Doug Stockdale's Singular Images

July 11, 2018

Middle Ground – Published

Filed under: Art Market, Middle Ground, Photobook, Photography, Picture Postcards — Tags: — Doug Stockdale @ 9:06 pm

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Middle Ground, self-published artist book, edition of 99 copyright 2018 Douglas Stockdale

Last weekend the publication of the Middle Ground edition was finally completed! Binding the of 99 artist books took a bit longer than anticipated.

Introduction (text not provided in the artist book):

My urban landscape project Middle Ground evolved out my attempts to make some Lemonade. Perhaps not literally. I was commuting from Orange County to San Diego driving south on Interstate-5 freeway and frequently ensnarled in bumper to bumper traffic in North San Diego for a least a half hour of my trip. That part of my commute was a real lemon experience, a stop-n-go traffic condition that left a bitter and unpleasant taste. As part of my artistic practice that I call experimentation/play, I began to use my mobile phone to photograph the adjacent freeway landscape each time I came to a complete stop in traffic as an attempt to create something fun out of an event that was anything but.

As a result of taking the photographs, I was now seeing with clarity an urban landscape that is unique to this section of Interstate-5 as it traverses part of San Diego County. This is a man-built landscape that is usually experienced at speeds of 65+mph while being singularly transfixed on the tail lights of the speeding cars and trucks in front. I quickly came to realize that although San Diego County had planted an extensive landscape barrier between the northbound and southbound freeway to act as a beautiful boundary that over time, this barrier wall had evolved. What I saw was a mash-up of beauty and desolation with an undercurrent of detritus and neglect. A serendipitous element of chance in this project is that I had little control over when the traffic would come to a complete stop to briefly reveal the adjacent landscape.

Intrigued by what I was capturing, I made a decision to upgrade my investigation of this unique landscape to the use a full frame DSLR, with the lens focal length set at the approximate wide angle view of my mobile phone. I had shifted into the next phase of the development of this project.

With my cognitive shift I started investigating the elements of the morning light, which shaped the landscape masses while revealing tantalizing details that had gone unnoticed before. Likewise I found myself drawn to the layers of this urban landscape; the foreground k-rail (Jersey Wall) and vegetation, a mix of planned bushes and wild weeds, the opposing traffic that could be brief seen and heard, the adjacent homes and businesses in close proximity to this roadway as well as how the landscape extended beyond. I also began to notice the mysterious gaps in this barrier landscaping, various marks on the barrier walls and the occasional numbers painted on the concrete.

While the project began to evolve I pre-visualized the potential photobook for this project; a leporello book design that would extend out to simulate this barrier wall, which both a K-rail and this book interior extend 21 feet. Another element were adjustments to the composition of each photograph in order that the top line of concrete barrier would create a continuous line though out the book.

The ensuing body of work is meant to appear factual without an agenda, a very banal urban landscape that is normally not noticed or rarely seen. It is a unique urban landscape that I believe is a realistic characterization of Southern California, not idealized images meant to Romanize a southern California for a holiday experience.

Note: this project was started in the summer of 2016, when the United States presidential election was coming to a close and one candidate kept hammering on the need for a bigly wall to be constructed between the United States and Mexico. As of the summer of 2018 after his election, this bigly wall remains to be built.

Artist book information:

Self-published, launch date; May 2018 (concurrent with exhibition at Fabrik Projects, Los Angeles, CA)

Stiff covers with flap-over French fold, Leporello (accordion) book design

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Pages: 66 pages (blank verso)

Photographs: 31 Images, color

Printing: 4 color lithographic printing

Leporello binding: hand-bound by the artist

Book design and layout by the artist

Artist book, edition size 99 + 5 A/P

Book trim size: 6-1/2” x 8-1/4” (165mm x 210mm)

Acknowledgements & Colophon, without essays, captions or pagination

Cover paper: 18 pt C1s Tango

Interior paper: 80# GPA Uncoated Text

Text: English and Spanish

Retail price: $59.50 USD

So ping me if you are interested in a copy of this edition ( doug@douglasstockdale.com)

Meanwhile, I am now taking a short break from posting on Singular Images.

Cheers!

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June 20, 2018

Middle Ground – contextualized

Filed under: Art, Art Market, Middle Ground, Photobook, Photography, Projects/Series — Tags: — Doug Stockdale @ 4:47 pm

Alternative Crossing

Alternative Crossing, Middle Ground, 2017, copyright Douglas Stockdale

contextualize; the artist intends to explain, justify and extend their body of work. What a gallery will attempt to accomplish with an artist work that might need to be re-positioned as to it’s artistic merit (as being collectible), e.g. a searing war documentary image as an artistic work (“documentary” photographs are not usually considered “artistic” and could be the kiss of death for an artistic body of work)

Part of my reason to reexamine my artistic statement for Middle Ground stems from the feedback during my artist talk at the exhibition closing reception and some comments from book review submissions. Although I see the symbolic potential for this project, most, if not all, do not. Or at least they sense something that they cannot seem to put their finger on. Middle Ground is mainly considered an ambiguous and mysterious urban landscape project.

Thus my underlying concept for this project is perhaps so subtle that it is not being perceived and I need to restate to my “roots” for this project as what pulled me in to want to create this project; I think is a fascinating urban landscape that typifies southern California and this subject is evolving to create a visually diverse and interesting environment.

Perhaps one comment that was made about this project helps place it into perspective, that it is beyond being banal, as this is an urban landscape that is not being noticed. Which I think I agree, these are snapshots of an urban American landscape that we frequently encounter yet remains relatively unseen, perhaps what lends some of the visual mystery to this body of work.

Similar to the recent photographs of the British urban landscape photographer Simon Roberts and those photographers featured in New Topographics, a landscape project with an attempt at a visual neutrality, presented as seemingly factual and in a non-romantic manner that one does not usually associate with an idealized southern California. Perhaps why some reviewers try to pigeon hole this project in the documentary genre.

Maybe why the curiosity about my photographs; I think it triggers a memory without the ability to find a mooring for it. As though there is something vaguely familiar about this urban landscape but lacking an identifiable context.

I still think that my conceptual idea provided the guiding rudder for my editing of the images and how these inspired my artist book’s leporello design. So I am not walking back on this aspect of my project.

In conclusion: an urban landscape study of a unique region of southern California with a mysterious dark undercurrent.

What do ya think?

Also a reminder that my artist book Middle Ground is still available for purchase; message me for more information. And yes, I am continuing to assemble the books with another visit to the post office yesterday for book homes destined in Hong Kong, Spain, Russia and Colorado.

Cheers!

 

 

June 15, 2018

Portfolio Review for LACP’s EXPOSURES 2018

Filed under: Art Market, Photography, Projects/Series, Workshops — Tags: , , , , — Doug Stockdale @ 3:58 am

2017 LACP Portfolio Review photo

Douglas Stockdale, portfolio reviewer, EXPOSURES 2017, Los Angeles Center of Photography (LACP)

I am very honored to again to join the LACP portfolio reviewer team during EXPOSURES 2018 this July. I will be on-site providing portfolio reviews for both Saturday and Sunday this year. Similar to last year, my emphasis will be on photographic projects, editing and sequencing photographs and of course, assisting those who have a strong interest in publishing their work.

Registration is now open for the portfolio reviewers and the workshops.

EXPOSURES 2018 event: Friday – Sunday, July 20 – 22, 2018 at the Holtel MdR in Marina del Rey, CA (near the LAX airport in Los Angeles)

The Portfolio Review team includes (I did not include those who are already sold out): Chad Attie, Gallery Director, Eastern Star Gallery, Los Angeles, CA; Sherrie Berger, Photo Consultant, Los Angeles, CA; Jonathan Blaustein, Contributor, NYTimes Lensblog and A Photo Editor; Kyle Bradley, CEO/Founder, Nava Print Studio, Chicago, IL; Susan Burnstine, Contributor, B+W Magazine (UK); Marisa Caicholo, Founder/Curator of Building Bridges Art Exchange, Los Angeles, CA; Catherine Couturier, Owner/Director, Catherine Couturier Gallery, Houston, TX; Chris Davies, Founder/Director, Fabrik Projects Gallery and Photo Independent, Los Angeles, CA; Michael Dawson, Owner, Michael Dawson Gallery, Los Angeles, CA, Crista Dix, Founder/Director, Wallspace Creative, Santa Barbara, CA; Christy Havranek, Photo Director, Huffington Post;
Virginia Heckert, Curator, Department of Photographs, J. Paul Getty Museum, Los Angeles, CA – (Almost SOLD OUT); Anne Kelly, Gallery Director, photo-eye Gallery, Santa Fe, NM; Randi Kreeft, Gallery Director, the Loft at Liz’s Art Gallery, Los Angeles, CA; Dhyandra Lawson, Curatorial Asst., Department of Photography, LA County Museum of Art, Los Angeles, CA; Douglas Marshall, Independent Curator/Appraiser; Kristina Newhouse, Curator, University Art Museum, Long Beach, CA; Cindy Rowe, Art Producer, Saatchi & Saatchi, Torrance, CA; Aimee Santos, Editorial Picture Editor, Shutterstock; Cheyanne Sauter, Executive Director, Art Share LA, Los Angeles, CA; Hannah Sloan, Founder/Director Sloan Projects; Sybylla Smith, International Curator, Educator and Consultant; Aline Smithson, Founder/Editor, Lenscratch – (Almost SOLD OUT); Mackenzie Stevens, Curatorial Assistant, Hammer Museum of Art, Los Angeles, CA – (Almost SOLD OUT); Yessica Torres, Curator, Dab Art, Ventura, CA & of course, me: Douglas Stockdale, Founder/Editor, The Photo Book Journal.

Also some cool workshops, including:

Friday, July 20

10:00 am – 4:00 pm – Workshop – Now What? Re-energizing Your Photography Career with Aline Smithson
10:00 am – 1:00 pm – Seminar – Steps to Success for Photographers with Sherrie Berger
02:00 pm – 5:00 pm – Seminar – The Business of Gallery Representation with Crista Dix

Saturday, July 21

09:30 am – 5:00 pm – Workshop – Concept Aware: Enhance Your Creative Practice with Sybylla Smith
10:00 am – 1:00 pm – Seminar – Fine Art Digital Printmaking: Why and How with Cheryl Kelleher Walsh & Eric Joseph
02:00 pm – 5:00 pm – Seminar – Untangling The Web of Social Media with Paul-Michael Carr

Sunday, July 22

09:30 am – 5:00 pm – Workshop – Pushing Your Work Forward with Jonathan Blaustein
09:30 am – 1:30 pm – Workshop – Street Shooting on Venice Beach with Julia Dean 
01:00 pm – 4:00 pm – Workshop – A to Z Grantwriting with Linda Vallejo

So let me know if you have any questions, otherwise, see you there!

Cheers,

Doug

 

May 31, 2018

Featured artist on Artsy

Filed under: Art Market, Middle Ground, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 3:15 am

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Marker #169, Middle Ground, 2016 copyright Douglas Stockdale

I just found out that I am one of the two “artist of the week” featured on Artsy, one of the web based portals that are used by galleries to promote their represented artist. As a friend of mine stated, Artsy is a different platform on the web, and they act as an aggregator of art from hundreds of galleries.

Artsy claims that they have over 50,000 artist on their searchable data base, and have sub-categories of Emerging Art, Contemporary Chinese Art,  Contemporary Photography, Abstract Sculpture, Post-War European Art (not exactly sure which war), Contemporary Furniture, Post-War American Art, Contemporary Conceptualism, & East Village Art. As you might guess, Artsy is not restricted to just photography. Which is interesting as Fabrik Projects, which now represents me, is a gallery that does not exhibit just photography, but painters and other art media. For me I think that Fabrik Projects is a good fit, as much of my recent photographic based artworks do not seem mesh well with the straight photography-only galleries.

The other aspect of Artsy is that an individual artist/photographer can not gain access to their site and services unless they are represented by a gallery. So it is the gallery owner who makes a decision to have their gallery become an Artsy member, and then their represented artist become part of the Artsy searchable network. So this is another immediate upside to my representation by Fabrik Projects that I had not anticipated. Nice.

What I did not have a say about and now wonder why of the many images that I now have on Artsy as to why they chose the above image as a representational photograph/image. hmmmm.

I had been thinking that I was going to write about the new Artsy representation by Fabrik Projects after my current exhibition closed, but being featured this week sort of changed my priories in discussing this aspect of being a represented artist.

Cheers!!

 

May 26, 2018

America Memorial Day

Filed under: Art Market, Middle Ground, Photography, Projects/Series — Tags: , , , , — Doug Stockdale @ 6:25 pm

America

America, (Middle Ground/En Medio Tierra), 2016 copyright Douglas Stockdale

Here in the United States we are celebrating Memorial Day over this long three day weekend, a wonderful event for many reasons. As a kid it meant that we were going to be out of school shortly and the summer vacation was about to go into full swing. Also meant that the winter weather was gone, flowers were blooming, and it was going to get hot along with the evening swarm of mosquito, the nastiest of little flying biting insects.

As a child I had learned that this weekend was also about honoring those who served in the military, but as my dad and all of his brothers had survived WWII, understanding the underlying sacrifice was really lost on me then. Later when the Vietnam war was upon me and high school friends had gone to serve and then some did not come back, I really came to understood the full impact of what military service was about.

I have also come to celebrate this weekend in a much broader sense; a weekend to remember all of those who served as well as those others who have now passed through this life and a growing appreciation of all those still living among us.

Thus I felt very honored when my gallery used the above photograph, America, from my Middle Ground/En Medio Tierra project, as a memorial day weekend celebration announcement. In the context of Memorial Day I think that this photograph is a contemporary urban man-built landscape that metaphorically reflects on the current issues facing America. As our national anthem states That our Flag was still there, this photography visually signifies to me that we will get through this current political mess as individuals attempt to create barriers, impediments and divisions. That there is still hope for our country.

Cheers,

Doug

Photographic prints; 40 x 50″ (42 x 52″), 30 x 40″ (32 x 42″) , 22 x 28″ (24 x 30″), 16 x 20″ (17x 22″) available from Fabrik Projects, Los Angeles.

 

May 17, 2018

Middle Ground – Trial Proofs now available

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Marker #34, Middle Ground/En Medio Tierra T/P (1/1) 16 x 20″/17 x 22″ 2017 copyright Douglas Stockdale

I currently have 22 unique prints now available for sale at my gallery, Fabrik Projects, in Los Angeles. While working on the final Edition for the Middle Ground/En Medio Tierra project I printed a series of these photographs on Hahnemuhle Photo Rag, a heavy 308gms weight 100% cotton archival paper at 16 x 20″ (on 17 x 22″ paper) to visually test this project. The Photo Rag has a matte finish in which the colors have a subtle rich appearance and on this archival paper and look really, really nice.

When I printed the 40 x 50″ image on a semi-gloss paper, I found that there were some subtle changes in the appearance that warranted further investigation for this project. As a result of a long series of paper testing, I have decided to print the entire Middle Ground/En Medio Tierra edition on a glossy paper, selecting the Hahnemuhle Photo Rag Pearl, also a 100% cotton archival medium that is an equally heavy 320gms weight. To complete this evaluation required me to change my Epson printer from the matte black to the photo-black pigment ink required for glossy papers. And I do not plan to go back to the matte black at any time soon.

As a result, all of the earlier test prints on the Hahnemuhle Photo Rag are now consider Trial Proofs (T/P), not Artist Proofs, due to the switch in cotton medium for the final edition.

Thus this creates an opportunity for you to acquire some very unique and beautifully printed T/P prints that are in an edition of One (1/1). The photograph above as well as below are a partial listing of the prints that are available for only for a limited time, because when that print is sold, it’s gone!

If you are intrigued and would like to know more please contact Fabrik Projects for more information: (p) (310) 730-6074 or email: gallery@fabrikprojects.com.

Nevertheless, if you would like to obtain a limited edition print (sizes available are 16 x 20″, 24 x 30″, 30 x 40″ and 40 x 50″), Kasey and the gallery team would love the opportunity to discuss these options as well. just saying…

Cheers!

Doug

San Diego Point of Entry

San Diego Port of Entry

Coastal Point of Entry

Coast Point of Entry

Desert Edge

Desert Edge

Alternative Crossing

Alternative Crossing

Resistance

Tangled Access/Resistance

Rest Stop

Rest Stop

Camouflage

Camouflage

Access Point

Access Point

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Marker #42

Observation Post

Observation Post

April 18, 2018

Exhibition News; Douglas Stockdale at Fabrik Projects

Filed under: Art Market, Middle Ground, Photobook, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 6:08 pm

Surveillance

Surveillance (Middle Ground/En Medio Tierra project) 2017 copyright Douglas Stockdale

I am really excited to announce the exhibition of my project Middle Ground/En Medio Tierra at Fabrik Projects, an LA gallery located near Culver City.

Exhibition dates: Saturday, May 5th thru Saturday, June 2nd, 2018

Artist reception: Saturday, May 12th, 2018

Location: Fabrik Projects, 2636 S. La Cienega Blvd, Los Angeles, CA 90034

We are also planning for the artist book launch of my self-published Middle Ground/En Medio Tierra in conjunction with this exhibition, more details on the book’s availability to follow shortly. Yes, there are some other interesting developments about the publication of my artist book as well. and it’s all good.

This is a two-person exhibition in conjunction with (correction) Marilyn Sanders, a SoCal photographer. Meanwhile, it’s a bit crazy here in the studio with all of the things that I need to prepare for this exhibition, but in a very good way.

So if you on the left coast on May 12th, I hope you can join me during the artist reception.

Cheers!

April 1, 2018

Kickstarter, GoFundMe or ??

Filed under: Art Market, Books, Middle Ground, Photobook — Tags: , — Doug Stockdale @ 9:48 pm

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Middle Ground, book dummy 2018 copyright Douglas Stockdale

So while my Canon 5D Mk3 is undergoing “flange back” repairs at Canon, I will have some time this week (hopefully repairs complete this Friday) to evaluate some fund raising alternatives to produce Middle Ground.

The big-daddy of book fund-raising appears to be Kickstarter with it’s all-or-nothing process. Seems like the big contender to Kickstarter is GoFundMe with it’s process of you get what-ever you can raise. Both have various fees, so that has to be taken into account for the amount being raised, so if I up the ante by 10%, I should have the fund-raising expenses mostly covered.

I will have to admit that since I will do the binding of Middle Ground book the actually printing expenses for a small volume leporello book are not that bad. Nevertheless, pre-selling the book to have most of the expenses covered is nice. Likewise, both of these programs might also broaden my presence and open some new book and print markets for me.

I have been following a couple of recent photobook Kickstarter projects (I will also have a couple of really nice photobooks as a result) which have recently been fully funded. This gives me an indication of what incentives and rewards seem to work better than others.

I cannot start a Kickstarter program until I obtain the 5DMk3 and it’s capability to provide HD video, which an info-video appears to be a necessary part of Kickstarter. I might need some help with making this info-video as well, so something else to noodle this week.

The GoFundMe from what I have seen are individuals liking what you are doing and then supporting you get there, with a lot of social driven causes. What I don’t see in most of the GoFundMe projects are any kind of rewards, e.g. books and prints, for your donation such as you find on Kickstarter. So having rewards might be an alternative if I were to go that route.

I have been reviewing some other artist fund-raising programs, but most of these do not appear to help the sponsor achieve their financial investment goals. Not a great prospect for investing the time.

So I have the week to work on this fund-raising strategy, which pushes out my publishing date a little bit.

Cheers!

March 13, 2018

Book-dummy kit from printer for Middle Ground

Filed under: Art Market, Books, Middle Ground, Photobook, Projects/Series — Tags: , , — Doug Stockdale @ 9:52 pm

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Leporello Book-dummy kit, Middle Ground, 2018 Copyright Douglas Stockdale

You know that when you are self-publishing a new book you are getting very, very close to the final design when you receive a book-dummy kit from the printer, who in this case is Dual Graphics, in Brea. This is a leporello book-dummy kit, for Middle Ground.

The book-dummy kit is pretty basic; interior sheets that are made with the intended printing paper for the book’s publication, in my case a glossy paper (Verso Paper, Sterling Gloss, 100# book), one of the papers that I had included in my Guide to Self-Publishing an Indie Artist Book. Since this is a leporello book, each sheet has six pages plus a half-inch wide tab for binding (gluing). So I was able to take eleven of these interior sheets, glue these together in series and have an interior mock-up dummy completed for my book design. Nice.

There are also mock-ups of the book’s cover, which in my case is going to start with stiff-covers. After constructing the interior leporello dummy (above), it was apparent that we had not allowed enough for the width of the spine to accommodate for the thickness of this stack of paper. The interior sheets were hand creased and folded, so the on-press production process is going to provide a tighter and more compact stack of paper, nevertheless, I still need a bit more width for the spine.

The cover stock was still a bit on the light side, so since we need to redo the cover samples, the printer is going to provide a heavier stock (18 point) up to the maximum their presses can handle.

Another design tweak is to increase the size of the cover just a tiny bit more to allow a nicer interface with the interior leporello block, since these will be hand bound by me. I need to allow for a little more exterior coverage just in case.

At the moment, I need to complete the Middle Ground Book-dummy #4 for my presentation this weekend at LACP. As part of my book presentation, Photo Book Pre-Visualization, I will use this book dummy to illustrate my point. Also a chance to promote the pending publication and add to my interest list! Also, still time to sign up if you would like to join me at LACP this Saturday (March 17th).

Since Dual Graphic will also have a table this weekend at LACP, it will be a chance for me to work with the printer off-line as to how this book dummy is coming together and determine if we need to make any further design tweaks.

Busy, busy, busy! The fun just never ends!

Reminder: Let me know if you want to be placed on the now growing interest list (doug@douglasstockdale.com) for my Middle Ground limited edition artist bookIf you can help me network for potential exhibitions (pop-up weekend, month long, what ever!), I would really, really appreciate that very much!! (expect this to part of my update to be repeated very often!)

Cheers

 

March 9, 2018

Mentor-ship opportunities thru LACP

Filed under: Art Market, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 10:17 pm

02-28-18 Stockdale during Photo Book Presentation for PADA by Karen Schuenemann

Douglas Stockdale, Palos Verdes Art Center, 2018, photograph by Karen Schuenemann

I am very honored and excited to announce that I am part of the inaugural LACP (Los Angeles Center of Photography) Mentor-ship program that was just formally launched by this LA organization. This builds on my recent LACP experience as a workshop leader for my Introduction to Photo Book Design (next workshop is two weekends next Oct), Portfolio Reviewer, mini-program presenter and discussion panel leader.

LACP is proud to announce our new Mentorship Program. We have hand-selected Master Photographers and Photography Professionals for this program who have the skills to guide you on your particular photographic journey. Through one-on-one meetings over the course of a year or six months, you can develop skills, complete a project, hone a portfolio or book or learn marketing strategies to ultimately pursue your photographic dreams.

This is a an opportunity to work directly with me over the span of up to a year on the development of a photographic project(s) including concept, editing, sequencing, layout and design which is equally applicable towards an effective project, portfolio or a published book.

I am joining a wonderfully diverse mentoring team associated with LACP, including Elizabeth Avedon (NYC), Susan Burnstine, Julia Dean, Crista Dix, Greg Gorman, Aline Smithson, Sara Terry and many more. As might be expected, my expertise is with photographic projects that may eventually lead to developing a photographic book.

As stated by LACP; “Whether you have an idea for a project, a project that is just getting started, or one that is complete, but needs a little help getting it out in the world, our Mentors are there to assist you and to help you realize your goals. The right Mentor can help you get your endeavor off the ground and on it’s way.” amen.

There are provisions for those local to LA and from afar to take advantage of this mentor-ship opportunity thru LACP. As might also be expected the pricing of this program is a bit more attractive to become a member of LACP. Full details of the LACP mentor-ship program are available here.

So if you are intrigued in the possibilities of how I might help you with your photographic project or career; check it out,  or if you want to know more, drop me a line (doug@douglasstockdale.com).

Cheers!

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