Fabrik Projects, Arcana book store (Culver City) or from me.

Cheers!

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June 9, 2018

Middle Ground – featured on New Landscape Photography

Filed under: Art, Middle Ground, Photobook, Photography, Projects/Series — Doug Stockdale @ 6:42 pm

San Diego Point of Entry

San Diego Point of Entry, Middle Ground, 2016 copyright Douglas Stockdale

I am very happy to announce that yesterday my urban landscape project Middle Ground was featured on New Landscape Photography. Another nice validation of this project and the second time my work has been featured by Willson Cummer on his blog; with my Italian urban landscape project Ciociaria on NLP a few years ago.

Earlier this week I was at Fabrik Projects taking down my exhibition, which is a mix of melancholy and a bit anticlimactic. The show and my time in the sunlight is over for now. I will also have to say that I had not realized that with all of the media shout-outs, press releases, and prepping for & then providing an artist talk, it takes up a lot of personal band width. Perhaps I will dive into the economics of being a mid-career artist (which seems to be the artistic “category” that gallery’s classify me as), but suffice to say, getting an exhibition opportunity is really, really wonderful and I would not want it any other way, but the work by the artist has just begun. Small gallery’s and relatively unknown artist have to collaborate to try to get the attention of the few buying collectors that are out there.

I will provide some more thoughts about the exhibition & going forward with this project over the next few weeks.

Cheers!

May 29, 2018

Artist talk June 2nd at Fabrik Projects

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Middle Ground exhibition, photograph by Don Webb II

One of the requests that apparently reoccurred during my opening reception is for an artist talk about this exhibition and artist project. The artist talk is now scheduled to coincide with the exhibition closing reception at 4pm on Saturday, June 2nd (2018) at the Fabrik Projects gallery.

To talk about myself and my art projects is not always the easiest thing for me to do. To write about it as I have on this blog is okay, perhaps something I am more comfortable with in that I have an opportunity to develop what I write and the edit before I commit to publishing it. Even then when I have some second thoughts, I can come back and edit what I wrote. I am also very comfortable teaching a workshop about a subject that I am very familiar with, such as my book development class with LACP. Talking about myself and my art projects, perhaps not so much.

What does help if I start taking some notes to outline what I want to convey, then leaving plenty of time for questions and answers. I am going to try to cover the basics about this artist project: what, where, when, how and maybe the most critical; why. I also suspect that this will be a walking talk, not a formal group sit-down, which will help me a little bit more in that it’s a bit easier for me if I can walk and talk about the exhibition.

The photograph above is the exhibition space that I had envisioned for this project in how the photographs (barriers) would ring around the room and thus surround the viewer. One of the many exhibition trade-offs; larger prints but then less images in this space. It will be interesting to get some more feedback during my talk as I already plan to defer to some open ended questions for the group.

Location: Fabrik Projects; 2636 S. La Cienega Blvd, Los Angeles (near Culver City)

Artist talk & reception: Saturday, June 2nd,  4 -7pm

Cheers & hope to see you there!

 

May 23, 2018

LACP exhibition opening Friday, May 25, 2018

Filed under: Art, Books, Middle Ground, Photobook, Photography, Projects/Series — Tags: , , , , — Doug Stockdale @ 6:59 pm

America

America, Middle Ground/En Medio Tierra, 2016 copyright Douglas Stockdale

I was pretty excited that two of my photographs from my Middle Ground/En Medio Tierra project were selected by Scott B. Davis for the Los Angeles Center of Photography (LACP) annual Fine Art Exhibition. The two photographs are America, above and the photograph San Diego Port of Entry, below.

The theme for this year is Expanding Boundaries. Although my project has as it’s primary subject a series of barriers, a form of physical boundary, the series also documents how these barriers are deteriorating and include passage ways that allow access. Thus providing an element of hope to individuals in order they might contemplate that they can overcome any barrier that they might encounter in life.

The exhibition opening is this Friday, May 25th, 2018 at the LACP facility in Los Angeles from 7pm – 10pm. LACP is located at 1515 Wilcox Ave., Los Angeles, CA 90028

The LACP exhibition will is available for viewing from May 25th thru June 22nd.

I am equally excited that this exhibition of Middle Ground/En Medio Tierra is overlapping the full exhibition of this body of work at Fabrik Projects. Another two-fer for this body project! As a reminder, my artist book of this body of work is available from me or from Fabrik Projects as well.

San Diego Point of Entry

May 17, 2018

Middle Ground – Trial Proofs now available

Marker 34

Marker #34, Middle Ground/En Medio Tierra T/P (1/1) 16 x 20″/17 x 22″ 2017 copyright Douglas Stockdale

I currently have 22 unique prints now available for sale at my gallery, Fabrik Projects, in Los Angeles. While working on the final Edition for the Middle Ground/En Medio Tierra project I printed a series of these photographs on Hahnemuhle Photo Rag, a heavy 308gms weight 100% cotton archival paper at 16 x 20″ (on 17 x 22″ paper) to visually test this project. The Photo Rag has a matte finish in which the colors have a subtle rich appearance and on this archival paper and look really, really nice.

When I printed the 40 x 50″ image on a semi-gloss paper, I found that there were some subtle changes in the appearance that warranted further investigation for this project. As a result of a long series of paper testing, I have decided to print the entire Middle Ground/En Medio Tierra edition on a glossy paper, selecting the Hahnemuhle Photo Rag Pearl, also a 100% cotton archival medium that is an equally heavy 320gms weight. To complete this evaluation required me to change my Epson printer from the matte black to the photo-black pigment ink required for glossy papers. And I do not plan to go back to the matte black at any time soon.

As a result, all of the earlier test prints on the Hahnemuhle Photo Rag are now consider Trial Proofs (T/P), not Artist Proofs, due to the switch in cotton medium for the final edition.

Thus this creates an opportunity for you to acquire some very unique and beautifully printed T/P prints that are in an edition of One (1/1). The photograph above as well as below are a partial listing of the prints that are available for only for a limited time, because when that print is sold, it’s gone!

If you are intrigued and would like to know more please contact Fabrik Projects for more information: (p) (310) 730-6074 or email: gallery@fabrikprojects.com.

Nevertheless, if you would like to obtain a limited edition print (sizes available are 16 x 20″, 24 x 30″, 30 x 40″ and 40 x 50″), Kasey and the gallery team would love the opportunity to discuss these options as well. just saying…

Cheers!

Doug

San Diego Point of Entry

San Diego Port of Entry

Coastal Point of Entry

Coast Point of Entry

Desert Edge

Desert Edge

Alternative Crossing

Alternative Crossing

Resistance

Tangled Access/Resistance

Rest Stop

Rest Stop

Camouflage

Camouflage

Access Point

Access Point

Marker 42

Marker #42

Observation Post

Observation Post

May 13, 2018

Artist Reception & book launch last night

Filed under: Art, Middle Ground, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 10:07 pm

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Fabrik Projects, Culver City May 2018 Douglas Stockdale

Last night was a wonderful evening celebrating the opening of my Middle Ground/En Medio Tierra exhibition at Fabrik Projects along with my family, friends and some new acquaintances. This artist reception was shared with Marilyn Sanders who has the other side of the gallery’s walls with her exquisite photographic study of plants and flowers.

Before the reception some family and friends met at WildCraft, a nuvo-Italian restaurant located in Culver City. Very nice and recommended if you are in the area, which is part of the culinary district of Culver City. Oh yes, the garlic knots appetizer was very yummy, but required some breath mints before heading to the reception.

This was also the formal book launch for my self-published artist book, Middle Ground/En Medio Tierra, as well as the first formal announcement of a limited edition Middle Ground/En Medio Tierra book + print box set being published by Fabrik Press. The box set will feature a unique photograph that is not included in the boo in an edition of 25 plus A/P. More about the limited edition box set shortly, since the boxes coming in from the East Coast were delayed. Thus an announcement but no display sample, nevertheless it created immediate interest. In addition to the display copy of Middle Ground/En Medio Tierra, there was also a display copy of Bluewater Shore, my artist book that I self-published last year. All of these art books and limited edition box set are available from the gallery.

It was really nice to have my family attend, although I am not sure just what Ella and Zach thought of this exhibition. Also enjoyed discussions with Marc Plouffe, Bill Edwards, and Scott Mathews from the PhotoExchange, Paul and Theresa Mounce from our Medtronic days, Pete and Kim Brosnan, close friends from Valencia, and a bunch of local artists/photographers, many who are members of LACP, including Debe Arlook, Martin Cox, Sara Jane Boyers, Sarah Lee, and many others. It was a really nice event hosted by the Fabrik Projects team of Chris Davies and Kasey Taylor.

What I found extremely interesting were the questions and discussions that my sustaining pop-up exhibit created and I understand that an artist talk was requested by a bunch of those attending. So more details shortly about this event that will be scheduled in the next couple of weeks.

PS, I am still waiting for some friends to send me some images from the reception as I was very happily spending a lot of time talking with everyone. Someone remarked that this glow might also be linked to the very nice Old Fashion that I found earlier at WildCraft. Maybe ;- )

Cheers!!

May 10, 2018

Artist book making: now fully engaged!

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Books in Boxes, Middle Ground/En Medio Tierra 2018 Douglas Stockdale

After meeting with the Dual Graphs pre-press team to provide the final tweaks and approval of the art work, the job went to the press. I also did a quick assembly of the hard copy prints to create a trial book dummy just to really, really sure that everything was going to plan.

Well my book not only has gone to press, I also picked up the various boxes of sheets and covers to start my self-publishing book production! Earlier this week I drove up to Dual Graphics in Brea to pick up my printed book parts that I would be using to hand make my limited edition artist book Middle Ground/En Medio Tierra. I was taken back a bit when the guy at will-call pointed at a pallet of boxes and stated that it was my print job. Fortunately it was a small pallet and I was able to load all of the boxes into my SUV.

I then laid out the 11 boxes of the leporello book parts along with two versions of the cover in sequence in the garage. wow.  Then after a quick inspection of the printed sheets, I brought these into the house and set up my book “production line” in the dining and living room. With a book interior that stretches out over 21 feet, I needed all of that space for this book binding effort.

It is taking a little while to hand glue each of the leporello connections for each book. So this might turn out to be my month of May project. Yesterday, I took two of the first books up to Fabrik Projects in order that they have a finished book to show and take orders, if not sell these. I am working on the next batch for the artist opening on Saturday evening and then start filling the book orders.

Yes, the book is still available and if you are interested, I will still cover the US shipping cost and part of the International shipping cost. So here (again) are the artist book publication details:

Self-published, publication date; May 2018 (concurrent with exhibition at Fabrik Projects, Los Angeles, CA)

Stiff covers with flap-over French fold, Leporello book design

Pages: 66 pages (blank verso)

Photographs: 31 Images, color

Printing: 4 color lithographic printing

Leporello binding: hand-bound by the artist

Book design and layout by the artist

Artist book, edition size 99 + 5 A/P

Book trim size: 6-1/2” x 8-1/4” (165mm x 210mm)

Acknowledgements & Colophon, without essays, captions or pagination

Cover paper: 18 pt C1s Tango

Interior paper: 80# GPA Uncoated Text

Text: English and Spanish

Retail price: $59.50 USD

So ping me if you are interested in a copy of this edition! doug@douglasstockdale.com

Cheers!

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