Doug Stockdale's Singular Images

September 24, 2014

Pine Lake > The Box of Dummies

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Pine Lake copyright 2013 Douglas Stockdale

A little update on my artist and limited edition photobooks. With Paris Photo approaching in November, I noted that there is another call for book dummies (Rock Your Dummy!) by the Paris PhotoBook club to be submitted by the end of this October. Last year I had submitted the book dummy for Pine Lake and just noted that the Paris PhotoBook club has a page about resulting The Box of Dummies which are on tour and includes my Pine Lake book dummy. Currently the last remaining copies of this artist book are available from photo-eye‘s photobook store.

So at the moment I am starting to assemble another book dummy (or two) for Bluewater Shore to submit to the Paris Photobook club for potential acceptance and exhibition during Paris Photo and the Rock Your Dummy! event. Especially now that I have most of the kinks worked out for the book design and image sequencing. If all goes per plan, I expect to publish and release the limited edition (150 books?) of Bluewater Shore early in 2015.

Cheers!

September 17, 2014

Memory Pods – exploring the possibilities

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#55 Ghost Pods copyright 2014 Douglas Stockdale

This summer I have been continuing to explore the possibilities of my Memory Pods project that I initiated last May. The camera-phone in conjunction with the Snapseed App offered one alternative view point while the full frame digital offered a different, with the resulting collection of images looking a bit schizophrenic. I am still trying to sort this out, but at the moment, it is what it is.

Towards the end of the summer while looking at these photographs, I began to see the possibility of having some of the images in Black & White. A Photoshop Black & White conversion layer facilitates this process very nicely. After I tweak each image a few times while printing some test proofs, I will probably flatten the image stack and convert it to a Grayscale file.

For the early and subsequently much later period while memory loss is occurring for someone it is not a black and white situation, but a lot of gray areas as to what is exactly happening. This lead me to investigate when the memory loss is complete, how might I that experience be like? This is pure speculation as trying to discuss with a person with dementia about their experience is a difficult, if not futile, task. I observe that a person with dementia is usually not happy unless under a ton of medications, even then they appear more of a zombie, thus a gray palette seems very appropriate.

From my past photo-blogging experience I am dying to explain what the photograph in this post represents for me but now I realize that by explaining what it means for me might takeaway what this image represents and means for you, the reader. Nevertheless to provide a little hint I have included my title for the photograph. Enjoy!

Cheers

June 5, 2014

Memory pods – 39

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Untitled (Memory pods #39, Aging Memory pods) copyright 2014 Douglas Stockdale

This Memory pod project continues to evolve, but since my subject is evolving towards the end of it’s bloom and seed cycle as a subject it is about at it’s end for this year. I really can’t recall if this plant blooms once per year or twice, but I guess by the end of this year I will know.

When I started this project last week the plant’s pods were pretty vibrant and green. This week the pods that remain are slowly turning brown and thus providing more opportunities to investigate memory with the passing of time. Not to difficult to understand that as we age, the neurons don’t spark as fast, while for some, regretfully, the neurons are literally gone, which is the inspiration for version #39, above.

This image may appear a bit different from the previous version in another way as I have switched to the full frame Canon 5D instead of the Samsung camera-phone. Because I still have an interest in the Snapseed app on the Samsung, I will probably photograph my subject with both cameras. Okay, for this session I will not be getting out the Hassie and film, a bit too late to start that.

Cheers

February 21, 2014

Emaho magazine

Filed under: Art Market, Books, Photography, Projects/Series — Tags: , , — Doug Stockdale @ 9:34 pm

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“American” photobook titles, copyright 2014 Douglas Stockdale.

I have been just invited by Manik Katyal, founder, editor and publisher of EMAHO magazine to be a contributor to his magazine joining he and Colin Pantall as photobook reviewers. We are still working on the details of what that means, but the short answer is that he would like to co-publish my book reviews that I post on The Photobook blog. You may also recall that Katyal featured my artist book Pine Lake on EMAHO magazine.

Katyal has also asked that I focus on American photobooks, as Pantall is located in the UK and is predominantly covering the European photobook scene. When I stated The Photobook blog in 2009, one key aspect of this project was for me to look at photobooks beyond the borders of the U.S. as I see photobooks having a intercontinental reach. So this has stirred mixed emotions, but fortunately Katyal has not asked me to be a book reviewer exclusive to American photobooks.

With the internet and social media I observe a really quick mashup of ideas and concepts being shared amongst photographers and book makers. This request to be an American specialist is an interesting one. I am in the midst of reading America Latina Photographs (1960 – 2013) recently co-published by Museo Amparo, Fondation Cartier in conjunction with Thames & Hudson. American Latina covers an extensive and diverse region, extending from Argentina and Chile north to Mexico and includes the Caribbean islands. The curators/authors devolve into question of what does the term America Latina photography signify. I think the same beguiling question encircles the idea of American photobooks. Thus expect me to be equally broad and diverse while to looking at American photobooks.

I will start by broadly defining American photobooks as those created by someone born in America, someone who has moved to and resides at least a part of their time in America and photographers who reside in places other than in America who in turn investigate the culture, landscape and society of America.

An example I have in hand is Andreas Oetker-Kast’s recently published photobook Looking for Wonderland, a German photographer who made an American road trip investigation transversing across the U.S. Likewise Andrew Phelps, an American photographer who now resides in Austria who returned his family home to investigate a region of Arizona titled Haboob. And quintessential American photographers such as the late W. Eugene Smith and his three volume opus Big Book.

My photobook reviews will not be exclusive to the American photobook, but perhaps I will become a little more keen observant as to what is being published with regard to America.

Cheers!

footnote: the photograph of the American photobook stack, above, is also an investigation into the use of my recently expanded studio space. Another work in progress, but so far, so good.

January 30, 2014

Instant Nomad at SFO

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untitled (San Francisco Airport, CA, January 2014) copyright 2014 Douglas Stockdale.

While looking at these two alternatives as potentials for my Instant Nomad series, the panoramic above is more in line with my intent. With a traditional format camera, I would have definitely wanted to step back to include the multifaceted perspective. Each window is providing a narrow view point and with it a unique narrative, that in turn expands with the inclusion of the adjacent window narratives. With the panoramic photograph, more windows and thus the narrative becomes even more expansive than with the 10 x 8 photograph below.

Cheers!

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January 29, 2014

Industrial Yard, Cornona

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untitled (Industrial Yard, Corona, CA December 2013) copyright 2014 Douglas Stockdale.

Continuing to look at my panoramic photographs as a part of my Instant Nomad project. And continuing to be interested in how these particular kind of panoramatic formatted photographs look.

I choose the cropping of the 10 x 8 format below to isolated and center the subject which initially caught my interest. I think that the centered subject creates a little more static and objective image, what many might say is a more contemporary view point. Interesting to me as to what objects that were included in the edges of the panoramic photograph are now lost and how this redefines the image’s description of space.

If the objects on the edges of the panoramic were of interest to me, say the blue barrels, and I had a desire to include these in the 10 x 8 image, I could of course stepped backwards (If I had the space to do this, which in this case, I did). That in turn would have then meant that the resulting composition would change with the inclusion of more foreground or area above the yellow cart. In this case, I have the central composition that I was interested as per the 10 x 8 below, but with the panoramic I have some bonus stuff.

I find both equally interesting.

Cheers!

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January 19, 2014

Bluewater Shore – Maquette walk-about

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Artist photobook maquette, Bluewater Shore, copyright 2014 Douglas Stockdale.

As I stated earlier this month, one of my short term objectives to finish my first maquette for this artist book was to obtain some feedback on book concept & design during photo l.a. this weekend. In fact, I did manage to obtain a bunch of evaluations on the fly with friends while attending photo l.a., then a couple more afterwards over dinner with a some other like minded friends.

Part of our discussions centered on the book’s design, layout and sequencing with one outlying image as an alternative. There was also some brainstorming this limited edition concept, the series of books that this project will be part of as well as photobooks & photography in general.

Mission accomplished! I think that I am now ready to lock down the selection and sequencing of the images and the related text to fabricate a second maquette for my graphic designer to prepare the pre-press files. nice.

At photo l.a. I acquired Gerd Kittel’s photobook Route 66, to help with the concept of what will probably be my third artist book in this series. What I did not anticipate was a little artist book brainstorming session with the woman who does the hand bindery for the Silas Finch photobooks, a conversation which may lead to a fourth book in my series. very cool.

Cheers!

January 10, 2014

New Year’s housekeeping – start of 2014

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10×10 American Photobooks exhibiton catalog, copyright 2013 10×10 Photobooks

Today was a bit of virtual housekeeping day, as with all of the events that crashed into the end of the year, there were some things that I did not complete that I should have. Most of these tasks are related to my personal self promotion as an artist/photographer, but in the end, the cobblers kids don’t have shoes. Yeah, those subtle things that I need to do for myself go to the sidelines while I complete the tasks at hand; ship books to bookstores, send out invoices, attend book fairs, respond to editorial requests about my books, etc.

So in order of what I did today  (since I kinda hear you asking), is 1. update my web site with the shout-outs regarding my artist book Pine Lake, 2. update this same web site with some 2013 accomplishments (you probably get the idea that keeping a web site updated is viewed as a necessary pain. Yep!), 3. finishing some Facebook shout-outs regarding my photobook Ciociaria and last, 4. publishing a commentary on the 10×10 American Photobook exhibition catalog in which I am featured. sigh.

The three publications which featured Pine Lake at the end of the year were easy to copy & paste into the web site. Yes, this blog is more interactive and easier to use repository of links, etc., so the links are over to your right under the category of Web Ink.

Same for a few updates to the my CV on the web site. My book Ciociaria was accepted into the Indie Photobook Library (IPL) a donation that was made possible by the support of Ella and Zachary Webb.  hmmm, Pine Lake would be another possibility for IPL, so I am now looking for a sponsor who might want to help make this happen.

And last is the review of the 10×10 American Photobooks catalog that includes my selection of photobooks for this series of exhibitions.

Okay, Done!

Cheers

January 8, 2014

Bluewater Shore – Maquette

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Artist photobook maquette cover, Bluewater Shore, copyright 2014 Douglas Stockdale.

A couple of days ago I started a discussion about my next artist photobook for 2014, Bluewater Shore, which I have just finished the first maquette in preparation of getting some feedback from friends at photo l.a. next week.

First, in the photo of the marquette above, the artist photobook dummy appears kinda of chunky, but that is due to my creative process. At this point in time, I have not finalized the selection of the interior photographs, nor the sequence. The image size and margins on the page will be the same as those I used for Pine Lake. Thus after I developed the marquette’s framework, the photographs are being held in place with paper clips (you can see them at the edge of the page) to facilitate changes. Thus, the thickness is a bit unwieldy. When I am pretty sure of the image selection and sequencing, then I will probably tape the images into place.

One change that I am making to Bluewater Shore  is the book binding process of the interior block to the book cover and I am using another manual process; pamphlet sewn stitch. For the Pine Lake artist book, I had used an aluminum prong binding process, almost identical to what was used by Kodak and Ansco for their promotional processing booklets. The downside to the manual prong binding process was the tedious punching of the holes and getting the alignment of the holes correct. Since I was using a hand paper punch, I could only punch three pages at a time. I busted a couple of these punches when I pushed the amount of pages to hole punch. One result of the prong binding was another reason to keep the edition size of Pine Lake to 25.

With the pamphlet sewn stitch, still a very manual process, it is keeping me literally in touch with each and every photobook that I am making. Even the ice pick tool to make the holes for the pamphlet stitching is from the same 1940’s period as the found photographs, or maybe even earlier. A very subtle, essentially unseen, and metaphoric book binding process.

The colors for Bluewater Shore were selected from those used in the same late 1940’s period as my short story is set in. The Canson 300 gm cover is a Sky Blue and the waxed Irish linen thread is a wonderful pink, aptly called Bubble Gum. You can still find these two colors in many of the bathrooms and kitchens of the 1950’s and probably 1960’s houses in the US. My parent’s house in Michigan comes quickly to mind. Oh yes, these were two of my mom’s favorite colors as well, thus another symbolic element.

What I did determine during the construction of this maquette is that my HP desktop printer can not process the 300 gm cover stock. This heavy paper jams the paper feeder and it jams it really well. Thus back to my Epson 4800, which I had suspected that I would need to use and I should have started with it to begin with. sigh. Some lessons are harder to learn than others.

A big change for Bluewater Shore will be that this artist photobook will not have the matching hand made wood frame and cover as did Pine Lake. Since I want to increase the edition size and keep this artist book reasonable priced, I need to make some changes, this probably being one. One thought is to have a large edition of just the stiff-cover book, and a smaller edition of the hand made frame and stiff-cover book. Nice thing about being an artist, I can change my mind on this.

Another change I am making is the printing of the interior pages. With Pine Lake, I had utilized laser printing from a local quick print shop. hmmmm, an area for improvement.  For Bluewater Shore, I will be using an offset lithographic printing process, probably two color. Still working the print, fold and trim details out with a local printer. I will have the printer also fold and trim to a saddle stitch style (without the saddle stitching) so that the signatures will be ready to stitch to the cover. I also plan to increase the limited edition size to 100 or more.

Another draw back to the small edition of Pine Lake was the limited samples available to send out for reviews; there just weren’t any. Thus Pine Lake ended up being under the radar a bit. So for Bluewater Shore, I want to have enough copies to send out to my fellow photobook reviewers to generate some buzzzzzzz. Or at least I hope it will get a little :- D

Cheers!

oh, as to the contents of the maquette, here’s a tease:

holiday_preparations

December 30, 2013

Pine Lake featured in Emaho Magazine

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Pine Lake copyright 2013 Douglas Stockdale.

I was thinking earlier today that I should finish the year with a post about what my objectives were for next year and thoughts about this past year.

But then Manik Katyal, the Editor-in-Chief/Publisher of Emaho magazine disrupted my great plans with his article about Pine Lake. So how cool is that?!

I have to admit, what a very, very nice way to end the year. So check it out here.

Cheers!

Oh, and there are only a few copies of Pine Lake left now.

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