Doug Stockdale's Singular Images

April 24, 2018

Middle Ground/En Medio Tierra – Pre-order now

Filed under: Art, Books, Middle Ground, Photobook, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 6:40 pm

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Middle Ground/En Medio Tierra (book dummy) 2018 Douglas Stockdale

I am very excited to announce that I am now ready to accept pre-orders for my artist book Middle Ground/En Medio Tierra! The books will be ready to ship by the middle to end of next month. As I shared before (transparency!); I am doing the binding and it may take me a little while to do all of the binding for each of these artist books.

So here are the artist book publication details:

Self-published, publication date; May/June 2018 (concurrent with exhibition at Fabrik Projects, Los Angeles, CA)

Stiff covers with flap-over French fold, Leporello book design

Pages: 66 pages (blank verso)

Photographs: 31 Images, color

Printing: 4 color lithographic printing

Leporello binding: hand-bound by the artist

Book design and layout by the artist

Artist book, edition size 99 + 5 A/P

Book trim size: 6-1/2” x 8-1/4” (165mm x 210mm)

Acknowledgements & Colophon, without essays, captions or pagination

Cover paper: 18 pt C1s Tango

Interior paper: 80# GPA Uncoated Text

Text: English and Spanish

Retail price: $59.50 USD

I can process your book orders through Paypal. Until May 5th, for those in the United States, the price will include my shipping costs. For Europe, I need to add an additional $15 to the cost of the book (if it turns out that it is more, I will absorb it).

Note: since the book will has not been printed until next week, the book images are from my book-dummy.

Cheers!

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April 23, 2018

Fabrik Projects exhibition preparations

Filed under: Art, Middle Ground, Photobook, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 2:13 am

Alternative CrossingAlternative Crossing (Middle Ground) 2017 copyright Douglas Stockdale

With the pending exhibition at Fabrik Project next month quickly coming up fast, there are a bunch of things that I need to do to prepare for this.

I guess it never fails; I have the web-images for the project prepared and then the gallery would like these in another format and size. Not really a big deal, but it just takes some time to open the files to resize and format, which has been completed and sent to the gallery last Friday.

Now that the final edit of the book is completed I needed to update my web site for Middle Ground, deleting images that did not make the cut and up-loading new images that did. As well as replacing a few images that required some additional tweaks. Likewise I also need to reorder the sequence of the images on the web site to provide more alignment and become more in sync with the book’s interior. I completed this small web-site task earlier today and as well as updating my on-line CV with the recent LACP Faculty group exhibition and my book talk at the Palos Verdes Art Center.

Last was printing one of my Middle Ground images at 42 x 52″, a new larger size for me. I will have to admit that this photograph looks amazing and thinking back, not sure why I did not make larger prints like this sooner. When I was doing the project review at the gallery, I had brought with me a 30 x 40″ c-print, and he thought it looked great and that going to 40 x 50″ should look fine. He was correct. So the print is at the custom framer and it should be ready in plenty of time for the May 5th opening.

So now I have most of the print and information to the gallery, I need to re-focus on finishing the leporello book. The goal is to have at least the final book proof available on May 5th if I do not have any final copies bound. As a result of the publication schedule being moved up for this exhibition opening, this precludes the chance to do a 30 day Kickstarter project. I was on the fence about doing a Kickstarter project anyhow, so maybe another book project at another time. This book production is going to be tight. sigh.

Nevertheless, it’s all good!

Cheers

 

 

March 3, 2018

Photo Book as Art – Artist talk at PADA

02-28-18 Stockdale during Photo Book Presentation for PADA by Karen Schuenemann

Douglas Stockdale’s Photo Book Presentation all photos by Karen Schuenemann

I think that my Photo Book as Art presentation that I had announced earlier was a pretty good success judging by the interaction, questions and follow-on inquires about the various aspects of book design and publishing. This artist talk was for the Photography and Digital Arts (PADA), a group of the Palos Verdes Art Center (PVAC).

I curated a small pop-up exhibition of a diverse selection of international photo books that have been recognized by the contemporary photo book community as having artistic merit. This included Mariela Sancari’s self-published Moises (one of the best photobooks of 2016), Claire Felicie’s self-published Only the Sky Remains Untouched (second place, Photo Independent’s International Photo Book Competition), Ellen Korth’s self-published CHARKOW (winner, Photo Independent’s International Photo Book Competition), Roger Ballen’s Ballenesque and The Theatre of Apparitions, Max Pam’s Ramadan in Yemen, Kate Nolan’s Neither, Andrej Lamut’s Nokturno, Renee Jacobs’s Slow Burn (limited edition version) Tymon Markowski’s self-published Flow, Harvey Benge’s Home Town Dream, Matej Sitar’s self-published America, My Way and Nancy Rexroth’s IOWA. I also shared by Blurb book dummy In Passing and introduced my photobook Middle Ground to illustrate the development of a hands-on book dummy, which I had all three versions of Middle Ground (see blow).

My self-published Guide to Self-Publishing an Indie Photo Book and a copy of LensWork #74, that includes my In Passing portfolio, were included in the raffle for those who attended at the end of my presentation.

Again, I appreciated the great hospitality (yummy snacks and adult beverages) and warm welcome for my artist talk. That I also sold a couple of my books was a nice and unexpected bonus. A great photographic group to consider if you live in the greater South Bay region of Southern California. Thank you PADA!

Cheers

02-28-18 Stockdale Photo Book Presentation for PADA by Karen Schuenemann

February 23, 2018

Photo Book as Art – Artist talk and discussion of Middle Ground

Filed under: Art, Art Market, Books, Middle Ground, Photobook, Projects/Series — Tags: — Doug Stockdale @ 10:05 pm

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America (Middle Ground Book Dummy #2), 2016 copyright Douglas Stockdale

For those on the left coast next week, I am very happy to announce that I will be speaking on “Photo Books as Art” for the Photographic and Digital Artist Group (PADA) at the Palos Verdes Art Center (PVAC) on Wednesday, February 28, 2018 at 7 pm. For non-members there is a $10.00 fee, with the good news is that you will also be in the drawing for one of my photobooks.

Additionally this will be the first opportunity I will have to introduce my current photobook project, Middle Ground, a political satire (political protest book).

The PADA announcement:

DOUGLAS STOCKDALE TO SPEAK ON “PHOTOBOOKS AS ART” at PVAC WEDNESDAY, FEB 28
Douglas Stockdale, artist, educator, mentor and founding publisher of The PhotoBook Journal will give photographers tips on using photobooks as a way of presenting their portfolios and as works of art in themselves at the Palos Verdes Art Center (PVAC) on Wednesday, February 28, 2018 at 7 pm. At this meeting, sponsored by the Photographic and Digital Artists Group (PADA), Stockdale will review selections by the editors of The PhotoBook Journal for their “Interesting Photo Books for 2017”. 

The books to be discussed will be available at the presentation and can be previewed on The PhotoBook Journal website

Admission to this event for non-PADA members is $10 and automatically enters the ticket holder in a drawing for one of the speaker’s books.

Two of Stockdale’s limited edition artist books were recognized, respectively, as one of the Best Photography Books for 2017 and 2014. He has curated/juried photobook exhibitions for Photo Independent and Fotografia Internazionale di Roma, Rome, and co-curated with 10×10 Photobooks and FotoBookFestival Kassel (Germany) and was a guest curator for LA Photo Curator.

The PhotoBook Journal Features & promotes photographers & artists & their published work

 

Hope to see you there!

For social media (FacebookTwitterTumblrInstagram & LinkedIn), I will be using the following hash tags for this Middle Ground; #MiddleGround, #NoNewWall and #NoWall.

Let me know if you want to be placed on the interest list (doug@douglasstockdale.com) for Middle Ground and if you can help me network for potential exhibitions, I would really, really appreciate that very much!! (expect this to part to be repeated very often!)

Cheers!

August 4, 2017

Bluewater Shore in APhotoEditor

Filed under: Art, Bluewater Shore - artist book, Projects/Series — Tags: , — Doug Stockdale @ 11:22 pm

Bluewater Shore limited edition artist book

Bluewater Shore, Limited Edition Artist Book, 2017, Douglas Stockdale

While earlier discussing my experience as a portfolio reviewer for LACP a couple of weeks ago, what I did not include is that a portfolio reviewer I had the opportunity to do a little networking with the other portfolio reviewers. Emphasis on “little” as the folks with LACP kept us very busy and not a lot of free time. Thus I had some very brief discussions with Elizabeth Avedon (who featured Pine Lake as one of her Best Photographic Books for 2014), Paula Tognarelli, Executive Director of the Griffin Museum of Photography (MA), Crista Dix, Founder/Director of wall space Gallery (Santa Barbara, CA) and Jonathan Blaustein who provides book reviews for APhotoEditor and NYTimes LensBlog.

During my discussions with Blaustein, I had also provided him with a review copy of Bluewater Shore as an example of some of my current work. Thus I am very honored that he included Bluewater Shore in his recent recap of the LACP portfolio review events on APhotoEditor today. I must admit, I really like the title of his article: Best Work I saw at the LACP portfolio reviews (part 2).

Thus supporting my theory that you never know when a networking opportunity may occur, but it’s best if you are prepared. It’s not a formal book review, but I really like it as this is some good press for this artist book. I also enjoyed his side comment about my novel slip-cover for Bluewater Shore ;- )

Cheers! Doug

July 12, 2017

LACP Book Marketing workshop schedule change!

Filed under: Art, Art Market, Photography, Projects/Series — Tags: , — Doug Stockdale @ 12:13 am

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I was just notified by LACP (Los Angeles Center of Photography) of a schedule conflict for my Marketing Your Photo Book one-day workshop that it has been rescheduled for Sunday, October 29th. This workshop will NOT occur on Saturday, July 22nd as previously announced.

The good news is that all of my workshop materials and break-out sessions are completely ready to go.

I am really sorry for the inconvenience!

Doug

May 24, 2017

Passionate about Photography

Filed under: Art, Art Market, Projects/Series — Tags: , — Doug Stockdale @ 8:43 pm

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Surf Fishing, San Clemente Beach 2016, copyright 2017 Douglas Stockdale

While I continue to work on my workshop agenda for the LACP Marketing Your Photo Book, I was reminded about a brand focusing process I used for my consulting company many years ago. The methodology has the unlikely name of Hedgehog Concept and when researchers were trying to figure out why certain companies were much better than others that one essential element is the best companies developed relatively simple (if not seemingly boring) business strategies and then stuck to it.

One important aspect of developing a personal Hedgehog Concept is the self-realization of what a person is passionate about. This is not something that I am good at or competent at but really passionate about in a way that I am compulsive. Which in this case I am compulsive about using photography and photographs to create artwork as an artist. I stopped photographing about 1985 to draw and paint and then eventually returned back to photography as I found really missing this aspect of what I was doing creatively. So this is a high level concept that does not really differentiate me from many other artist.

Within my artist practice I also find I get compulsive while working on conceptual projects that once I am engaged it is hard for me to get un-engaged. I continued to take road side memorial photographs for almost six years after this project published was in LensWork. I kept finding myself looking for these memorials and then when I did find one trying to figure out the best time to photograph it. There a lot fewer artist who get compulsive and work on the same conceptual subject for years at a time.

Regarding compulsive projects it also appears that I become more compulsive about the project when I realize it investigates some aspect of memory and its preservation. I know that my reasons to continually focus on this type of subject are unique to me as to why this is an important concept to investigate. Nevertheless, I do understand that many artist are investigating aspects of memory as this seems to be a “popular” genre at the moment.

One thing that I am still going back and forth about: am I compulsive in creating black & white photographs? This may could be a critical aspect of what drives my artistic practice as I do keep coming back to converting color photographs to black & white photographs. I really, really enjoy creating black & white images such as the one in this post. The harsh reality, thinking back to the previous post, is that museums and galleries look at black & white photograph as being Modern/Classic (dated & old fashion) while most “Contemporary” exhibitions embrace color images. Which means I need to think about this aspect some more ;- )

Cheers!

 

May 23, 2017

Artist versus Photographer

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Big Raft, Bluewater Shore, 2017 copyright Douglas Stockdale

Recent events related to the self-publishing of my limited edition artist book Bluewater Shore is causing me to rethink how I might describe myself to others: artist or photographer? Okay another option might be artist/photographer. I am probably reconsidering this whole classification subject because of my preparation on the subject of “Branding” for my Marketing Your Photo Book workshop coming up at LACP in July.

So here’s whats been happening; I have been reaching out to some photographic friends and editorial acquaintances who helped me with the promotion of my earlier artist book Pine Lake to spread the word about my recently self-published Bluewater Shore. I did not anticipate all of the rejections based on the fact I am using family archive photographs as my source material versus the fact that I did not actually take the original photographs. I am not sure what has happened or shifted in the past four years, but it seems that a lot more photographic folks are being more discerning as to what constitutes a “photographic” book.

They response that Bluewater Shore is an artist book, not a photographic book, since I am using vernacular photographs which I found to create my narrative versus being a “pure” photographic project in which I created (photographed) the original photographic source material similar to my book Ciociaria. Or maybe I have pitched my Bluewater Shore story incorrectly? Now that I take a closer look at these magazine and web-zines I see that artwork similar to what I created for Bluewater Shore is not being featured.

So maybe you are wondering; what’s the big deal? For me it might be that I have been envisioning myself as a “photographer” when I made this declaration back in 2008. Realize that for about 15 years before that I was a painter so I thought that this was a big deal that I was dedicating myself to photography as my creative medium. I also did not think it was a big deal to create my two self-published books Pine Lake and Bluewater Shore since I was using photographic material. Wrong!

Turns out what I perceived I was doing is not matching up with the outside world’s perception. I think there was hints of this difference while I was talking with those who attended my exhibit space at Photo Independent for my launch of Bluewater Shore but at the time I was not picking up on it. Duh!

This takes me to the Stockdale Paradox (okay, this was from Admiral James Stockdale, un-related); which states “Retain faith that you will prevail in the end, regardless of the difficulties” while at the same time “Confronting the most brutal facts of your current reality, what they might be“. So the brutal facts of my current reality is that I am deemed to be an artist and I am NOT a pure photographer. Which is probably good to know and understand.

This is a not a seismic shift of who/what I think I am; but what this does is to better prepare me for where/who I make submissions of my artwork. I still feel that I am part of the pure photographic community since that is the space I created both of my photo-investigations In Passing and Ciociaria. Nevertheless I will go across those pure photographic boundaries when I am inspired to do so and I need to understand the implications when I do.

Another aspect of this is that curators, art directors and others appear to more comfortable with classifications. So am I an artist or an artist/photographer? I guess if I have to chose one it would appear that I am an artist and one who uses primarily photographic source material, mine as well as others. Done.

Maybe this is a seismic shift after all as I now need to look at all my photographic reference sites, e.g. LensCulture and here on Singular Images, and make some adjustment tweaks to my biography; artist, educator and mentor.

Cheers!

December 28, 2016

2016 in Review

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Loss (Memory Pods) 2014 copyright Douglas Stockdale

For me it’s always a nice treat at the end of the year to look back at what has occurred; achievements, progress in the my development of my conceptual projects, lessons learned that might help inform me and keep me on a progressive creative path in the year to come.

First, 2016 was about making new photographic friends and deepening the existing relationships. The photographic and artistic community is really great in how encouraging everyone is towards supporting each other’s creative endeavors. That is always the best part of looking back at the year that was.

One of the highlight of the year was in September when I was juried into the Irvine Fine Arts Center (IFAC) 2016 All Media, which was curated by Dan Cameron and I received an Honorable Mention (above), the only photograph of the exhibition that received recognition. A really nice validation that my Memory Pods project is progressing as I had hoped, which I will continue developing in 2017.

I was invited to became part of the LensCulture submission review team (aka consultant, a true paying photographic gig) in August and I have completed close to 200 portfolio submission reviews in 2016. This has become a great opportunity to become familiar with an interesting and diverse international group of photographers and their photographic work.

Photo Book Independent; in April I was one of the photobook jurors for the photobook exhibition and subsequently provided two curatorial talks during the exhibition while also exhibiting my own photobooks and photographs at this event. It appears that I may be involved in Photo Independent 2017 event as well ;- )

For the Los Angeles Center of Photography (LACP) Exposure 2016 I joined them as a portfolio reviewer in September and subsequently I will be leading a photo book development workshop for LACP next April, 2017. This is going to be a fun workshop!

As the Editor of The PhotoBook: my book-blog-zine passed one million views and provided a milestone 400 photobook reviews; an amazing eight years. I also increased the staff of this blog-zine with the recent addition of Gerhard Clasusing as a book reviewer. I am looking forward to all of the creative photobooks yet to come in 2017.

Social media; my experiment with Instagram (@douglasstockdale) this year appears to be proceeding in a slowly growing but successful manner. So I now a presence on Facebook and Instagram in conjunction with this blog. I also became the co-Editor of the Facebook page for The Photo Exchange which led to the development of a closed group on Facebook for the members of this group.

Infrastructure changes with the transfer of my photographic web site to a new platform hosted by PhotoShelter that is focused on providing photographic content. This should take care of my web site requirements for a while and I need to remember to update it from time to time.

I also spent some time at some local photographic events, such as photo l.a., which is coming up soon next month, and down in San Diego at the Medium Photographic Festival.

And of course I was working on some photographic projects, such as continuing my development of Memory Pods, concluding Lest I Forget, and starting a new project Middle Ground.

I think 2017 will be even more fun! See you all next year ;- )

Cheers!!

December 16, 2016

Early bird discount for photobook workshop ends this Saturday

Filed under: Art, Art Market, Books, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 4:24 pm

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LACP Introduction to Photo Book Design, photo Douglas Stockdale

The early-bird registration discount of 20% for my Introduction to Photo Book Design workshop that I will be leading next April over two weekends will be ending midnight this Saturday, December 17th. This creative workshop is sponsored by Los Angeles Center of Photography (LACP).  So if you plan to be in the Southern California area (aka best-coast), time to check this workshop out and take advantage of this discount.

Could even be a wonderful Christmas present for someone special ;- )

Cheers!

 

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