Ready for a Holiday (Bluewater Shore, artist book, self-published, 2017) copyright Douglas Stockdale
Very exciting news; last week I have a sponsor for my limited edition artist book Bluewater Shore!
For the past six days I have radically shifted gears to finalize the development of my project: book & cover design (same as Pine Lake), tweaked a couple of the images, created a set of production proofs and pre-production high resolution files, created a set of web ready images and just posted these on my web site, fine tuned my introduction (below) and put together a little press release flyer that provides an overview of this artist book which I was able to start handing out at the LACP open house this last Saturday. Yep, I’ve been a busy guy ;- )
Bluewater Shore Introduction: A semi-fictional story about an American rite of summer. This is a visual narrative about a women’s holiday, an exciting trip to the shore with friends. This is set in the late 1940’s and investigates a new sense of independence for women that occurred during and following World War II.
The good news is that I have been mulling over this book project for the past couple of years after self-publishing Pine Lake. Sort of had this on a slow-simmer; so the concept and what I want to accomplish was pretty well thought-out, thus when I received the go-ahead, I had the planning complete so I just needed to update all of the files and book dummy.
At the moment I looking at a book launch for Bluewater Shore at Photo Independent (April 21-23, 2017) at which I already have a table reserved. Also starting an interest list, so let me know (email@example.com) if this project might be one you would like to support and purchase one of the 99 limited edition copies. Very close to setting the final price, so that will be announced shortly.
Trubuco Canyon 2017 copyright Douglas Stockdale
This week one of the photographic groups I attend, The Photographers Exchange, is having the annual print exchange meeting (at IFAC on Thursday, March 16 starting at 5:30pm). Except with a slight twist; everyone who brings a print will leave with some else’s print, it is just the print you leave with maybe different than the one your heart truly desires.
This turns into a fun and wacky meeting; first all of the prints are laid out and everyone has a change to pick their top three prints. The print with the highest score allows that photographer who brought the print to choose one of the other prints. The photographer whose print is just selected, then gets to choose one of the remaining prints. and so it goes and typically as the night wears on, the selection of the available prints becomes more and more limited.
The idea strategy (my version): bring a nice matted print that most would like to ensure that this print gets selected early in the evening which in turn would provide me with a larger group of prints to select from. Has worked pretty decently in past years and I have left with some interesting photographic prints from my friends. A slight variation is that if the print that I really desire’s most was no longer available and the photographer also liked my print (but again, did not obtain it), we will do a post-meeting print exchange.
The print I will be bringing is featured above and is an open edition, 6″ x 6″ inkjet with archival white matte (11 x 14″) ready for framing. I think its a winner ;- )
So if you are in the O.C. area on Thursday, I hope you can make it (and bring a print! the only requirement to attend). There will also be some pizza, veggies, & soda.
Ciociaria published by Punctum Press (Rome, Italy)
For those on the Left Coast, Los Angeles Center for Photography (LACP) is having a Spring Open House on March 18 & 19th, 2017 at their L.A. facility; 1515 Wilcox Ave., Los Angeles, California.
I have been invited to present, discuss and sell my photobooks and I will have a table from 2 to 5pm on Saturday, March 18th. I will have copies of Ciociaria and one or two copies that are left of Pine Lake. I have still have a couple of issues of LensWork #74 in which my portfolio In Passing was featured.
And of course I will be discussing my Introduction to Photo Book Design workshop that begins on April 1st. I have told that there are a few remaining spots still available for this dynamic two-Saturday workshop.
If you are in the area, I hope you can drop in and say hello.
Middle Ground, San Diego, 2016 copyright Douglas Stockdale
I have enjoyed a short breather from my Middle Ground project, an investigation of “Fortress America”, a sarcastic visual parody of the current political desire to build a HUGE wall to protect America from the desperadoes of the South. I touched on this project briefly during my interview with Aline Smithson for Lenscratch, but none of photographs from this project were included (I think that this is my bad, as I meant to, but not sure that I actually provided one)
So a quick recap: I now think that I have all of the photographs to finish this project (which means I will not be acquiring the 50mm Distagon for a film version of this project), now heavily into editing and I think that time is of the essence to get this project completed. I do not think it will stop the political folly, but this might help with the discussion as to why this wall is such a stupid, impracticable and expensive idea (I don’t think that this concept worked for China or most recently in Berlin). Yes, a billion dollar wall that can be overcome by a used $25.00 ladder. sigh.
One idea for an artist book (and hopefully a trade edition) is to design, print and bind the interior pages as an accordion (Leporello or Concertinas). The results will create a continuous line of the barriers (photographs), thus another layer of visual parody about The wall.
Okay, back to work!