Doug Stockdale's Singular Images

December 6, 2017

MoPLA submission: Political Satire

Filed under: Art Market, Middle Ground, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 5:50 pm

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Middle Ground, San Diego, June, 2017 copyright Douglas Stockdale

A quick update; last night I did make my MoPLA (Month of Photography Los Angeles) submission and as anticipated, I went with the theme of Political Satire for my Middle Ground urban documentary project.

Besides the theme, I needed to place this photographic project in the context of an artist statement, so I had to work out the tweaks for that as well these last couple of days. Since this is a project that I am planning to publish next Spring, I was still letting the artist statement develop and perculate, but realize that I had just pushed that particular task up a bit in the schedule with the first formal submission of this project. sigh.

So here is the artist statement that I submitted:

Middle Ground is an urban landscape project which is in large part a political satire of attempts by a governmental group to institute, construct, and promote social alienation by building a wall between two adjoining countries. It is a visual parody of a current political folly; that in building a barrier in the Middle Ground that this will in turn create a (impenetrable) “Fortress America”. This investigation is meant to recall the man-built and ill-fated Berlin Wall, Great Wall of China and the current America-Mexico border wall and to reflect on the futility of such barriers. A barrier, no matter how great its size, will not impede the advance of individuals who are attempting to better themselves and their families.

Cheers!

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November 1, 2017

Douglas Stockdale – Guide to Self-Publishing an Indie Artist Book

Filed under: Art Market, Books, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 9:37 pm

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Guide to Self-Publishing an Indie Artist Book 2017 copyright Douglas Stockdale

My self-published Guide was formally launched at the Medium Photo Festival in San Diego, CA last week end. A copy was provided for each person who registered for Medium, compliments of my book sponsor, Dual Graphics, the book printer located in Brea, CA. As a result, over half of the first edition is gone! Even signed a few of these during the Medium event over the weekend.

As I have been writing about this previously, the Guide is was meant to be a short and sweet yet very practical step-by-step to guide someone thru the complex self-publishing process of an artist book. It is ideal for someone who has a lot of illustrations; be that photographs, drawings, paintings, etc. This book is drawn from my various book design workshops, experience with working with my publisher for Ciociaria in Rome and the various photobook discussions with other photographers and artists I have had over the years as the Editor of The PhotoBook Journal. So far, the feedback has been really great.

I cover the five stages of self-publishing include: Book Pre-visualization, Marketing (market size & edition quantity), Book Development, Book Design options and finally Book Production and how these five stages are intertwined during the process. The book development chapter explores the process of developing an artist project with the intent of making a book as well as editing and sequencing the images using a book dummy.

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What I think is another interesting aspect of this Guide is the inclusion of three paper samples (Uncoated Italian paper, Gloss and Satin/Luster papers) which the same photograph is printed to help with understanding the implications of printing, paper and illustration interact. There are examples of both color and Black & White images, with the Black & White images printed with the Fultone (Duo-tone) Digital Lithographic Process, which at the moment is only being offered by Dual Graphics. You will not obtain these beautiful Black & White printed pages from Blurb!

What I find interesting and I think is visually apparent below is how the photographs look on the uncoated Italian paper, which is very similar to a matte inkjet paper, as compared to the adjacent gloss paper with regard to detail and contrast. Having these various papers in the Guide, one can actually feel the difference between these papers, a key aspect of a book object.

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One nice aspect of this Guide is allowing me to feature some of my photographs from my photobook Ciociaria, photo-documentary In Passing and my Foundations folio. I would have preferred to use some of the Black & White images from Bluewater Shore artist book but I had to defer to my publishing team (and sponsor) in a selection of photographs that exhibited a greater tonal scale. Especially since I still have a few of the Bluewater Shore edition available for sale.

So if you are interested in obtaining the Guide, these are available from me for $19.95 each plus shipping ($4.50 in the US; and $15.00 USD outside the US). Email me and as I utilized Paypal, thus credit cards are an option.

Cheers, Douglas

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October 22, 2017

How-to Photo Book donation

Filed under: Art Market, Photography — Tags: , — Doug Stockdale @ 11:15 pm

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Technical Photo Book Donation, copyright 2017 Douglas Stockdale

I am running out of library space, plain and simple. My shelves are over-run and it is time to make some decisions as to what is going to go versus stay. Thus the low-hanging fruit to dispose of are all of my out-of-date how-to and technical photo books.

My first decision was to donate or attempt to sell these beauties. A quick check on Ebay confirmed my suspicions; these are probably worth a buck a piece, at best. The second part of the equation was the amount of time it would take to prepare these for sale, then administrate the sale if it occurred, all the while paying the various fees to Ebay, etc for the pleasure of this task VERSUS spending that same amount of time on one of my many artistic projects.

One nice thing about being in Southern California, there are plenty of City Colleges (two-year schools), Art Schools, Universities with an art emphasis that include photography all within an hours drive or two. These books are not destined for the college library, but for a photo department’s internal resource center. I had considered the Orange County School of the Arts (OCSA), a arts emphasis high school were my granddaughter attends, but their photo department is really focused on film & video, not still photography.

I also am interested in aligning with a two or four year college that in addition to providing instruction on photograph, both commercial and fine art, also includes analog film and has a darkroom. Even though this book donation is more focused on digital, I have a few other books and various art/photo magazines in the wings.

Thus I am going to meet up with Jason Reimer next Saturday at the Medium Festival in San Diego and donate the books above for the San Diego City College (SDCC) photo department. At the moment I am also evaluating Orange Coast College which has a pretty good photographic program and extensive analog photograph teaching. Another alternative is Long Beach City College where I provided a couple of one-day workshops.

I am also interested to find out which of these has a book design and development course or program, which so far I don’t find on their program lists. That may take me to Otis College of Art & Design in LA.

Cheers!

October 10, 2017

Intro to Photo Book Design workshop outline – Third Edition pending

Filed under: Art Market, Photography, Projects/Series, Workshops — Tags: , — Doug Stockdale @ 11:45 pm

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Red lines, Workshop outline, Second Edition, 2017 Douglas Stockdale

As I stated in an earlier post, in conjunction with the current workshop class, we self-published the second edition of the Workshop outline. I had really thought that this outline text was pretty well nailed-down. Alas, due to the eagle eyes of my workshop participants, Jocelyn Young, Christine Kaplan, Sarah Rooney, Alan Jacknow, Jane Szabo and Yulia Morris, I now foresee a third edition on the horizon now. Continuous Improvement!

This also underlines one of my recommendations, that regretfully waiting until the last minute to print the second edition, I did not take myself. We need another set of eyes to edit almost any text that we want to include in a self-published book. Jocelyn made a great point, although she found most of the text that needs correcting, she has issues with editing her own work. We all have this bad habit of reading what we want to see, not seeing the actual words used. Spell check can help with most items, but if I want to discuss a book launch, but typing in a book lunch is something that will not get flagged. Same for grammar.

A really big thank you for my new text editorial team! Only wish I had caught most of these before using it for the workshop. So with these fixes really to be implemented, I think it’s going to be a good idea that I have someone proof read the changes I make. Which also means not waiting until the day before to print the third edition. One of these days I am going to be looking pretty smart.

Next up is the Marketing Your Photo Book workshop in conjunction with LACP at the end of this month. I don’t think I will have a similar outline to self-publish, but highly suspect that I will have another interesting outline for the workshop participants (yes, a bit of surprise). This one-day session will greatly expand on the one-hour I spent on this during this Photo Book Design workshop. Should be another fun and practical experience.

Cheers!

Doug

 

 

October 3, 2017

Intro to Photo Book Design workshop outline – Second Edition self-published

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Introduction to Photo Book Design workshop outline, 2017 Copyright Douglas Stockdale

In the middle of last month I wrote about updating my workshop outline for Introduction to Photo Book Design that I lead for LACP. Thus this last weekend, with the help of the workshop class, we self-published the second Edition of this awesome course outline. As expected, the workshop members enjoyed the experience and this little self-publishing task reduced a little bit the self-publishing mystery.

This Edition was of course another huge undertaking; one stiff cover with three folded sheets, thus 12 pages for the course outline. Then using the long-reach stapler (home-studio book binding equipment), each participant bound their own book. The Edition size is a whooping 18 copies. These will be signed and numbered on the last day of the workshop this coming weekend. Okay, perhaps a bit tongue-in-cheek with a tiny presidential style over-statement.

One thing I had an opportunity to play with is the double-sided matte inkjet paper that is sold at Staples but made in Germany. They did not have any of the Epson double-side presentation matte in stock and having waited to the last moment to buy this, I had to improvise. This double sided paper is pretty decent, probably with a little more optical whitener, nevertheless printed nice. I can see where I am doing some experimental photo proofs, using this paper may be just fine versus using the Epson presentation matte as well as save a few bucks.

Biggest headache for the day was trying to get the double sided ink jet paper to feed through my Epson desktop printer/copier (Workforce WF-7620). The Staples paper weight of 170 g/m2 is only slightly heavier than the Epson’s 165 g/m2, so not sure what the deal was. I was using my Epson 4800 to print the image on the front outside cover and then the Epson desktop to print the copy. So I had to revert back to using the Epson 4800 to print the cover’s inside and outside copy, but even then the paper was a bit touchy going through the Epson printer three times. I now have a work around to run the paper through twice, so that should help when preparing for the next workshop.

I have found a couple of typos in the second edition, so I will see if this little self-published booklet evolves into a third edition. Ought to be making the 12 copies of the first edition all that more valuable!

Having developed the course outline earlier this year, then as editor/proof-reader for Eanne’s Self-publishing Guide, all of which came together when I wrote my Guide to Self-Publishing an Indie Artist Book. My Guide appears to be on target for release at Medium in San Diego at the end of this month.

Cheers!

 

September 29, 2017

Book dummy: Guide to Self-publishing an Indie Artist Book

Filed under: Art Market, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 3:41 pm

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book dummy, Guide to Self-publishing an Indie Artist Book 2017 Douglas Stockdale

Well today I just posted on Instagram the photo above revealing what my book commission is about that I have been working so diligently on for the past three weeks. Not that I was looking to write a how-to, but there are some side benefits to this project. I have been in a heavy writing, now editing mode in that this is going to be published sometime next in mid-October and I anticipate being launched at the Medium Festival in San Diego at the end of October.

The cover photograph of a stack of photobooks was photographed by Scott Mathews, which I will discuss a bit more next week when things calm down. Meanwhile, still in the midst of the heavy copy editing with my Text Editor Gerhard Clausing and getting a technical review of the pre-press, printing and binding text with Craig Evans at Dual Graphics. Sometimes the final editing gets a bit complicated as the various copy versions move back and forth between reviewers, so we are doing a final review of the whole thing today.

Making progress as the final copy should be heading to pre-press for loading into InDesign late today. Yes!

Cheers!

Doug

 

September 22, 2017

Book commission – editing in progress

Filed under: Art Market, Books, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 9:36 pm

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Book commission, edits 2017 Douglas Stockdale

A couple of days ago I blogged about the working on the text formatting process for this book commission. In the meantime Craig and I worked out a text layout design and a method to work together on how to complete this aspect of the book.

While working on the rough edit of the text and in order to provide myself with a little breathing room while trying to solve some concerns I have about the flow of the narrative, I have started some editing of the text. Yes, the infamous red-lines! One aspect of doing the red-line edits is it provides a bit more clarity for this section, in this case the Introduction, while giving me some ideas of how to resolve where I had a bit of writers block.

The other aspect of starting the red-line edits is realizing that it is also time to bring someone on board as a final editor of this heavy text project. Thus my buddy Gerry Clausing, who besides being the Associate Editor for The PhotoBook Journal is now the Editor for the SoCal PhotoExchange, has agreed to help me out as a text editor. I hope to have something for him to start with by the middle of next week. I need to progress beyond a rough edit of this writing so that I do not drive him crazy.

Meanwhile I have another buddy, Scott Mathews, working in his studio on the various options for the photograph to use for the book’s cover image. More about that shortly.

So far, so good!

Cheers,

Doug

 

 

September 20, 2017

Commission book dummy phase 3

Filed under: Art Market, Photography, Projects/Series — Tags: , , , — Doug Stockdale @ 10:20 pm

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Commission book dummy, text layout alternatives, 2017 copyright Douglas Stockdale

At the end of last week I posted about having a better defined book dummy; a straw man for the amount of pages I might need and well into the process of using post-it notes to signify what attributes of this book commission were going to end up where in the book.

I also stated that I was writing like a wild man and I was pretty sure that no-one was going to be impressed by a photograph of my keyboard (if someone is, let me know!). Nevertheless, what I am writing at some point needs to land inside the book. So last night I met up with Craig Evans, a layout designer, who is going to convert my writing using InDesign into what will eventually become the printed page. So first thing this morning I received a PDF of 30 pages of writing in a potential text layout for this book. Concurrently I had used MS Publisher to create a test page with the two-column layout we had discussed and I had envisioned for this book. I needed to have an idea of what my word-count was going to be per page which would then help me know a little more about the page-count should be.

So in the photo above are the two pages side-by-side within the book dummy of these two versions, each with a slightly different size and style of font, as well as a slight difference in header and paragraph spacing. I suspect we are going to dicker over the text layout so more. Nevertheless, we agree on many of the layout aspects, but when printing a book, it is all in the details.

Meanwhile, I am back to writing the rough edit once again.

Interestingly I have the photographs that I am going to use in my notes and we are also discussing the size, location and what paper we are going to print these on. More on that probably next week as we are really flying towards the publication deadline. Yikes.

Cheers,

Doug

September 14, 2017

Commission Book dummy phase 2

Filed under: Art Market, Photography, Projects/Series — Tags: , , , , — Doug Stockdale @ 11:45 pm

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Commission book dummy, saddle stitch 2017 copyright Douglas Stockdale

For those who have been following me on the development of this book commission, it has been a crazy week. I am now back to developing the book dummy. Last Friday I mocked-up a potential book dummy to the proper book trim size using some stationary that I had cut to size which I was holding together with some large paper clips.

Over the weekend I was able to order some some semi-gloss printing paper (80# White Recycled Velvet), cut to the book’s trim size (still 9-3/4″ x 7″H) bound with a basic saddle stitch to hold it together. I also had a similar printing paper, but using the cover stock version (slightly thicker) to simulate the potentials book’s stiff-cover.

As a straw-man for the book’s interior, I had it constructed from 10 sheets to provide 40 pages (4 pages per each sheet) plus covers. Since I have a long-reach stapler, I can add or subtract pages from the dummy as I progress.

I already realize that I will need pagination, so I penned the page numbers onto each page. I am also thinking that I will mix the printing papers for this and use both a glossy and a luster paper stock for the photography and probably this 80# recycled Velvet for much of the text, so I have started adding sticky notes as to where the different papers will be used.

The form of this book is starting to quickly take shape and line-up a little closer to my pre-visualization of this book.

Concurrently, I am writing like a wild man the text for this book. Pretty sure you do not want to see a photograph of my keyboard!

Cheers!

Doug

September 13, 2017

Introduction to Photo Book Design workshop – class work-book edits

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Introduction to Photo Book Design, self-published 2017, Douglas Stockdale

In preparation for the next two-day workshop  Introduction to Photo Book Design that I will be leading for LACP, I am in the process of making the edits to my first self-published work-book that I use for this workshop. This will soon become the Second Edition of this work-book, while the First Edition is now in the hands of the hands of the first workshop participants from earlier this year.

As in past workshops I lead not only do those attending learn something as I do as well as what is working and what is not for the group. There are a lot of changes to consider as the whole book publishing market and process is constantly evolving. That in conjunction with the feedback I received on the workshop expectations. Thus as my workshop needs updating and it’s necessary to make some tweaks in my course outline work-book.

My process for making changes is to use sticky-notes as to what I need to edit as illustrated above. This may appear like a massive change, but it is essentially tweaking some fine points. Expand that, deleted this, modify how I discuss this aspect and add this into the mix.

The work-book will be assembled and bound on the beginning of the first day of the workshop by those attending to help illustrate how easy it can be to self-publish a book. There is no question that photobooks can become very complex works of art as a book-object, but the underlying concept is pretty straight forward. Part of how I try to create some fun into this intense and practical workshop.

So come join me!

The workshop is being held at the LACP facilities: 1515 Wilcox Ave, Los Angeles, CA

Let me know if you have any questions

Cheers,

Doug

P.S. Other self-serving stuff that I need to keep repeating: I still have a few copies of the Bluewater Shore edition that are available (and another book review for Bluewater Shore that will be posted soon). So email me (doug@douglasstockdale.com) if you are interested in more information. Note Pine Lake is no longer available.

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